Bastard Grave

Bastard Grave – Diorama of Human Suffering Review

Bastard Grave – Diorama of Human Suffering Review

“For one, Bastard Grave hails from Sweden, which is the home of some of my favorite death metal releases. Classics like Entombed‘s Left Hand Path and Dismember‘s Like an Everflowing Stream, as well as Grave‘s entire catalog, warm my sad, little heart. The riffs, the vocals, and the pace—which feels like treading through knee-deep mud—grip me like quicksand. Second, Bastard Grave have a female bassist. Hmmm… like Bolt Thrower, you ask? Are Bastard Grave a Swedish Bolt Thrower?! Because that would be sick.” Grave reviews.

Bastard Grave – What Lies Beyond Review

Bastard Grave – What Lies Beyond Review

“I presume most of you guessed Bastard Grave‘s chosen genre without listening to a second of their music, but in case you’re an extreme metal newbie (welcome! Take a seat, have some cake! Don’t mind the skulls, they’re not real. Probably), this extract from their promo sheet will give you a hint: “With the opening blare on the album starting off with the all-too-familiar guitar feedback reminiscent of a vague Entombed-ish trademark, it is easy to tell What Lies Beyond is heavily laced with the murderous HM-2 destruction and with absolutely no mercy.” That’s right, old school Swedish death metal that’s so devoid of new ideas, even the label thinks it’s generic!” Let’s get rote to the point, shall we?