Bloodbath

Paradise Lost – The Plague Within Review

Paradise Lost – The Plague Within Review

“Rebounding from their infamous flirtation with electronic pop music, British doom legends Paradise Lost have kicked out a string of albums since 2005 that rival the sonic oppression of their early-’90s heyday. More recently, the band has embraced their death metal roots, as evidenced by guitarist Gregor Mackintosh’s Vallenfyre project and singer Nick Holmes’ involvement with Bloodbath. This intensified commitment to old-school heaviness sets the stage for The Plague Within.” The Lost Ones are back, but what do they sound like after vacationing in the realms of death?

Bloodbath – Grand Morbid Funeral Review

Bloodbath – Grand Morbid Funeral Review

“The death metal super group of all death metal super groups is finally back from the grave after six long years moldering in the soil. Bloodbath needs little introduction, as the preeminent standard bearer of all things retro Swedish death this collective composed of members of Opeth, Katatonia and Witchery once included the likes of Dan Swanö and Mikael Akerfeldt, but both have fled to other pursuits, leaving the band’s new era in the hands of Nick Holmes (Paradise Lost) who now handles vocals.” Can Mr. Holmes shed his rave club past and bring his share of gore to the bathtub?

Horrendous – Ecdysis Review

Horrendous – Ecdysis Review

“Of all the throwback forms of metal that conjure warm fuzzy feelings of nostalgia, the famed Sunlight Studios sound, pioneered in Sweden during the late 80s/early 90’s, remains the most endearing yet oversaturated styles around. For every Bloodbath, Entrails or Blood Mortized there are countless other derivative bands bogged down by their lack of songwriting finesse and fresh ideas. So when East Coast death metal crew Horrendous burst onto the scene in 2012 with their accomplished debut album The Chills, it gave the tired style a welcome shot of adrenaline.” Can this be just as horrendous as their debut? More horrendous even?

Slaughterday – Ravenous Review

Slaughterday – Ravenous Review

“Death metal has pretty much gotten to the point where if you’re not doing something new and cool with the genre, then you’re damned to be unknown for the rest of your career. Even though tours like Summer Slaughter are covering every corner of the genre, some bands are just not willing to progress any further and stick to what isn’t broken and doesn’t need fixing.” It’s time for yet another probationary writer to shake the word machine and see what falls out. Here we have Gothmog discussing the wares of retro deathsters Slaughterday.

Gluttony – Beyond the Veil of Flesh

Gluttony – Beyond the Veil of Flesh

“As impressive as sweep picking, blast beats and odd-time grooves are, there’s something to be said about death metal that doesn’t reach for the skies but digs in graves. There’s a certain charm to taking a genre and just executing it well rather than adding bells and whistles, and that’s exactly what Beyond the Veil of Flesh does.” Zombies, gore and flesh eating. It’s all here.

Paganizer – World Lobotomy Review

Paganizer – World Lobotomy Review

“More Rogga?? With Mr. Johansson being involved in one of every three reviews I write lately, maybe we should change the website name to Rogga o Rama. I’ve recently examined his Megascavenger and Just Before Dawn projects and here he is again with his main outfit, Paganizer (he also has a collaboration with Paul Speckmann of Master coming in a few weeks). The man is an omnipresent force in the Swedish death scene (hell, he IS the Swedish death scene) and he’s been responsible for lots of rich, creamy death metal. In all honesty though, I’ve always found Paganizer to be a pretty spotty act. Some of their early output was solid and some of the more recent stuff was less so.” So does World Lobotomy cause brain damage or suffer from it? Our resident Rogga expert Steel Druhm is back from the nervous hospital to provide his diagnosis.

Angry Metal Guy’s Unsigned Band Rodeo: Infested – Obliterate

Angry Metal Guy’s Unsigned Band Rodeo: Infested – Obliterate

In our new monthly feature, which will show up here on the 15th of every month and run over the next few days, I (Angry Metal Guy) will select 5 bands at random (usually those who have followed my directions and have bandcamp accounts) to get blurbed by every member of the AMG staff. The idea is to do at least a bit of our part to point out that the metal underground is still an important part of the world of metal. While we simply don’t have the manpower to produce regular reviews of unsigned bands, this is my attempt at a minor mea culpa if nothing else. So enjoy Angry Metal Guy’s Unsigned Band Rodeo and our fourth entry for April 2013: Infested!

Vorum – Poisoned Void Review

Vorum – Poisoned Void Review

Back in 2009, Finnish death metallers Vorum produced what I think is probably the finest EP ever written. At twenty minutes long, Grim Death Awaits is a veritable tour de force of the kind of evil, heavy-but-groove-oriented death metal with an old school feel that so many bands have tried to imitate but never really could. The riffs were razor sharp, but there was a fiendish furiousness and seriousness reminiscent of the most orthodox of black metal bands. Few songs on Grim Death Awaits peaked longer than 2 minutes, and while some reviewers complained about certain aspects, this was death metal of a pure, distilled form. Twenty minutes of death metal perfection. But of course, you all know what expectations means…

Beneath – Enslaved by Fear Review

Beneath – Enslaved by Fear Review

Who would have thought that an icy wasteland would be good for the music community, it seems ice inspires insane speeds and death metal! A few weeks back, in my review of Kontinuum’s Earth Blood Magic, I commented on the metal kick-assery that’s making its way out of Iceland (and in particular Reykjavík), and at the time of their review another band aggressively caught my attention, doggedly refusing to let my mind rest! In true shit-happens style I ended up missing their release date and now you have a retrospective review of Beneath’s Enslaved by Fear [I feel shame at my tardiness].