“Being quite the Revocation fan, I was pleasantly surprised earlier this year to see that Dave Davidson’s partner in crime, Dan Gargiulo, was involved in a death metal side project. That band, Artificial Brain, released their first full-length, Labyrinth Constellation this February, and we unfortunately didn’t get the chance to review it. As some of our more kvlt readers pointed out, this was a mistake.” We missed it, you bitched about it, now we make recompense.
“The Spaniards in Dantalion have been knocking around for quite some time in Iberian obscurity. Having never heard of them, it was the cover for their fifth album, Where Fear is Born that grabbed my steely eye and got me to listen, and I’m quite thankful I did. Though their older albums feature a blend of depressive black metal and melancholic doom, they abandoned the blackened aspect of their sound in favor of melodic, goth-tinged doom death, and from what I’ve heard of their older style, they’re all the better for the switch.” Don’t you just love a surprise? Steel Druhm does. He also loves arts and crafts and long walks in the woods.
“Ghost Chorus Among Old Ruins is the last album out this year that I expect to give a shit about, and what a loose, worm-riddled mass that shit is. Baring Teeth’s first offering, Atrophy, is a must for those who want to understand the future of death metal – discordant, abstract, disturbing and forward-thinking as a Rodin sculpture strapped to a freight train. If that intro didn’t get you reading, there’s nothing else we can do.
We don’t often do double reviews, and when we do, it’s for far bigger and more noteworthy bands. But when a review assignment gets double booked due to administrative malfeasance, and the opinions are as wildly varied as they are here, you get a bonus holiday double! For your Thanksgiving reading pleasure, we present two divergent thoughts on the tech-death insanity of Resumed and their debut album, Alienations. Don’t read with your mouth full!
“Up until now, there were three things that came to mind when I thought of Ireland; St. Patty’s Day, Guinness and Primordial. It turns out there is now a fourth: ZOM. Now, if you go to their Facebook page, this Irish threesome claims to exist in the “Anti-Matter Universe.” Goofy sounding? It is. But my Aunt has a summer home there and she just loves it. Regardless of where they reside, ZOM are definitely intent on wreaking havoc in this Anti-Anti-Matter Universe of ours.” That’s all well and good, but if they make me spill my Guinness, shit’s going down in all the universes.
“Metal has been extremely retro in the last 5 years. From rethrash to retro death metal, the whole scene has crawled into its proverbial ass in order to wallow in the digested remnants of metal music that is just plain better. Rethrash celebrates the 2.5 years when thrash was the heaviest and most exciting music on the planet. Retro death celebrates a time when bands would scrape together their last Swedish kronor to put a record together that would still sound like total shit. All the bands who wish they were Black Sabbath celebrate a time when amplifiers didn’t actually have overdrive. But all of these celebrated sounds appeal to us because they were authentic: times when newness and creativity gave the world something exciting and special. One such scene for me is the melodic death and black metal scenes of the Scandinavian 1990s. It’s an era when metal was heavy, engaging, abstract, and yet melodic—it felt exciting and new. While not all of the best ideas from this era were executed perfectly at the time, it laid the groundwork for the late ’90s and the early aughts when great metal bands produced great music.” What the hell does this have to do with anything? Click and find out!
“Great Scott! Like stepping into a sepulchral time machine, Skelethal have transported us back to when Sunlight Studios was Mecca, buzz saw guitars sounded like a swarm of bees, and vocals were scraped from the depths of the grimiest gutters of hell.” More retro death arrives, unfazed by the giant shadow of Bloodbath. That’s brave.
“Without fail, I always seem to come back to my mass of Swedish death metal albums in a given calendar year. During that time, I pass from album to album, band after band of angry-at-the-world vocals, heavy-as-hell riffs, and the bludgeoning anti-Christian, death, and war themes. Much like the thrash movement in the States, there are arguments over the “Big Four” of the genre.” And guess who isn’t getting included in anyone’s list?
“The death metal super group of all death metal super groups is finally back from the grave after six long years moldering in the soil. Bloodbath needs little introduction, as the preeminent standard bearer of all things retro Swedish death this collective composed of members of Opeth, Katatonia and Witchery once included the likes of Dan Swanö and Mikael Akerfeldt, but both have fled to other pursuits, leaving the band’s new era in the hands of Nick Holmes (Paradise Lost) who now handles vocals.” Can Mr. Holmes shed his rave club past and bring his share of gore to the bathtub?
“If you’re anything like me, you’re super awesome. But more to the point, you would have been saddened by the split of blackened death metal troublemakers Akercocke a couple of years ago. Perhaps the UK’s most consistently entertaining extreme metal act of the last decade, they seemed to improve on every album, reaching a pinnacle on 2007’s Antichrist.” The band is gone, but the legacy lives on in a disturbing new entity.
