Desaster

Nocturnal – Serpent Death Review

Nocturnal – Serpent Death Review

“Of all the things we have reason to bitch and moan about in 2021, whether it be this goddamn pandemic, sports, politics, work, annoying neighbors or whatever frustrating societal issue is pissing you off in these turbulent times, I don’t believe thrash should be on the bitch list. Yes this timeless genre that was a gateway for many folks into the wider realms of metal, has had quite the fruitful year by modern standards. Which brings us to the latest album from unheralded German thrashers Nocturnal, entitled Serpent Death.” Snake Whacking Day.

The Day of the Beast – Indisputably Carnivorous Review

The Day of the Beast – Indisputably Carnivorous Review

“The almighty riff. While I’m not entirely convinced of its importance, masochists like Diabolus in Muzaka and Ferrous Beuller spend their days raking the dregs of the Skull Pit’s outer limits in the vain hopes of discovering it laying amid the rusty needles of tech-death or beneath the gore and grime of OSDM, only to return empty-handed and receive yet another beating from the all-knowing ape. While the foundation of countless styles of metal, it’s a frail thing, as its weak implementation or absence can violently derail a song or an album. Worshipers of the almighty and ever-elusive riff, does The Day of the Beast succeed or will they crash and burn with the hordes of Nifelheim-copycats?” Nice to eat you.

Desaster – Churches Without Saints Review

Desaster – Churches Without Saints Review

“It’s been 4 long years since we got a Desaster album, and the world has certainly gone to Hell in a deathbasket without them. Though it does seem highly on brand for these sleazy creepers to release their ninth platter o’ splatter at the tail end of a global pandemic, so here comes Churches Without Saints, ready or not. For those of you not in the know, Desaster play an unhinged, unpolished style of blackened thrash with loads of classic metal influences crammed into every available nook, cranny and orifice. They’ve never cared about what’s trendy or popular, relentlessly pounding away with their caveman blackthrash style one decade after another like the remorseless war grinders they are.” St. Desaster.

Sodom – Genesis XIX Review

Sodom – Genesis XIX Review

Genesis XIX will be the first time in thirty years Blackfire has recorded a full-length with Sodom. It’ll also be the first time in the band’s storied career to have two guitarists. What will these changes do to the Sodom sound? Obviously, Angelripper sees life coming back to the band. But are four just one too many? And how many more war-themed thrash riffs does Ole Tom have left in him?” Re-Sodomized.

Bütcher – 666 Goats Carry My Chariot Review

Bütcher – 666 Goats Carry My Chariot Review

“Did you ever stop and wonder what a collaboration between Mercyful Fate, Celtic Frost, Agent Steel and Darkthrone circa Transilvanian Hunger would sound like? You probably didn’t, but Belgium blackened speed metal deviants Bütcher certainly did, and then they created 666 Goats Carry My Chariot to see if such a crazy musical time heist was even possible. It is, and I for one welcome our new time warping speed overlords, even as I flee from the super weapon of mass destruction they’ve wrought.” Goat show.

Urn – Iron Will of Power Review

Urn – Iron Will of Power Review

“Nothing in this world is as good as blackened thrash metal. In the book of Z, it is the pinnacle of not just metal, but music in general. While Australian acts like Gospel of the Horns and the fukkin almighty Deströyer 666 do it best, that doesn’t mean the rest of the world has nothing to offer. Finland’s Urn are one such band who have been reliable in keeping my head banging over the years, even if their straightforward take on blackened thrash was never enough to bring them to the big leagues.” Boo-Urn?

Ketzer – Cloud Collider Review

Ketzer – Cloud Collider Review

“If any band are poised to make a comeback, it’s Ketzer. Back in 2009 the German quintet burst onto the scene with their Satan’s Boundaries Unchained debut, which essentially sounded like the best album Desaster never wrote. I can hardly even mention Boundaries without wanting to blast it at ear-splitting volumes and to this day it remains one of my favorite blackened thrash albums of all time. Sadly, 2012’s Endzeit Metropolois was altogether weaker, while 2016’s Starless was an Illud Divinum Insanus-level atrocity that showed the group unsuccessfully attempt to rip off the goth rock style of Tribulation‘s The Children of the Night.” Don’t call it a comeback.

Deceased – Ghostly White Review

Deceased – Ghostly White Review

“Let’s talk about cult bands for a moment. Were you ever find the actual Book ov Heavy Metal and look up the word “cult,” there on the sacred parchment would be a photo of Virginia’s death/thrash warriors, Deceased flipping you the bird as they spill cheap beer on their ragged denim war vests. These metal lifers have been banging away with abandon since the 1980s, always with limited notoriety, though one of a kind frontman King Fowley has been everywhere on the festival circuit playing with October 31 or anyone else who has extra brewskis.” Dead and loving it.

Cemetery Lust – Rotting in Piss Review

Cemetery Lust – Rotting in Piss Review

“If you’ve ever had a nasty scab that just wouldn’t fall off and wondered what lurked underneath, it was Cemetery Lust, the audio equivalent of gangrene, sepsis, piss and pus. This infectiously thrownback thrash crew last tested the strength of my immune system with 2014s Orgies of Abomination, and to this day I’ve yet to scrape off all the ooze and offal spewed by that piece of nastiness. Four years later, they recur with the charmingly titled, Rotting in Piss, and all pathogens are once again airborne, this time with a hint of asbestos for extra lung fun.” Urine trouble.