““Five overlength songs of Sludge-Doom-Metal.” This is the opening statement made of Slug Lord’s sophomore release, Transmutation, on their one sheet. As far as inspirational and enthusing promotional materials go, this resides somewhere next to “chlamydia – perhaps the most average of all sexually-transmitted infections” and “Volvo – the best example of Swedish culture.”” Prepare the salt baths!
“Wondering why the band is called Swallowed? So was I; at least, until I put Lunarterial on for a spin. It was easy enough to work out after their musical palette aggressively assaulted my eardrums; their music swallows you whole and holds nothing back.” Prepare to be consumed by some nasty doom death.
“June is never a good month for the Grymm household. Between the rapidly increasing temperatures, even more rapidly increasing humidity, and BUGS EVERYWHERE, I’m not exactly what you would peg as “walking on sunshine.” I just want to stay inside, shun the sunlight, and get some dirge-and-purge going. And here comes Australia’s Mournful Congregation, with their stop-gap 2-song, 30-minute EP, Concrescence of the Sophia, bridging the distance between 2011’s all-encompassing somber funeral march, The Book of Kings, and their next full-length album. Should you stay in and harvest the sorrow, or would it be better for you to go outside, put on Coppertone SPF100, and flamethrow some 8-legged critters?” Grymm is far too fair for the scorching suns of summer.
Doom metal is a sub-genre that gets a lot of flak from orthodox metal fans for being “boring” or “too slow”, even more so for the processionary pace of funeral doom. Enter Denmark’s Woebegone Obscured, self-described as a “blackened funeral doom” band, with their debut full length Deathstination (self-released in 2007 and now re-released by I, Voidhanger records) – a crushingly slow doom album punctuated by high-energy black metal flourishes and a very apparent progressive mentality.
