“Whenever I hear a half-decent band describe their upcoming record as ‘experimental,’ I find myself afflicted with a sort of low-level split-personality disorder. Half of me wants to clap them on the back and praise their boldness, while the other 50% wants to give them all a good slap for risking disaster so needlessly.” Claps and slaps for all.
“It’s the music that sends me careening through a canyon as dark as a Nick Cave soundtrack and as unique as a Sólstafir record. It has a suffocating mixture of Shining-like desperate, voice-throwing screams and cleans moodier than your grandma’s sanitarium. Coming off 2013’s Burzum-esque EP, I hoped Gärdefors would push on. I hoped for his refusal to revert back to the generic sounds of Fyra elegier. I hoped for more Syner. Well, my hopes became reality. And that reality is Arvet.” (TGIDF) Thank God It’s Depressive Friday.
“Twenty-twelve’s Thaumiel got a hell of a lot of praise from Madam X and Angry Metal Guy. And, though, that was only a four-year wait following their debut, we’ve had to endure another five years for Sol Nox. Tiamtü was a great debut, but Thaumiel topped it. And now the question remains: will Sol Nox top Thaumiel?” It’s Black Metal History Month!
“It’s no secret: I love me some black metal. But, even I, have gotten tired of every other album we review being a product of the genre. And none of it is good. So, it’s no surprise that I have to ignore a large portion of the releases that sneak by our oh-my-god-I’m-so-sick-of-black-metal filters. Again, I love the genre and still listen to way more black metal than even the sickest doctor would dare prescribe. But many of the new black metal outfits just don’t do it for me.” Feel like you’re drowning in excessive blackness?
“Wiegedood’s debut may not be as pretentious as a band like Deafheaven (hallelujah!), but it’s thick with atmosphere and post-black attitude. The sequel hints at this heavy atmosphere, but De Doden Hebben Het Goed II never lets it meander for long. II, instead, unleashes a brutality fitting to a second-wave Norwegian outfit like Gorgoroth. The amount of hate and emotion set forth from II is enough to burn a hole right through your black heart.” That wasn’t part of the deal, Black Heart! That…wasn’t…part!
“With the AMG promo bin positively bulging under the sheer weight of obscure one-man black metal projects nowadays, whenever I’m tasked with reviewing the work of an unfamiliar BM outfit, I’ve almost begun taking it as a given that it’s going to be a solo affair. When Gudatall—the latest effort from mysterious Swedish black metallers Murg—landed in my inbox, I almost choked on my caviar when I cued up a promo photo and found there to be not just one individual behind the name, but two.” Two is the unkvltist number that there’s ever been.
“The biggest difference between 2013’s Doomsday Elite and their previous work is the amount of inspiration they brought into every track of Doomsday. They brought in The Kovenant’s Psy Coma to handle the closing orchestral arrangements, Negator’s Nachtgarm for vocal assistance, and the guitars of Keep of Kalessin’s Vyl. And Anti-Cosmic Art is here to take it one step further. The band brings more guests, unleashes more riffs, more blastbeats, and a plethora of guitar solos. The result is Sarkom’s best release to date. ” Is this the Avantasia of blackness?
“Boy, does Noctem bring back memories. Back in 2014, Exilium was one of the better albums I reviewed. A lot of this had to do with the fact that I was a n00b in 2014 (Exilium being one of the first reviews I ever wrote for AMG). But, even so, it stuck with me for the rest of the year. So, you can imagine the excitement and nostalgia I felt when this newest album, Haeresis, showed up in my inbox.” Reflections of a semi-former n00b.
This post was removed due to Dagon’s involvement in a number of explicitly Nazi projects and events. If you were unaware of this, now you know. Armed with that information, I encourage you to not support Inquisition or any Nazi band. The reason this is important is because financial support for Neo-Nazi groups often comes via the white power punk and metal music scenes and, therefore, cutting off financial support to these bands may be a meaningful way to counteract the ability to organize.
“Now that I have my fill of Waxen’s bizarre Weihung Auf Satan, it seems only right for some everyday black metal. That’s if you’re into that sort of thing. If not, today’s review will only upset you, but the name of today’s band alone ought to catch your attention.” What’s in a name, anyway?
