In Vain

In Vain – Currents Review

In Vain – Currents Review

“Norway’s In Vain is a melodic death metal band with a blackened edge to them. The band, which double’s as Solefald‘s live band and features Sidre Nedland who is the brother of Lazare, is back after five years with their fourth album, entitled Currents. They released Ænigma back in ’13 and it was mightily well-received.” You won’t believe what happens next!

Sentient Ignition – Enthroned in Gray Review

Sentient Ignition – Enthroned in Gray Review

Sentient Ignition burst onto the death metal circuit one year ago, dropping a two-track demo that caught the ears of everyone from MetalSucks to Toilet Ov Hell. Mixing melody, technical skill, and progressive intent, the demo delivered a product equal parts surprise and success. Enthroned in Gray is now tasked with living up to expectations set dangerously high for a band whose career spans 15 minutes and 52 seconds.” The confidence of youth and the wankiness of tech-death.

Steel Druhm’s Top Ten(ish) of 2013

Steel Druhm’s Top Ten(ish) of 2013

“As I gaze out the windows of the AMG offices (located hundreds of miles beneath the Earth’s crust, so I’m not sure why we have windows), I can’t help but wistfully reflect on my time with this fine metal institution. In just a few short years, the site has gone from one man’s labor of love to a major force in the metal blogosphere with a staff of ten dedicated writers, and though the journey wasn’t always easy, it’s been exceedingly interesting and rewarding.” Follow along as Steel Druhm gets maudlin, waxes nostalgic and grudgingly drops his Top Ten(ish) for 2013. A Two Kleenex read!

In Vain – Ænigma Review

In Vain – Ænigma Review

In Vain hails from Norway, famous for its black metal, its fjords, its oil, its social democracy, but certainly not its progressive death metal. It’s actually a little strange that the land that brought us BorknagarEnslaved, Ulver, and Solefald has never really produced its own Opeth or In Mourning, instead outsourcing that to its less affluent and pampered neighbor to the east (that’d be Sweden for the geographically challenged). Without getting too much into regional politics, it’s safe to say that given how high on the hog these Norwegians live—exploiting their Swedish workers and guzzling crude oil at the state’s expense—it’s surprising that none of them have wandered into the melodic, progressive death metal genre. They certainly have access to enough subsidies for the arts to do so if they wanted to.