2010

Chasma – Declarations of the Grand Artificer Review

Chasma – Declarations of the Grand Artificer Review

Debut albums are very important. One day when your band has built up a fan-base, people usually come back to your first album when your newer ones suck. So needless to say, it is pivotal to construct something respectable that might be hailed in the future. American trio Chasma are fairly new to the scene, having only released a demo in 2009, but they’re now releasing their first full-length Declarations of the Grand Artificer. Clocking in at a modest 32:33 with three songs, this wasn’t going to be the most accessible black metal record.

Above Symmetry – Ripples Review

Above Symmetry – Ripples Review

Progressive metal isn’t an easy place to be. Let’s face it, much of the world of progressive metal is a tussle between an old guard of old fans (the Neanderthals of Metal) who really like bands that sound like Dream Theater, Queensryche, and so forth, and then there’s kind of everyone else. It’s disparate, difficult to define and often pretentious as hell with little logic as to what is in fashion with which group. This is the natural outcome of genrefication, in my opinion, and part of that is a question of where a band can actually progress to. You’re either not heavy enough or you’re too heavy and you never please anyone. Few bands ever really manage to fall outside of these well-worn ruts in the road, but there are some fantastic bands in those ruts, Above Symmetry is one of those bands.

Nidingr – Wolf Father Review

Nidingr – Wolf Father Review

When I got this disc last year via Jester Records I missed it. I don’t know why it got shuffled off to the side, or what happened exactly, but for some reason it just didn’t get done in time. In any case, I just recently got wind that they’re readying for the US release so I figured I’d break out the Internet-pen and have at a review of this super group’s (Line-up: bass and guitars: Teloch [1349, Gorgoroth, Ov Hell, Orcustus, Umoral, Konsortium]; bass and guitars (again): Blargh [Gravferd, Dødheimsgard]; vocals: Cpt. Estrella Grasa [Kort Prosess]; and drums: Hellhammer [Immortal, Shining, Thorns, Umoral, Mayhem, Winds, Arcturus]) stab at reclaiming Norwegian black metal glory.

Crow Black Sky – Pantheion Review

Crow Black Sky – Pantheion Review

One of the things that people have been lamenting about the dawn of the Internet and how it will affect the future of music is that localized scenes no longer get localized sounds, and Crow Black Sky is definitely an example of this. Or more specifically, the South African metal scene seems to be a great example of this. See, Crow Black Sky is a melodic death metal band, whereas the other two bands that I’ve heard from South Africa (Heathens and A Walk with the Wicked) are black metal/black n’ roll and old school death metal. Due to access to music and information worldwide, it sorta kills that homogenization effect that gigging together, hanging out together and shopping at the same record store seemed to cause. Is it possible that the black metal scene from Oregon is the last cohesive scene we’re going to ever see? Well, that’s not actually relevant to this review. What is relevant to this review is that despite (or because of) the lack of homogeneity in the South African scene every single one of these bands that I’ve heard has been really very good. Crow Black Sky being no exception.

Exciter – Death Machine Review

Exciter – Death Machine Review

Stand UP for EXCITER!! Sorry, had to be done. Anywho, Exciter is a band with some serious metal history under their bullet belts. These Canadian metal troopers were there at the birth of thrash metal in the early 80s. In fact, their debut, Heavy Metal Maniacs could be considered the vanguard of said movement since it came out months before Metallica’s and Slayer’s debuts and Germany’s Destruction always cited that album as their inspiration for thrashing like maniacs. Subsequent albums like Violence and Force and Long Live the Loud were also hailed as Angry Metal Masterpieces of the 80s and I was a big fanboy. Sadly, good things never last and Exciter hit some rocky times on later platters and eventually disbanded, rebanded and disbanded yet again, releasing uneven material throughout. However, in 2008 they returned with a new line up (guitarist John Ricci being the only original member) and released the impressive Thrash Speed Burn and now the same line up returns to kick even more ass with Death Machine.

Sanity of Impiety – In Life We Despise Review

Sanity of Impiety – In Life We Despise Review

I know it’s not a popular standpoint, but I’ve actually been pretty critical of Sweden’s underground. It is true that Sweden has produced some of the best metal in the world, I still have a bit of a feeling of “What have you done for me lately?” While there are some great bands out there that we all know, the underground here since after that first wave in the early 90s just hasn’t been the same. However, in the last few years a new generation of Swedish death metal and black metal has started coming to the forefront. Sometimes these are older bands, but there are also a number of younger bands carrying on the banner of their proud Swedish heavy metal heritage and doing it well. Sanity of Impiety, from up north in UmeÃ¥ (the same city which spawned Meshuggah, Naglfar, Cult of Luna and others) is certainly one of these bands.

Ironwood – Storm Over Sea Review

Ironwood – Storm Over Sea Review

Well, now that the top 10 is posted and all of that is out there, I’ve received a record that I had no idea even existed and that is super cool. Of course. I said I was nervous about missing cool December releases and now I have been galvanized. I just thought I’d point that out. But I will not deny you the joy of a review of some very cool new music from this Australian progressive outfit by the name of Ironwood (not to be confused with the pornographic comic that I discovered while searching the Googles for the band’s website). This is the band’s third release and second full-length and it is available for your perusal at the band’s website.

Ghost – Opus Eponymous Review

Ghost – Opus Eponymous Review

How can this be? Yet another metal treasure nearly escaped the watchful eye of Steel Druhm and makes me feel shame for failing to include it in my Top Ten(ish) of 2010. Please forgive this epic oversight as I belatedly introduce you to Opus Eponymous, the debut by Sweden’s Ghost, which is a goldmine of expertly written and played mega-retro 70’s style satanic heavy metal. Taking inspiration from old Mercyful Fate, Witchfinder General, Pentagram and every horror film about satanic cults ever made, Ghost operate in a time warp where metal was as much about mood as sheer musical heaviness and where melody and accessibility were king. Opus Eponymous sometimes feels like the soundtrack to The Exorcist and at other times like Anton LaVey’s satanic mass set to music but it’s compelling, instantly likable and a lot of evil rocking fun for those among us in the left lane of the highway to hell.

Things You Might Have Missed 2010: Hollow – Modern Cathedral/Architect of Mind (Reissue)

Things You Might Have Missed 2010: Hollow – Modern Cathedral/Architect of Mind (Reissue)

Talk about buried and nearly forgotten classics! In their all too brief existence, Hollow walked the line between traditional and progressive metal and had a really compelling sound that fell somewhere between Mindcrime-era Queensryche, Crimson Glory and latter day Agent Steel. However, it always seemed they were completely overlooked and to this day I have […]