Morbid Angel

AthanaTheos – Prophetic Era (Or How Yahveh Became the One) Review

AthanaTheos – Prophetic Era (Or How Yahveh Became the One) Review

““French philosophy” is, in some circles, a punchline. It evokes the image of an edgy atheist, fedora on head, sipping his black espresso (symbolic, of course, of the darkness of his existence – the horror of reflecting on Sartre in a café surely cripples the best of men) and smoking a strange, thin cigarette in perpetuity – pretension personified. AthanaTheos, a French black doom atmospheric dissonant epic death metal band has tried their hand not just at an album but an epos – an epic poem set to music.” Profits of doom.

Shed the Skin – The Forbidden Arts Review

Shed the Skin – The Forbidden Arts Review

“We all know a veteran metalhead who shows up to every gig – that older fella who has been going to shows since 1974, standing in the same spot, never going to the toilet, just nodding his head and occasionally, slowly, raising horns to the sky. He usually has wispy grey-white hair that flows, wizard like, to his ankles. He usually wears a faded Morbid Angel t-shirt purchased at a ’87 gig when they passed through the town. He has a battle jacket packed with patches of obscure speed-metal bands from 1985 and crust-punk bands from Wales. He was born on the sticky floor of the venue. He is God. The members of Shed the Skin are the same. They’re the grizzled veterans of the death metal scene.” Olde skin.

Obscene – The Inhabitable Dark Review

Obscene – The Inhabitable Dark Review

“I find myself greatly missing Hail of Bullets these past few years. That Dutch band of battle-hardened warriors had a truly great sound and knew how to craft devastating death metal ditties that stuck in your brain pan like a bayonet with a serrated edge. Perhaps that’s why the full-length debut by Indiana upstarts, Obscene clubbed me so brutally about the head, neck and buttocks.” Death porn.

Ulthar – Providence Review

Ulthar – Providence Review

“Their debut in 2018 was received poorly by the respective probationary writer, noting that it suffered from “conflating incomprehensible fury and aimless blasting with gripping riffs and relentless aggression.” While it was slightly underrated, and this at least demonstrates that not all of the probationary writers were overrating bastards (though all the ones who made the cut are), it was far from essential and hardly suggested that there were great things to come. Enter 2020 and Providence.” New year, new gear.

Azath – Through a Warren of Shadow Review

Azath – Through a Warren of Shadow Review

“I’ve been riding a wave of very good death metal promos recently, and since it would be sheer madness to walk away from the table when you’re beating the house, I’m doubling down. How could I not grab Through a Warren of Shadow, the debut record from Azath, when it has a sweet image of a stately mountain-perched dragon on the cover?” With logic like that, what could go wrong?

Cemetery Filth – Dominion Review

Cemetery Filth – Dominion Review

“For such an iconic band, there aren’t many modern groups that sound very much like Death. Sure, Gruesome‘s whole schtick is sounding like them and Skeletal Remains have a hearty Death influence, but compared to the legions of bands that mimic Entombed or Incantation, Chuck Schuldiner’s brainchild seems underrepresented. After Live Burial answered the call earlier this month, Atlanta’s Cemetery Filth are here with their Dominion debut to profess their own love of Schuldiner’s work.” I am become Death.

Perdition Temple – Sacraments of Descension Review

Perdition Temple – Sacraments of Descension Review

“Though Angelcorpse were only active for five years in their initial run, in that short time they managed to release three terrific albums and establish themselves as one of the most iconic blackened death metal bands of all time. After reuniting and releasing 2007’s Of Lucifer and Lightning to mediocre reception, the Kansas City group would split up again, with guitarist Gene Palubicki going on to showcase his ideas in Blasphemic Cruelty, Apocalypse Command, and Perdition Temple. It seems odd considering their slow rate of output, but Temple have easily been the most prolific of these three projects, with the band now on their third album since their 2009 inception.” Temple ov Anger.

Necrobode – Sob o Feitiço do Necrobode Review

Necrobode – Sob o Feitiço do Necrobode Review

“While I’ve certainly found many that have piqued my interest, few do it the way Archgoat does it. Fortunately, Portuguese trio Necrobode apparently heard my prayers and answered them with their Sob o Feitiço do Necrobode debut. Unfortunately, while this certainly scratched an itch, they still have a ways to go before they usurp their primary influence.” Goat with a bullet.

Coffin Curse – Ceased to Be Review

Coffin Curse – Ceased to Be Review

“Australia is in the midst of a devastating bushfire crisis and severe drought, so the fun-loving summery good vibes we are accustomed to, have been undercut by widespread devastation of habitat, wildlife, property, and loss of lives. Throw in the usual trials and tribulations of life and it’s been a strange time. But as is often the case, metal is a cathartic remedy to tough times. And some good old, no-frills death metal played with ferocity and feral rawness is just what the doctor ordered.” Casket case.