“After exploring the band’s catalog, I’m rather impressed with their ’90s classics, Unspeakable Cults and Transmission to Chaos. Their mid-paced approach to songwriting and clever use of keys and atmospheres have me returning to Transmission to Chaos a lot. Again, while there are similarities to Rotting Christ in the songwriting (specifically the pace of the songs), Deviser was able to carve a place for themselves in the genre. But, as we’ve seen with so many bands in this class, the need to up their game in the symphonic side took hold. The result was two albums that under-delivered and left me cold inside. With Evil Summons Evil, the tries to recapture the days of yore while utilizing today’s modern production and punch.” DeviserER!
Old Man’s Child
Demiricous – Chaotic Lethal Review
“When you listen to Demiricous’ first two records, they clearly didn’t know what sound, style, or production they wanted. One is more At the Gatesy and relatively dynamic in the mix. The other is a Hatesphere punishment that makes your ears scream in pain. Back in the saddle, Demiricous has brought all their death/thrash influences together on Chaotic Lethal.” Chaotic good or chaotic bad?
Blood Red Throne – Imperial Congregation [Things You Might Have Missed 2021]
“If you’ve ever trusted me, trust me now. Punch yourself in the face. Punch yourself in the fucking face! Do it! Do it, goddamn you! Good, now you’re ready for Blood Red Throne’s 2021 release, Imperial Congregation.” Punch drunk, blood hungry.
Naglfar – Cerecloth Review
“These Swedes have been around a long time and, I’m sad to admit, I kinda gave up on them after 2007’s Harvest. Yet, here we are, some thirteen years later, with Naglfar’s newest record plopped in my lap. Upon initial inspection, Cerecloth looks, feels, and smells like Naglfar. Former bassist, Kristoffer W. Olivius, is still at the mic, after replacing the mighty Jens Rydén on 2005’s Pariah. And, as it’s been since ’95’s Vittra, each instrument is as crucial as the next. The result is some of the strongest songwriting in the genre. Never groundbreaking and never meant to be, Naglfar is a true purveyor of that melodic black metal sound.” Olde and still colde.
Nekrokraft – Servants Review
“If you were to guess what Nekrokraft and Witchery have in common, what would it be? OK, yeah, they’re both Swedish. What else? Nope, they definitely don’t play the same styles of metal—the former is more Swede-thrash oriented and the latter plays symphonic-black metal, in the vein of Dimmu Borgir. Give up yet? What these two groups have in common is their vocalist.” Scream us a song, you’re a screamer.
Susperia – The Lyricist Review
“It’s safe to say that The Lyricist is the closest Susperia has come to the sound first set by Tjodalv, et al. in 2001. This time, though, it’s without longtime vocalist Athera. After seventeen years with a single voice, how will this new record fare?” A new voice in the thrash chapel.
Syn Ze Șase Tri – Zăul moș Review
“I have to admit, I’d never heard of Syn Ze Șase Tri before I grabbed their 2017 release Zăul moș. For six years these Romanian black metallers have been roaming the earth without my knowledge—dropping their unique brand of symphonic black/death on the planet. Though these Transylvanians hail from the same hometown as Negură Bunget, things are done differently. Both bands have their folky songwriting and both have their native mythologies and concepts, but Syn Ze Șase Tri focuses on bigness.” Transylvania? Symphonic black metal? Big? Just in time for Halloween.
Urarv – Aurum Review
“Without a doubt, the darkest moments of my life have involved vocalist Aldrahn. At first, it was an unfortunate coincidence. But then his voice and his music became my go-to during those dark days and nights. Be it his groundbreaking introduction with Zyklon B and Old Man’s Child, his psychotic direction with DHG, or his genre-setting contributions to Thorns. This one man has haunted my dreams (and nightmares) for close to two decades. I’ve considered suicide as his voice rang out on my speakers and I even attempted it while listening to Thorns. Then, no more music. But, three years ago, Aldrahn came back to us with The Deathtrip’s Deep Drone Master. While Deep Drone Master was fun, Urarv’s Aurum is something else.” The voice of pain returns.
Darkestrah – Turan Review
“It’s always fun to pick up a promo from a band that you’ve never heard before. Especially one hailing from a country you know diddly shit about. Perhaps the most enjoyable part of researching bands like this is reading about the rich heritage that surrounds the music. And on today’s exotic expedition into the unknown, we will explore Darkestrah, a black-metal outfit from Kyrgyzstan.” Turan the money!
Sarke – Bogefod Review
“I won’t lie, when I heard there was a new Sarke poised to drop on the unsuspecting masses, I scrambled to get my hands on it before Steel Druhm could review the unholy hell out of it.” And I would have too if it weren’t for you meddling kids!