“Originally from Belgium but now firmly ensconced in the Pacific Northwest of the US, one-woman black metal project Hulder caused some ripples with debut LP, Godslastering: Hymns of a Forlorn Peasantry, in 2021. Steeped in dark medieval themes and even darker folklore, it channeled both an almost second wave black metal harshness and a folk edge to create a unique sound. Although a little rough around the edges, it promised much for the future.” The future is NOW!
Panzerfaust
Porta Nigra – Weltende Review
“The choice of Käthe Kollwitz’s famous Aufruhr (Uprising) as the cover art for the fourth album by Germany’s Porta Nigra is telling in that … hang on, I’m almost sure that … *cue much lip nibbling and skrunkling of eyebrows as I crank my addled memory into second gear*… Panzerfaust!!! You wouldn’t think it would take me quite as long as it did to place the cover art from my 2020 album of the year, the outstanding The Suns of Perdition – Chapter II: Render unto Eden. 2020 was, coincidentally, also the last time we heard from Koblenz’s Porta Nigra, when they dropped the very good Schöpfungswut.” Faust friends.
TheKenWord’s and Carcharodon’s Top Ten(ish) of 2022
TheKenWord and Carcharodon bring their special sets of skills to Listurnalia and things get…interesting.
AMG’s Unsigned Band Rodeö: Floating – The Waves Have Teeth
“Back in the primordial days of this here blog, we attempted something called “AMG’s Unsigned Band Rodeö.” The basic idea was to select a bunch of unsigned bands and give them the collective review treatment to find the most worthy buried gems. It was our humble effort to remind folks that the metal underground is still an important part of the world of metal.” Post-death is a thing. A Rodeö thing.
Panzerfaust – The Suns of Perdition – Chapter III: The Astral Drain Review
“Canada’s Panzerfaust has been one of my favorite discoveries since joining AMG Industries, ever since I picked up the first part of The Suns of Perdition tetralogy for review back in 2019 and proceeded to underrate it. Underrating was not a problem when the second installment, Chapter II: Render unto Eden, arrived just over a year later. Indeed, that record went on to be my AOTY 2020. It is something of an understatement, therefore, to say that excitement levels were running high when I learned that promo for Chapter III: The Astral Drain had arrived.” Fanboy gushing and proper drainage.
Kanonenfieber – Menschenmühle [Things You Might Have Missed 2021]
“The sonic palette in which Kanonenfieber lays out its tale is rooted in atmospheric black metal, meeting in the middle ground between the howling melodies of Minenwerfer and the more bombastic power of Panzerfaust. There are, however, nods to the likes of Bolt Thrower, and the gravelly, rasping growl of the vocals owes as much to traditional death, as it does to black metal.” The art of war.
Plague Weaver – Ascendant Blasphemy Review
“♫Ohhh, Plague Weaver, I don’t believe he will make it through the night.♫ Had to be done, I have no regrats. Anywho, Canada’s Plague Weaver is the work of a dynamic duo of miserable misers and on their full-length debut Ascendant Blasphemy they seek to blend the nastiest bits of raw black metal, doom, and death into an unpleasant concoction best served with a heavy antibiotic regime. They bill the end product as black metal with doom death influences and that’s an entirely fair description, though what you get is a bit more slimy and ugly than you might expect.” Right out of the plague book.
Dr. Wvrm’s Top Ten(ish) of 2020
Dr. Wvrm delivers his Top Ten(ish) of 2020 to all his patients. It sure as hell ain’t no trve vaccine.
GardensTale’s and Ferrous Beuller’s Top Ten(ish) of 2020
GardensTale and Ferrous Beuller uncork their best spirits of 2020 and share iron libations with everyone. Cheers!
TheKenWord’s and Carcharodon’s Top Ten(ish) of 2020
TheKenWord and Carcharodon join the fray with tastes ranging from good, bad, and unfathomable.