Post Rock

Strangelight – 9 Days EP Review

Strangelight – 9 Days EP Review

““Anyone with a deep record collection will understand that Strangelight aren’t trying to reinvent the wheel, just taking the dust jackets off the old classics and melting the vinyl down for fun.” This, together with the name Fugazi, pretty much sums up the review of this EP. The rest of this page could be used to appeal for donations to the Flying Spaghetti Monster movement and nobody would complain. Any other lost cause worth campaigning for? But we’re good people and we can’t help but say a few other things. Like, for instance, that when you mention Ian MacKaye and Guy Picciotto’s band, you are implicitly referring to that musical trend which, from the late 1980s onwards, literally changed the way we see, consider and think about indie music. Thus, providing the listener not only with the musical attributes, but also with the exact artistic context is a mistake, because disappointment is always behind the corner and it will stitch you up at the first occasion. But Strangelight are a bunch of confident people.” Alex breaks down where this “super group” slots into the musical neighborhood and how their arrival raises or lowers property values therein. It’s all about location, people!

Cult of Luna – Vertikal II Review

Cult of Luna – Vertikal II Review

“Now, where were we? I seem to remember this this great album from an act simply incapable of disappointing. In was the middle of winter and North Korea appeared as a threat to the dumb half of the world’s population. Today, while that same fraction struggles to locate the hemisphere Syria is in, the summer light convulses in his death throes this side of the planet and we take shelter from the impending cold. OK, but what about the music?” The ever mercurial Alex is here to cover the equally mercurial Cult of Luna’s new release, Vertikal II. If you aren’t careful, you may get mercurial poisoning!

Bauda – Euphoria …Of Flesh, Men and the Great Escape Review

Bauda – Euphoria …Of Flesh, Men and the Great Escape Review

Describing music as ‘dreamy’ can put different people on different paths of imagination. One could go on the happy path of smiling young people and major chords while another one would think of the vast and ethereal expanses of post-rock but metal is not something that crosses the head. However, on Euphoria …Of Flesh, Men and the Great Escape, Bauda actually plays some metal and attempts to achieve this dreaminess through a delicate balance. I know it sounds odd but this is definitely the kind of record that you’ll be able to grasp after a couple of listens. It needs some time to grow on you. On some occasions, it sounds spot on but on some others, I was left with a feeling of uneasiness.

Gazpacho – March of Ghosts Review

Gazpacho – March of Ghosts Review

Gazpacho has to be the worst name for a band ever. The soup itself is frankly a little on the unexciting side as it is, being a vegetable soup served cold. It’s actually Spanish or Portuguese, isn’t it? Being Norwegian, couldn’t they have chosen say, lefse or something? Not only is it tastier (Mmm, a bit of sugar and butter and I’m a Happy Metal Guy! NOMNOMNOM!), but it’s Norwegian! Like the band! Get it!? Well, anyway, needless to say I was less than stoked to actually dig my ear-fingers into this record. How could a band that can’t come up with a decent band name come up with good music? I mean, this is an existential question… really.