“Death Spells was something special. Introducing us to the beautiful and devastating world of Holy Fawn, it showcased stunning restraint for an act with everything to prove. While undeniably built upon the foundation of My Bloody Valentine or Slowdive with saturated shoegaze drenching every movement, don’t be surprised if you’re surprised with swaths of electronica, climactic metal crunch, and a knack for heart-wrenching melody. Holy Fawn is undeniably metal, and like good metal, labyrinthine.” What is metal?
Shoegaze
Crippled Black Phoenix – Banefyre Review
“Is 97 minutes too much music? Is it unfair to judge albums simply for being long? Yes… and yes. Regardless, Banefyre presents us with 92 minutes of new Crippled Black Phoenix sounds plus one bonus track. Our own Huck N’ Roll has a mixed history with leading man Justin Greaves (Se Delan, ex-Iron Monkey) and his rotating cast of sound partners, but it can be tiring digesting the hours of music that this project puts out, so I’ve stepped in to give olde Huck a rest.” Free birds.
Astronoid – Radiant Bloom Review
“In the six years that have passed since Astronoid’s first LP, I have yet to hear a debut record spring from the ether as novel and fully realized as Air. While possessing a youthful vigor and innocence characteristic of an enthusiastic upstart, Air sounded like the product of several albums’ worth of honed identity. As Mark Z so eloquently summarized, however, that once-perfect brew of black metal, post-rock, and shoegaze became unbalanced with Astronoid’s self-titled follow up. Its songwriting was flat, its energy and atmosphere were tempered, and they took away the fucking blastbeats; an automatic point deduction for any metal record. I’m happy to report, then, that Radiant Bloom is something of a return to form.” Embrace the Noid.
Mountaineer – Giving Up the Ghost Review
“Welcome to my third Mountaineer review. Three reviews of doomy, shoegazey post-rock might seem cumbersome to many, but these albums come every other year, so I find myself primed to dive in. In fact, I was just listening to music of a similar style last month, the album The Shape of Everything by a band called SOM. It falls into many of the same categories as Mountaineer’s newest, Giving Up the Ghost, does, although Mountaineer have a heavier, more menacing edge to them courtesy of Miguel Meza’s harsh vocals.” Return to Ghost Mountain.
Black Sheep Wall – Songs for the Enamel Queen [Things You Might Have Missed 2021]
“I remember when Black Sheep Wall “qualified” for an Encyclopedia Metallum profile with sophomore effort No Matter Where It Ends. Kind of pedantic and nitpicky, but then again, their blend of sludge metal, post-metal, doom, and post-hardcore is bound to be divisive. The California quintet offers their fourth full-length Songs for the Enamel Queen, an expertly written and superbly executed mass of concrete-thick sludge metal injected with tumorous melodies and shifty rhythms.” Of Sheep and sludge.
Misanthur – Ephemeris Review
“Misanthur was listed as “trance ambient noise” in the cold boundaries of the promo dump and just plain black metal on other sites. Truthfully, both are true. What this Polish duo offers is a hyper-atmospheric breed of black metal with heavy electronic and industrial flourishes, not unlike a blackened version of C R O W N’s latest, The End of All Things.” Kitchen sink-core.
Glassing – Twin Dream Review
“Glassing and I have a complicated relationship. Spotted Horse hit a spot for me in 2019: the first 4.0 I ever awarded ’round these parts. Unfortunately, time was not kind and my experience with its rough edges and one-dimensional vocals landed it on Contrite Metal Guy, where I reeled it back a point. The band’s tantalizing blend of concrete-thick sludge and crystalline melody is nonetheless unforgettable, and the initial hype and subsequent fall from grace is something that still haunts me.” Glassing over the past.
Dawn Fades – Ode Review
Hailing from Los Angeles, California, Dawn Fades is a band that, despite having a sound I find to be on the experimental fringes of metal, maintains a modest demeanor which comes through in their music. Dawn Fades’ specialty is not an ostentatious display of guitar riffs but rather the ethereal and sublime aura surrounding their songs.” Morning gaze.
Chrome Waves – The Rain will Cleanse Review
“Chicago, Illinois’ Chromes Waves have been lapping gently on the post-black metal and shoegaze shores since their formation in 2010. With a line-up featuring members busy with other projects, it seemed outside interests were hampering Chrome Waves’ output, which was limited to a 2012 EP until 2018. At that point, founding member Jeff Wilson departed Wolvhammer and Abigail Williams, turning his full focus to Chrome Waves. Later that year, the debut, A Grief Observed, appeared, garnering a solid review from Mark Z. The same year saw compilation The Cold Light of Despair appear. This creative frenzy continued into 2020 as, apparently unnoticed by this blog, their sophomore LP, Where We Live, appeared. A year on, and further line-up changes behind them, Chrome Waves are back with third full-length effort, The Rain will Cleanse.” Chrome waves of rain.
Black Moon Mother – Illusions Under the Sun Review
“Enter Nashville’s Black Moon Mother, a group that you can imagine listening to in a smoky bar with a whiskey, rather than a dingy club with a moshpit. Playing a combination of dense doom, shoegaze, indie rock and even trip-hop, Illusions Under the Sun is their debut album. While certainly not everyone’s cup of tea, this is a notable debut, forged on the back of a compelling live show and a willingness to bend some of metal’s sacred rules.” Doom mother sex magik.