Shoegaze

Black Moon Mother – Illusions Under the Sun Review

Black Moon Mother – Illusions Under the Sun Review

“Enter Nashville’s Black Moon Mother, a group that you can imagine listening to in a smoky bar with a whiskey, rather than a dingy club with a moshpit. Playing a combination of dense doom, shoegaze, indie rock and even trip-hop, Illusions Under the Sun is their debut album. While certainly not everyone’s cup of tea, this is a notable debut, forged on the back of a compelling live show and a willingness to bend some of metal’s sacred rules.” Doom mother sex magik.

Nadja – Luminous Rot Review

Nadja – Luminous Rot Review

“I was surprised how unknown Nadja is around AMG Headquarters. I was parading around the new promo like a goddamn peacock, like “WAOW NADJA‘S GOT A NEW ONE GUISE” and was met by a chorus of “uh, who?” The Canucks’ offerings like debut Touched, Radiance of Shadows, and The Bungled & The Botched made regular appearances on my playlist before I lost touch with 2013’s dolphin-themed Flipper. Since, the duo has released five albums, culminating in 2021’s Luminous Rot, which attempts to bring “post-punk, cold-wave, shoegaze, and industrial” influences into the limelight alongside their trademark “dreamsludge” approach.” Dreamsludge on a sunny day.

An Autumn for Crippled Children – As The Morning Dawns We Close Our Eyes Review

An Autumn for Crippled Children – As The Morning Dawns We Close Our Eyes Review

“What got you into metal? For me, it was blackgaze. I know, I know, it’s hard to believe your pal Doomy wasn’t raised on a diet of Bathory and his enemies’ livers; but as a teenager in the 90’s, I was mostly into indie rock and shoegaze. My entry into metal came later on, when bands like Lantlôs, Deafheaven and Alcest combined the dreamy, ethereal tones of My Bloody Valentine and Slowdive with the fury of second-wave black metal. Within this group was the Netherlands’ An Autumn for Crippled Children, who leaned even more heavily into indie territory with their embrace of dream-pop and post rock.” Won’t someone think of the children?

Timelost – Gushing Interest Review

Timelost – Gushing Interest Review

“After reviewing Timelost‘s debut album Don’t Remember Me For This only a year and a half ago, I mentioned that I was curious to see if the band would stick to their angsty shoegaze sound or decide to follow their debut album up with a blackened metal sound more closely aligned with their origins in heavier, more aggressive music. With an album name like Don’t Remember Me For This, my hypothesis was that Timelost would go for the latter in lieu of the former. Yet again, my hypothesis was proven incorrect.” Time gushes by, lost forever.

Timelost – Don’t Remember Me for This Review

Timelost – Don’t Remember Me for This Review

“What do you get when two metalhead friends come together and begin a file-sharing effort from a thousand miles apart to explore their collective musical lusts? You get [drumroll please]…a shoegaze album? I was taken aback when I first played Timelost‘s new album Don’t Remember Me for This and was quickly reminded of the modern shoegaze and dream pop sound of Brooklyn, New York band Beach Fossils.” Shoe’s on first.