Progressive Metal

Vektor – Terminal Redux Review

By Dr. Fisting on May 13, 2016 in 2016, American Metal, Earache Records, Progressive Metal, Reviews, Thrash Metal, Progressive Metal, Thrash Metal, 124 comments

“Arizona thrashers Vektor hold a special place in my cold black heart, as their previous album Outer Isolation was one of my very first reviews for this esteemed website. Crazy to think that that was five years ago, and crazier still is that Vektor has not released any new music in that half-decade — practically an eternity in today’s climate of short attention spans and equally short tour/record/tour cycles. Fortunately, Vektor has finally rewarded their fans’ patience with a lengthy, almost impossibly dense record called Terminal Redux.”

The Levitation Hex – Cohesion Review

By Grymm on May 3, 2016 in 2016, Australian Metal, High Roller Records, Progressive Metal, Reviews, Thrash Metal, Progressive Metal, Thrash Metal, 16 comments

“Man, I really miss Alchemist. Much like Anacrusis, Alchemist were so far ahead of the curve with their heady blend of progressive melodies, Killing Joke-inspired riffs, and the raspy growls and otherworldly banshee shrieks of guitarist Adam Agius. The amount of times I spun Organasm and Spritech can’t even be measured, and when word got out in 2010 that the band dissolved after the sheer heft of 2007’s underrated Tripsis, yours truly was crushed. Wasting no time, Agius formed spiritual successor The Levitation Hex.” Cool name but weighty legacy to live up to.

Gorguts – Pleiades’ Dust Review

By Kronos on May 3, 2016 in 2016, Avante Garde, Canadian Metal, Death Metal, Progressive Metal, Reviews, Season of Mist, Death Metal, Progressive Metal, 41 comments

“With two and a half decades under their belt and a generation of bands aping their sound, one wouldn’t be surprised to see Gorguts rest on their laurels for a while. But Gorguts’ time of rest is over, and Luc Lemay has made it abundantly clear that his pioneering death metal vision didn’t stop with From Wisdom to Hate.” No rest for the gutted.

Haken – Affinity Review

By El Cuervo on April 28, 2016 in 2016, English Metal, InsideOut, Progressive Metal, Progressive Rock, Reviews, Progressive Metal, Progressive Rock, 108 comments

“Haken have rapidly become one of my favorite bands in the world. Since my introduction with 2013’s The Mountain I’ve retraced their steps back through Visions and Aquarius – both slightly uneven stylistically and in terms of quality but with truly exemplary moments – and eagerly devoured their revised versions of older tracks on their 2014 EP, Restoration. I’ve seen them live twice and would be seeing them again in a month but for some pesky exams which will impact my future. It was therefore with great enthusiasm that I sat down with their fourth album Affinity.” Warning: fanboys may drool uncontrollably.

Hemotoxin – Biological Enslavement

By El Cuervo on April 8, 2016 in 2016, American Metal, Death Metal, Progressive Metal, Reviews, Thrash Metal, Unspeakable Axe Records, Death Metal, Progressive Metal, Thrash Metal, 11 comments

“Maybe I’ve heard one too many shitty re-thrash bands but it’s easy to draw conclusions from the bold illustration and title of Biological Enslavement by Hemotoxin. I feared that simplistic chugs, an angsty vocalist and a Neanderthal’s lyrics would lie behind the spiky logo and alien landscape. Happily, Hemotoxin are marginally more refined than this.” Marginally refined rethrash could be a whole new genre.

Ihsahn – Arktis. Review

By Angry Metal Guy on April 3, 2016 in 2016, Candlelight, Melodic Black Metal, Norwegian Metal, Progressive Metal, Spinefarm, Black Metal, Progressive Metal, 58 comments

“Ihsahn is always in motion. Following a storied career in one of the premier black metal bands of all time, he’s released five full-length albums. Nearly all of those records have been critically acclaimed, but only one has been critically acclaimed by me. While I enjoyed The Adversary, Ihsahn’s post-Emperor zenith was angL. Starting with After, however, Ihsahn started to lose me. What made his earlier material so good—riffs, riffs, more riffs, and slick composition (also riffs)—began to be replaced by increasingly abstract compositions. And when songs like “Scarab” started getting replaced with tracks like “M,” I stopped enjoying new Ihsahn albums. Yet Arktis. marks the next phase for Ihsahn, having finally left the Nihilists behind him.” Praise Zarathustra!

Novembre – URSA Review

By Grymm on April 3, 2016 in 2016, Doom Metal, Italian Metal, Peaceville, Progressive Metal, Reviews, Doom Metal, Progressive Metal, 47 comments

“I have an admission to make, and it’s not an easy one. Until the past few weeks, I had never heard of Italy’s Novembre. Yes, as Angry Metal Guy’s resident doom meister who worships at the altar of the Peaceville Three, considers Funeral’s From These Wounds a desert-island album, and champions any band that possesses The Riff of Sorrow, I had neglected to check out one of Italy’s heralded progressive exports.” Please publicly shame this man.

Sunburst – Fragments of Creation Review

By Angry Metal Guy on March 18, 2016 in 2016, Greek Metal, Inner Wound Recordings, Power Metal, Progressive Metal, Reviews, Power Metal, Progressive Metal, 52 comments

“It’s well known that I have a bit of a love/hate relationship with power metal and progressive/power. Some of my favorite bands ever—Symphony X and Blind Guardian the most obvious among them—fall into this category, and I keep an ever-watchful eye peeled for new additions to my catalogue. Yet the genre is also plagued by some serious annoyances for me. First, many of the most popular vocalists are people who I find nigh-on unlistenable (Warrel Dane). Second, unlike my esteemed colleague and dictatorial collaborator Lieutenant Corporal Steel Druhm, I find that much of the music being produced within this scene just isn’t terribly heavy. Bands that others worship—see Anubis Gate—feel washed out and bland, offering up little “metal” to keep me engaged.”

Wicked Maraya – Lifetime in Hell Review

By Steel Druhm on March 8, 2016 in 2016, American Metal, Heavy Metal, Progressive Metal, Progressive Metal, 9 comments

“Destined to be one of the weirdest releases of the year, the obscure but fascinating New York act Wicked Maraya resurfaces after 18 years in the ground. Flash back to 1994: The upstart band drops their Cycles debut at a critical time for metal. The Seattle grunge revolution was well underway and metal had lost the limelight – forcing a slow, inexorable retreat back to the rancid underground. Cycles was very much the product of that tenuous era as the band tried to synthesize these opposing musical approaches into something new and exciting.” Metal history class is now in session!

Oceans of Slumber – Winter Review

By Angry Metal Guy on March 7, 2016 in 2016, American Metal, Century Media, Death Metal, Hard Rock, Melodic Death Metal, Progressive Metal, Progressive Rock, Progressive Metal, Progressive Rock, 84 comments

Oceans of Slumber is walking a very unique path. A combination of melodic death, doom and black metal influenced by the Century Black roster from about 1998, Winter blends that with a sadboy metal and alternative rock base. The album is beautiful, mysterious, and oddly chaotic. It’s also really good.