Slough Feg

Dawnbringer – Nucleus Review

Dawnbringer – Nucleus Review

Interesting release we have right here folks. For those unaware, Dawnbringer is a project band of sorts for Chris Black (Pharaoh, Nachtmystium, Superchrist) and his guitar playing buddies and together they create something like a mix of NWOBHM, straight up American metal, black metal, thrash and doom (there’s even moments of quasi-southern rock). Tell me that doesn’t sound intriguing, I dare you! Nucleus is their fourth full-length and yep, it’s one humdinger of a rickety metal contraption. At times sounding like a weird mash-up of Iron Maiden, Slough Feg, Motorhead and Black Sabbath, this thing rumbles and rambles all over the place and always seems ready to come unhinged but it just screams METAL! From the production, riffs and vocals, there’s an ever present rough and tough vibe and despite the myriad of styles and influences Dawnbringer tries to squish together, they somehow managed to craft some great metal songs that will stick in your head for a long time.

Slough Feg – The Animal Spirits Review

Slough Feg – The Animal Spirits Review

Slough Feg (formerly The Lord Weird Slough Feg) have always existed in their own little musical bubble (technically called a “sloubble”). Inside their little sloubble, they remain happily oblivious to musical styles, trends and changing tastes in metal. To them it’s always sometime between 1978 and 1983, where their odd amalgam of NWOBHM, Thin Lizzy and Celtic folk/pub rock would seem timely and current. Here on album eight The Animal Spirits, the sloubble remains intact as Slough Feg churns out more of their unique, oddball proto-metal for a small but loyal cult following. If you’ve followed this San Francisco based unit, you know what to expect. If not, well, it’s strange but fun and truly a love or hate type proposition.