“Dark Tranquillity was one of the progenitors of melodic death metal and in all honestly, they’re the only original “Gothenburg explosion” act that’s still releasing good music. So how does Steel Druhm feel about their new cash grabby EP?” Look inside for his frugal analysis.
Swedish retro death is as common these days as reality shows about fat, uneducated hoarders. Steel Druhm appreciates both trends, so he’s happy as a pig in shite over the Dismember-worship demonstrated by Daemonicus on their second album, Deadwork.
So last year (that’d be 2011 for everyone reading this review in 2013 and forward) I discovered Loch Vostok’s record Dystopium a few months after it was released and did a Things You Might Have Missed entry about it. But given that it was last year, I was surprised when I saw that the fecund Teddy Möller and crew had already produced a new record and that it was sitting in my inbox. Now, granted, I didn’t get to it nearly quickly enough (since it’s already out), but I thought I’d drop in and let you know that a) it’s out and b) what I think of it. I like it, but not as much as Dystopium. There, now you don’t need to read any further!
Confession Time! Steel Druhm has been wracked with guilt since underrating the first Fullforce album. Now he finally gets a chance to atone as he reviews the new opus by this melodic metal supergroup from Sweden.
I hope you all remember where you left your skull tanks…cause here’s more re-thrash!! Extra old school re-thrash is the game, and Die Hard is the name. Steel Druhm generously takes time away from lipsticking swine to discuss the album with you.
Evocation once walked amongst the likes of Dismember and Entombed. Now, they travel the road to common melo-death and some (Steel Druhm) are not pleased by this switcheroo. Send him beer and beef jerky so he can get through these difficult times.
Bombs of Hades delivers an album of punky Swedish retro death loaded with crust and scabs. Our intrepid Steel Druhm is here to pick ’em all and find out what lies beneath. It ain’t pretty.
Doom-infused black metal often evokes ancient cathedral walls, coated in the blasphemous muck of black metal with snail’s pace riffs coming down like the wrath of Satan himself, but Lustre goes the other way with the pace being dictated by a introspective melancholy.
Retro-thrash, retro-death, will the present ever stop being the past?? Well, at least it’s Grave doing what Grave does, so I shant complain. Nasty, slimy death from Sweden can always crash on my couch (after I put down some plastic).
Katatonia are one of my favorite bands, I think it’s safe to say. In the top 10? Probably, but definitely the Top 15 – with A Great Cold Distance and Last Fair Deal Gone Down duking it out for one of the best records of the 2000s. Their development as an act that has moved this far from Dance of December Souls and Brave Murder Day is immense. Those records are absolute classics, but as a band Katatonia has developed a feel for modern, depressive rock in the late 2000s that one could only have guessed at when Discouraged Ones and Tonight’s Decision were being released. But I did not enjoy Night Is the New Day pretty much at all. Instead, while everyone was freaking out, I was underwhelmed. It was filled with songs that didn’t speak to me even remotely. And unlike Viva Emptiness which finally just clicked for me after about 18 months of not digging it, Night Is the New Day still doesn’t pack any kind of punch.
