U.K. Metal

Cryptworm – Oozing Radioactive Vomition Review

Cryptworm – Oozing Radioactive Vomition Review

Cryptworm’s 2022 Spewing Mephitic Putridity debut completely satisfied my shameful desires for a death metal album sounding like someone vomiting gut slime and mega-maggots for 33 minutes. It was repulsive, obnoxious, stupid, and fun. It was also really heavy, borrowing key chapters from Autopsy and early Carcass. I go back to it regularly, so the UK-based blokes did something right. Now hot on the heels of this grisly triumph, we get a brand new splatter platter called Ooozing Radioactive Vomition.” The Worm has (re)turned.

Left Cross – Upon Desecrated Altars Review

Left Cross – Upon Desecrated Altars Review

“War metal is always appealing to me. War flows from, and results in, the worst of humanity and therefore provides a fertile breeding ground for the darkness and heaviness inherent to metal music. The two feed off each other. What surprised me about Left Cross, and the reason for this review, was their provenance. Richmond is one of the wealthiest and most pleasant parts of the UK. Hardly a fitting backdrop for a metal subgenre characterized by brutal heaviness. However, after beginning this process I was distressed to learn that Left Cross hail from Richmond, Virginia.” The war next door.

Efraah Enhsikaah – One Thousand Vultures Waiting to be Fed Review

Efraah Enhsikaah – One Thousand Vultures Waiting to be Fed Review

Efraah Enhsikaah. The unpronounceable one-person black metal band without much of any social media presence. My black metal one-sheet bingo card was satisfied for One Thousand Vultures Waiting to be Fed in just 2 sentences. 1000 Vultures will sound familiar to those already close to black metal. The typical features of tremolo-picked guitars, raw guitar tones, and raspy, uncomfortable vocals are present and correct. The exception is blast-beating drums that are surprisingly infrequent due to the record’s mid-pace compared with other blackened bands.” Birds ov a kvlt.

Sylosis – A Sign of Things To Come Review

Sylosis – A Sign of Things To Come Review

“The existence of Sylosis roughly tracks my own experience with non-mainstream metal, running from 2008’s Conclusion of an Age to 2020’s Cycle of Suffering. The band lost me somewhere in the middle as I was diving into the more extreme sub-genres of metal’s sewer, despite my favorable comments on 2015’s Dormant Heart, no doubt induced by a bout of regional favoritism given that they hail from the same bit of the UK as yours truly. Cycle of Suffering represented a roaring return, comfortably my favorite of their albums and comfortably my second favorite album from 2020. Sylosis are one of Britain’s most exciting and energetic bands but how can A Sign of Things to Come hope to match their prior incredible success?” Modern problems.

Evile – The Unknown Review

Evile – The Unknown Review

“As a die-hard Metallica fan in my teens, I worshipped their first 4 albums mightily, and since Evile’s entire existence seemed to be based on mining the best of Metallica’s early days for inspiration, it seemed they would be easy to love.” Well knowns and Unknowns.

Hellripper – Warlocks Grim & Withered Hags Review

Hellripper – Warlocks Grim & Withered Hags Review

“In a crowded market of goat suppliers in the metal scene, Scotland’s Hellripper stands above the mob. Their infectious blend of speed/thrash/black metal offered me a lifeline back into a thrash scene that was boring me in the 2010s. 2020’s The Affair of the Poisons was a typically rambunctious affair and very comfortably hit my year-end list. But I have most recently been experiencing the company of Warlocks Grim & Withered Hags which reaches even further north towards Orkney, an archipelago north of the Scottish mainland.” Put a goat in your moat.

Elderseer – Drown in the Shallowness Review

Elderseer – Drown in the Shallowness Review

“There seems to be a wellspring of gothic doom in the promo hopper in early 2023, and I’m okay with that. Coming off a heated love affair with Tribunal, I eagerly scooped up the debut by U.K. doomsters, Elderseer and hoped for a similar love connection. Their full-length debut adopts a style in the vein of My Dying Bride, Celestial Season, and early Paradise Lost, with long, winding songs telling tales of great misery and woe. And at a mammoth 68-minute runtime, Drown in the Shallowness delivers more than your fair share of sadcakes and grief biscuits.” Seer me MMXXIII.

Memoriam – Rise to Power Review

Memoriam – Rise to Power Review

“U.K. death metal “supergroup” Memoriam are considered by some to be the spiritual successor to the legendary Bolt Thrower. With Thrower’s former vocalist Karl Willetts at the helm and backed by Frank Healy of death luminaries Benediction, the pedigree is notable and the style they traffic in has clear similarities to Willett’s renowned former outfit. Despite the talent involved, I’ve never been awed by Memoriam’s output.” Battle fatigue.

Seven Doors – Feast of the Repulsive Dead Review

Seven Doors – Feast of the Repulsive Dead Review

“U.K. death metal strikes early in 2023 with a debut full-length from Seven Doors, the one-man OSDM project by Ryan Wills. With a horror-inspired theme and a firm grounding in the classics like early Death, Massacre, and Cannibal Corpse, Feast of the Repulsive Dead’s formula is riffy, relentless meat n’ tatters death designed to keep one foot on your neck and the other up your strata-chocolata.” Knock knock.

Threshold – Dividing Lines Review

Threshold – Dividing Lines Review

“Since hitting the prog-metal scene in 1993, the U.K.’s Threshold have proven to be one of, if not the most, reliably high-quality acts running. Album after album of intelligent, thoughtful, and highly memorable releases reinforced their talent and knack for polished songcraft. They’re responsible for several of my favorite albums in the genre and at this point, I never wonder if a new platter will be good or not. 2017s massive Legends of the Shires was a double album of smart and memorable music that overcame the sudden departure of vocalist Damien Wilson by bringing in former frontman Glynn Morgan. I still go back to it often and may have underrated it. Five years later we get the followup and 12th album, Dividing Lines.” Never cross Threshold.