Venenum

BAEST – Venenum Review

BAEST – Venenum Review

“It is easy to underestimate Denmark’s contribution to death metal, especially in the face of America and Sweden. But from early days of infancy, through trembling years of youth, long murky middle-age and final hours long in the tooth. Denmark is the hundred names of terror, creature you love the least. Now picture its name before you and exorcise the BAEST.” Get in its belly!

Mark Z’s and L. Saunder’s Top Ten(ish of 2017

Mark Z’s and L. Saunder’s Top Ten(ish of 2017

“Well, there it went. Another year, another… blah blah blah. Let’s be honest: you’re not here to listen to me drone on about how 2017 was, you’re here to scour my list for stuff you might not have heard, confirm your own good taste by seeing how many of your favorites match up with my own, and chime in with your own take on my admittedly questionable choices.” Valid.

Venenum – Trance of Death Review

Venenum – Trance of Death Review

“A lone cello sings a mournful melody in a minor key. Fluttering piano touches accentuate the subtle tremolando strings. The folksy piece develops patiently, oscillating between an ambient sort of vagueness and a nervous incisiveness. While the surprising first two and a half minutes of Bavaria’s Venenum’s full-length début Trance of Death stand in contrast with the carnage that will follow, they are also perfect archetypes of the eclecticism and compositional strength of the release as a whole.” Carnage before cello, never mellow. Cello before carnage, happy carcass.