Watain

Sheidim – Shrines of the Void Review

Sheidim – Shrines of the Void Review

“One of the little rituals this modern world has created around music is the five-second Google “research” for whatever relevant info we can find on a new or unknown act. Doing this for Spanish black/death metallers Sheidim pointed me to a wiki-page about the shedim, demons from Jewish tradition that follow death and fly around graves. It also gave me a bunch of names that were as unknown to me as this young group. But there were two repeatedly referenced names that I knew. The first was Watain.” That’s funny, I never knew Watain was Jewish.

Sulphur – Omens of Doom Review

Sulphur – Omens of Doom Review

Sulphur (or sulfur in the States) is ungodly, foul smelling shit. This isn’t exactly news to anyone but you don’t know the half of it until you have actually jousted with the likes of benzyl or ethanethiol. There aren’t many chemicals I’ve worked with that linger on your mustache and penetrate your clothes like sulfur. It’s pungent, it’s offensive, and it’s fucking nauseating. While I’ve had my fair share of encounters with sulfur, I have never encountered its black-metal equivalent—which is odd considering I’ve been a fan of Øyvind Madsen’s other project, Vulture Industries, for years. With a name like Sulphur, I had expected some unsettling, engulfing black metal to match the stomach-turning feelings I get when “sulfur” is mentioned.

Onirik – Casket Dream Veneration Review

Onirik – Casket Dream Veneration Review

“As suggested by Neige of Alcest, dreams can be a truly inspirational medium to audial art. Personifying places and feelings of the dream world into those of a musical one can produce music that has both character and a buttload of passion behind it (even if the music is shit). Gonius Rex (the man behind Portugal’s Onirik) is another musician that taps into his own REMs for inspiration. In Rex’s case, these dreams manifest themselves into a much darker expression of black metal.” A dream to some, a nightmare to others!

One Master – Reclusive Blasphemy Review

One Master – Reclusive Blasphemy Review

“I’m not going to lie. When I got handed the new Reclusive Blasphemy release from New England/New York’s One Master, I immediately assumed they were another one-man outfit nestled firmly in the bosom of pretentiousness, gathering mid-paced black clouds, and smothering the listener in an atmospheric bla(n)ck(et). Not only is One Master a full band, but it also has a sound as raw as sewage.” More black metal fury from New York, because it’s an angry kind of state.

Kommandant – The Architects of Extermination Review

Kommandant – The Architects of Extermination Review

“Hailing from Chicago and proclaiming to be the purveyors of “martial black metal,” Kommandant don their Sunday best (consisting of black dress shirts and gas masks), raise banners and wind-torn blackened flags of time-honored propaganda, and set the rhythmic march to the local courthouse. Good thing I’m in no short supply of black button-ups.” Gas masks are very versatile from a fashion perspective.