Metal Blade Records

Cirith Ungol – Dark Parade Review

Cirith Ungol – Dark Parade Review

Cirith Ungol always seemed mysterious and enigmatic to me as a metalhead growing up in the 80s. Their earliest output sounded like it came from a bygone age when Iron Butterfly and Alice Cooper were in their primacy, and no one else sounded anything like them. They were the most cult of bands and that made them all the more interesting. From the clumsy acid rock meets metal of 81s Frost and Fire to 84s massive, doomy, and epic King of the Dead, there was just something odd and fascinating about them. 1986s One Foot in Hell was more traditionally metal but the band’s unique character remained in full force. After a 5 year absence, they dropped the lackluster Paradise Lost and then vanished completely. Thus concluded the strange case of Cirith Ungol. Or so we thought.” No one expects the Cirith Inquisition!

Harm’s Way – Common Suffering Review

Harm’s Way – Common Suffering Review

“Power. No, not power in the flamboyant nature of a curl-adorned Italian cosplayer wielding sword to fire-breathing dragon. Power. The fast-twitch response to anticipating joints bearing weighted-iron that engorges relaxed fibers with blood, with breath—this is where Harm’s Way lives. Straight-edge, hardcore, beatdown, just a few of the words that explain Chicago’s own and their method of compressed and concerted attack.” In gainz way.

Primordial – How It Ends Review

Primordial – How It Ends Review

“”Is this how it ends?” “We are devoured by time.” The latter phrase is the first lyric on Primordial’s How It Ends; the former is one of the last. The champs of epic metal return with their first album since 2018’s Exile Amongst the Ruins and tenth overall. The new batch of material obsesses over endings and the concept of finality, filtering this preoccupation through Primordial’s long-established formula of galloping rippers and stately marches. The slab’s title and its themes reflect both the state of the world and, inevitably, the state of Primordial.” Glory fades.

Cannibal Corpse – Chaos Horrific Review

Cannibal Corpse – Chaos Horrific Review

Cannibal Corpse is a death metal institution, with their legendary status cemented in the death metal halls of fame. And a new Cannibal Corpse album still remains a big fucking deal in the death metal world. I can’t claim to be the rabid fanboy like a couple of my colleagues, however, I have a long-held history and respect for the band, so it is a sweet deal to pen my thoughts on their sixteenth (!) album, entitled Chaos Horrific.” Death walking chaos.

Nuclear Power Trio – Wet Ass Plutonium Review

Nuclear Power Trio – Wet Ass Plutonium Review

“I know this looks like the daftest thing imaginable, but stay with me here: this is actually brilliant. I have no idea what led to one pun escalating quite so far out of control, but here we are: the Nuclear Power Trio. Three guys in terrifying dictator masks, playing Latin fusion instrumental metal, brilliantly. Three years ago I loved their EP A Clear and Present Rager, which brought me in with a comedy video and immediately gripped me with the quality of the music. Wet Ass Plutonium is their debut full-length. Does an instrumental band teetering on the edge of being a novelty act have a full album in them?” Strong Mancore

The Zenith Passage – Datalysium Review

The Zenith Passage – Datalysium Review

The Zenith Passage’s debut effort Solipsist crackled with a flame stoked by the identity that The Faceless set ablaze with dry and percussive pick spittings, alien-warble soloing, and sneakily grooving rhythm, but it wasn’t all so cut from the same cloth. Main mind McKinney even then seemed to have thoughts a touch more mechanical firing in his brain chamber.” Man vs. machine.

Vomitory – All Heads Are Gonna Roll Review

Vomitory – All Heads Are Gonna Roll Review

“It’s been a good, long time since we’ve heard from Swedish death metal royalty, Vomitory. From 1996 through 2011 they regularly assaulted the metalverse with high-quality material adroitly blending vintage Swedeath ideas with American death of the Floridian persuasion. It didn’t break barriers but it sure as hell busted skulls, and ghastly platters like Blood Rapture and Carnage Euphoria stand the test of time. Their last album, 2011s Opus Mortis VIII, was a great parting shot full of ripping riffs and bashing brutality, and they were sorely missed when the silence settled. Now 12 years later the beast arises.” Assume the hurling position.

Cattle Decapitation – Terrasite Review

Cattle Decapitation – Terrasite Review

“What can be said about Cattle Decapitation that hasn’t already been said about your local ax murderer? They’re disgusting, blood-soaked, and pungent, yet oddly endearing once you get to know them. Following a uniquely Carcassian career trajectory, ,b>Cattle Decapitation first plopped on the abattoir floor as a vegan-powered grindcore outfit with their first full-length in 1999. 20+ years and nine albums later, they’ve evolved into a celebrated death metal band with more melodic (yet no less bloody) sensibilities.” Meat is back off the menu, boys!

Tanith – Voyage Review

Tanith – Voyage Review

“Perhaps no metal band in history have had the second act that U.K.s Satan have these last 10 years. Everything they’ve touched has turned to gold, with 4 stunning albums of NWoBHM glory unleashed, most recently in the form of Earth Infernal. Apparently that Midas touch spills over to side projects as well, as Satan guitarist Russ Tippins’ collaboration with Tanith has certainly been noteworthy. Their 2019 In Another Time debut was an enjoyable love letter to 70s hard rock, and though it was a bit unfocused at times, it was a pleasant spin. Now Tanith is back with sophomore outing Voyage and everything has been improved, streamlined and laser-focused on twin guitar rock and the power of proto-metal.” Tanith your ass!