Nothnegal – Decadence Review
Nothnegal // Decandence
Rating: 2.0/5.0 – Not good atoll!
Label: Season of Mist
Websites: nothnegal.net | myspace.com/nothnegal
Release Dates: EU: Out now! | US: 02.28.2012
Sweden this, U.S.A. that. Its always the same countries churning out the metal that lands on the cluttered desk of Steel Druhm. Sure, every now and then a Middle Eastern or Asian act tosses a spiked glove in the ring, but it’s predomiantly Europe and the Americas tasked with carrying the metal standard these days. That’s why its such a treat when we get a promo from someplace new and exotic. Nothnegal clearly qualifies, since they hail from the tiny Maldive Islands, way out in the Indian Ocean (their location is actually listed as an atoll, which counts as mega-exotic). Decadence is their first full length and its all about modern melodic death with loads of keys, bells and whistles. They take the basic melo-death concept and mix in semi-industrial Fear Factory-like riffing, loads of electronic effects, keys and even synthesized guitars. The big mystery is how this remote isle act wrangled drum services from Kevin Talley (Six Feet Under, ex-Hate Eternal, ex-The Black Dahlia Murder) and keys by Marco Sneck (Poisonblack, ex-Kalmah, ex-Charon). Sounds interesting so far, right? Well, it may be interesting, but sadly, it ain’t too good. Despite the endless array of interesting keyboard noodling and effects, things never really work out and Decadence quickly sinks below the waves of mediocrity. This is a real shame, since there are some interesting ideas on hand and some talented folks involved. But, as the saying goes, no band is an island (sorry, island jokes are rough going). Continue reading
There was a time when melodic death metal was every breath I took. While it’s been a long time since that was the case, I certainly can say that I spent the late 90s and early 00s listening to my fair share of melodic Swedish death metal and loving it. But since then melodic death metal has kinda fallen off a cliff. This is partially due to the dawning of metalcore and the co-opting of Swedish thrash and death metal by hardcore kids, but I think it’s mainly because just like every scene after a while you start growing tired of the sound. Every new album that gets released gets a “Yeah, well, I’ve heard this before.” While there have been some notable melodic death metal records in the last couple of years—Barren Earth and Be’lakor come to mind—only the former has really stuck out as truly remarkable. That is until I checked out New World Shadows from Omnium Gatherum. 
