Akerblogger

Funeral Leech – Death Meditation Review

Funeral Leech – Death Meditation Review

“The idea of combining death metal and doom metal is exciting. The viciousness of death metal combined with the depression of the slow an alluring combination for many bands. It’s in a metalhead’s nature – we’re not always angry and we’re not always solemn. Finding a way of unifying death and doom to perfection in a track, an album, is like finding the answer to the great mysteries of existence. Funeral Leech, with their debut release Death Meditation, attempt to merge both.” Some assembly required.

Barishi – OId Smoke Review

Barishi – OId Smoke Review

Barishi’s 2016 release Blood from the Lion’s Mouth retained the peculiar progressive power of their inconsistent debut, adding a visceral and claustrophobic edge to their sound. It was a much more streamlined effort that showed glimpses of a band working towards something exciting. It lacked a sense of unity. Instead, it consisted of short tracks that dramatically varied in tone and mood, strong in their own right but less stable when held in context: a tasting platter. Old Smoke arrives after a four year silence, a long time between records these days.” Smoke em if you got em.

Foscor – Els Sepulcres Blancs Review

Foscor – Els Sepulcres Blancs Review

“Two years ago I was hooked by Foscor’s Les Irreals Visions. The proud Catalans presented a varied mix of all things melancholic, dreamy and depressive. It was a strong and well-unified record which balanced the line between extreme metal and rock with tact and imagination. I was surprised when I found out they’d been around since ’97; Foscor just seemed to pop up out of nowhere.” Pop goes the Foscor.

Wormwood – Nattarvet Review

Wormwood – Nattarvet Review

“In March 2017 Wormwood’s debut release Ghostlands: Wounds from a Bleeding Earth received a very positive review. I found it graceful and powerful, its montage of melodic sounds moving with a “ghostly smoothness that ebbs, flows, rises and falls with a mixture of beauty and malice that only impresses.” There were more than a few standout set-piece moments on that record which impress me still. However, the idea of the montage sullied my listens over the two years between records: Ghostlands, on reflection, felt too diametric in tone.” Contrition and evolution.

Slomatics – Canyons Review

Slomatics – Canyons Review

“Since 2005, Belfast based space-sludge juggernauts Slomatics have scoured the cosmic plains for doomy inspiration. The universe is a vast place, and with their seventh album set to be released in 2019, Slomatics haven’t run out of inspiration. Every Slomatics’ record tells a story. Their 2016 release Future Echo Returns was an earthy beast, dense and direct. Bone-rattling heaviness in the form of fuzz-laden doom was the main tool used on that record; in my review of that release I desired more tenderness, more humanity. Canyons is more expansive, an exploration of the far reaches of the universe.” Star sludge.

Epectase – Astres Review

Epectase – Astres Review

“When I saw that I, Voidhanger Records were releasing the debut full length of a progressive extreme metal band from Paris, I knew I had to snap it up quick. I’m always intrigued by the Italian label’s output despite not enjoying a lot of their releases. An I, Voidhanger release is usually a big hit or a big miss for me. Regardless, I’ll always check their roster out. So, here we are with Epectase, the next band on the experimental conveyor belt. Epectase are a two-piece consisting of multi-instrumentalist Vague and vocalist Avitus. Their style: an encyclopedic medley of everything.” Blackened buffet.

Heathe – On the Tombstones, the Symbols Engraved Review

Heathe – On the Tombstones, the Symbols Engraved Review

“Heathe’s On the Tombstone, the Symbols Engraved won’t be receiving radio airplay. As a continuous 37-minute track that loosely splits into three discernible sections, close attention is required to reveal the intricacies and technicalities. But it’s important that a band know how to develop intricacies and technicalities in an organic fashion for us, the dearest listeners, to stay focused and intrigued. It’s a hard task and usually, for me, this sort of recording technique can go either way.” Etched in sound.