“Look, I’m gonna keep this fairly brief and there is a simple reason for this: I picked up the debut from Germany’s Giants, Dwarfs and Black Holes to replace another promo that I dropped, after discovering that album was a reissue. I did no prior research on GDaBH, simply grabbing the first free thing with a similar release date and only later discovered THIS IS ALSO A FUCKING REISSUE!” Ever-issues.
“Sometimes, on a cold and miserable winter evening, when you haven’t been outside for several days because Lockdown 3.0 and work sucks because you haven’t been to the office or seen any of your colleagues for 11 months and you really want a beer or five but can’t because you decided not to drink for January for some damn fool reason and… well, anyway, you get the picture. On those sorts of evenings, sometimes what you need is an ice-cold sliver of raw, lo-fi black metal.” Feel the moon.
![Frigoris – … in Stille [Things You Might Have Missed 2020]](https://www.angrymetalguy.com/wp-content/uploads/2020/12/Frigoris-...-in-Stille-01-768x762.jpg)
“Do you remember 2020 having a January? I know logically it must have but, given the monotonous ruination that has been this year, I really struggle to remember anything that happened pre-Covid. One thing of note that research tells me did take place in January was the release of … in Stille, the fourth full-length from German black metallers Frigoris.” Sticks like tar.
“Well. Here we are, 2021 at last and I decided to ease myself into this new year of misery musical exploration with a pick that seemed to be safely in my wheelhouse, based on the genre tag at least: a nice slab of safe, comforting post-metal. Fragments of Light is the debut LP from Washington, D.C.-based Stellar Death. The two-piece comprises Scott Loose (also of While Heaven Wept) and Matt Kozar (Witnesses).” Soft landing.
![Arbrynth – A Place of Buried Light [Things You Might Have Missed 2020]](https://www.angrymetalguy.com/wp-content/uploads/2020/12/Arbrynth-A-Place-of-Buried-LIght-01-1-768x695.jpg)
“It’s nine years since Arbrynth dropped their self-titled debut. At that time, these Australians were a five-piece, playing a brand of folk-inspired, prog-tinged black metal, given an almost symphonic note by then-bassist and vocalist Tina, who has since departed. Scrolling forward to 2020 and their sophomore effort, Arbrynth — now a quartet — have narrowed their scope and arguably been somewhat less adventurous on A Place of Buried Light, which is a 50-minute slab of atmospheric black metal. What makes this such an excellent release, however, is the quality of the songwriting and the depths of emotion it plumbs.” Crouching atmosphere, hidden light.
TheKenWord and Carcharodon join the fray with tastes ranging from good, bad, and unfathomable.
“2020 has been a looooonnnng year and here I find myself, almost at the end of it. My List – following a not insignificant amount of agonizing – has been submitted, two TYMHMs have been written (two still to go, admittedly) and I am staring at my last full review of the year. So, what I need now from Dormanth is a real burst of the zingy, energetic melodeath the promo blurb promised, to carry me through these last couple of weeks.” Fever dreams and downfalls.
“The life of the unpaid, overworked metal reviewer is not an easy one. The reviewing collective at AMG lurches from one new release to the next, errors and n00bs strewn in our wake. But what if, once in a while, the collective paused to take stock and consider the discography of one of those bands that shaped many a taste? What if three aspects of the AMG collective personality shared with the slathering masses their personal rankings of that discography and what if the rest of the personality used a Google sheet some kind of dark magic to produce an official and all-round definitive aggregated ranking of that band’s entire discography? Well, if that happened, we imagine it would like something like this …” Nightwish falls on AMG.
![Exgenesis – Solve et Coagula [Things You Might Have Missed 2020]](https://www.angrymetalguy.com/wp-content/uploads/2020/11/Exgenesis-Solve-et-Coagula-01-768x768.jpg)
“That glorious moment when you find a fucking cool record and you excitedly run off to tell your friends fellow captive writers about it. That awkward moment when one of them is like “oh yeah, I was telling everyone about this a few weeks back – wait, you were there, weren’t you?” And all you’re thinking is “die.” In this case, my sternest death stare was directed at the insufferable Cherd of Doom for it was he, not me, that first tooted the trumpet of Swedish-Colombian melodic doom/death dealers Exgenesis and their stunning full-length debut, Solve et Coagula.” Spiteballs and Coagula.
“Gaze upon that stark, haunting, monochrome cover photo – shot by Emma Ruth Rundle by the way – and ask yourself, how likely is it that this is going to be like the Lewandowski-adorned Cairn, Mizmor’s last outing? How much difference is it going to make pairing Mizmor mainman A.L.N. with experimental ambient specialist Andrew Black? Will Black soften a few of Mizmor’s crushing edges, provide a few ambient interludes or should we expect a complete change of direction from this collaboration? These were my thoughts approaching Dialetheia.” Evolution or mutation?
