“Gothenburg three-piece Earth Messiah are also going old school with their full-length debut Ouroboros. The Swedes’ downtuned, heavy stoner-rock sound is ripped straight out of the late 1990s and follows on from a solid two-track demo, Nocturnal Thoughtgrinder, which they put out in January 2018. A full cycle of the seasons (and a record deal with Argonauta Records) later, are Earth Messiah reborn or stuck living in the past?” Stones and time.
“Active since 1992, this is the Italian death-thrashers’ first release since 2013’s Unus et Viginti, an EP celebrating S.R.L.’s 21st year of activity and comprising several re-recorded tracks from their early years, as well two previously-unreleased numbers. Did the intervening five years allow S.R.L. to move forward or are they still stuck in their own past?” Lions!
“Coming from the Latin ‘splendidus’, ‘splendid’ is defined—by one (free) online dictionary that this n00b found, anyway—as an adjective meaning ‘magnificent; very impressive.’ Of what relevance is this to Post Mortem, the second album from Splendidula? Quite possibly none but having made the splendid-Splendidula link in my head, I got my hopes up.” Album autopsy.
“I don’t do well in the heat. This n00b is a strictly cold-weather creature. Despite this, I do very much enjoy stoner-desert rock. I’ve done so ever since I first encountered Kyuss’ seminal Welcome to Sky Valley. So imagine my excitement when the promo bin – manifesting in the ominous shape of Steel Druhm – threw me Blue Skies Back to Gray, the debut album from Italian stoners Sons of Lazareth.” Left to die.
“Time for a confession, dear reader, one that I hope will not cost me the “exalted” position of Nameless N00b_17: I am not a follower of the trve faith and, try as I might, cannot enjoy black metal. I know, I know, it’s all about the atmospherics, the stripped-back aggression, the chilling extremity… but, to be frank, I find myself unable to appreciate the, um, subtleties of Gorgoroth or Marduk. So it was with a certain sense of trepidation that I approached Mosaic I: L’Amour et L’Ardeur, the third album from Canada’s Unreqvited.” Northern sadness.
“Australian progressive metallers Divine Ascension are back with their third album, The Uncovering. Apparently. To be honest, I was blissfully unaware they were here in the first place or that they’d gone anywhere. But this appears to be a failing on my part. Their previous outing, Liberator, saw them touring in support of genre stalwarts Stratovarius, as well as getting on the road with the inimitable Blind Guardian. Whilst I have something of a soft spot for both these bands, it is undeniable that their (extensive) back catalogs are patchy—although I won’t hear a word said against Blind Guardian’s Nightfall in Middle Earth—and I can’t help but query how much space there really is in what might be termed progressive-power metal.” Cover up, Buttercup.
“Despite originally forming in 1986, The Grand Manifestation is the first full-length offering from Swedish five-piece Third Storm. After just two years and a handful of shows, Third Storm’s original line-up disbanded. It was not until 2014 that founding member, Heval Bozarslan, gathered a new band around him, releasing the Taritiya Me EP a year later. “Despite its Mayhem-inspired cover and the howling winds and distant siren that open the EP, it is not a black metal offering. Some promising-sounding death groove is short-lived and gives way to medium-paced, funeral doom, which dominates most of the 25-minute runtime. Which Third Stormwould be on display on The Grand Manifestation—the anticipated black metal, the groove-laden death that made a brief cameo or the sludgy doom that predominated?” Precious metals sampler.
