“King of Asgard’s brand of Viking-themed, folksy, black metal was praised for its stellar riffing and sword-swinging energy. In light of their tenure, the green light was given to review their new EP, :taudr:. Comprising just five tracks over thirty minutes, I anticipated something sharper than the hour-long albums which are becoming the norm.” Sword swinging and review bringing.
“I’m wary of praising bands in overpopulated genres but I believe Birmingham’s Alunah to be one of the best retro-doom bands operating. Beyond the nostalgic warmth and simplistic riffs offered by their peers, these guys boast a stand-out vocalist, a cracking tone and a fervor for folklore which lends a certain charming mysticism.” Wicked mystics.
“A couple of years back I reviewed the sophomore album from Finland’s Oceanwake. I commended their compelling fusion of sheer power with delicate atmospherics and it made my year-end list. They’ve now returned with Earthen and the scope is huger than ever. Comprising just two tracks of over 20 minutes apiece, I feared drone and repetition had taken hold. The succeeding album to the one with which I discover a good band is always a dicey affair as I have expectations as to quality and style. And so it was with trepidation that I clicked play…” Doom with a view.
“I like folk metal. It’s best when it takes the form of black metal infused with instrumentation and arrangements native to its respective country. Saor, Panopticon, and Nechochwen are truly great examples of this. The upbeat frolics of Finntroll, Korpiklaani, and their ilk are not merely average by comparison but actively annoying. I find their attempts at inducing happiness grating and vapid. There are logically two conclusions which I would likely reach following my random selection of Atlas Pain’s What the Oak Left: delight or irritation.” Not liking Korpiklaani is like hating dogs.
“Hysteria is hair metal reduced to a fine paste. It has the girls, the melodies, the vocal harmonies, the schmaltzy lyrics AND the chest hair. It’s produced with that pleasant 80s guitar tone which was popular, plenty of synthesized effects and is buffed to a gleaming shine. There’s crystal clear separation in the mix and it was evidently written and produced for maximum accessibility and groupy-acquisition.” Why is this happening? We aren’t sure.
“Their older stuff isn’t half bad with its Dissection-inspired melodeath and meloblack hybrid, and certainly offers a blacker, rougher outlook than those of the Gothenburg ilk at a similar time. Yet In Thousand Lakes hail instead from the significantly less kvlt Spain. It is at least one of the rainier parts. But all this research and I’d not even yet listened to the album! I pulled on my Somberlain boots and prepared to get stuck into the Light’s Bane…” Tales from the thousand fakes.
“I’ve begun this year somewhat jaded. I’m not feeling the negativity in the same way as at 2016’s end but I’m disgruntled at many things. January failed to impress me musically and I selected a couple of promos for bands with which I’m unfamiliar, in the hope that I’d experience the joy of the unknown excellence. Dool’s debut album, Here Now, There Then, promised to at least be something with note-worthy subject matter: the enigmatic blurb on their website describes an exploration of the seediness of their hometown of Rotterdam through the medium of ‘dark rock.’ But my reactions to music in recent times requires quality to pique my interest.” One man’s struggle with mediocrity.
![Oak Pantheon – In Pieces [Things You Might Have Missed 2016]](https://www.angrymetalguy.com/wp-content/uploads/2016/12/oakpantheonpieces-768x768.jpg)
“North America has actually developed into a great purveyor of folk metal in recent times: Wilderun; Panopticon; Nechochwen; Thrawsunblat. But a new challenger approaches.” Mournful wood.
![EP Edition [Things You Might Have Missed 2016]](https://www.angrymetalguy.com/wp-content/uploads/2016/12/Cuervo-2.jpg)
“Another year, another influx of new readers and writers at this mighty blog. Yet compared to those previously, this year has seen a significant growth in the consistency of our posts. A sad consequence of this is that EPs have increasingly fallen by the wayside as reviews of shitty full-length albums are summarily assigned to the probationary writers with reckless abandon.” We fixed the glitch.
![Plateau Sigma – Rituals [Things You Might Have Missed 2016]](https://www.angrymetalguy.com/wp-content/uploads/2016/12/plateausigmarituals2.jpg)
“Italy’s Plateau Sigma have been on my radar for a couple of years: they always edged something quite interesting with their emotive doom metal but they lacked consistency and the song-writing was choppy at best. Yet it was with eagerness that I encountered their second full length, given the chinks of excellence evident previously. Rather than continuing the trend of slow but steady improvement, Rituals enveloped me entirely in its sheets of atmospheric doom and calming beauty, upheld by a strong, mid-paced core.” Doom in your stocking.
