InsideOut

Riverside – Love, Fear and the Time Machine Review

Riverside – Love, Fear and the Time Machine Review

Poland’s Riverside should be no stranger to the dedicated reader of these Angry pages. After discovering the band’s Anno Domini High Definition in 2009, Riverside has sneakily become one of the staples of my playlist. I wasn’t completely enamored with Shrine of New Generation Slaves; but its chill, more reflective moments are the ones that I keep coming back to: “The Depth of Self Delusion,” yes, but especially, “We Got Used to Us,” which has a slow groove and a transcendent chorus. Still, SoNGS lacked the punch and progressive drive that ADHD—and the band’s earlier material—had, and landed far more in the territory of post-Marillion prog, without the brooding darkness into which late Gazpacho has wandered recently. SoNGS was, arguably, nothing more or less than a road sign, though, pointing towards 2015’s latest record: Love, Fear and the Time Machine.

Spock’s Beard – The Oblivion Particle Review

Spock’s Beard – The Oblivion Particle Review

“What do you think of when I say “progressive metal?” Well, if you’re anything like me, you think of early ’90s wanks from New York, nerdy band photos of cheap sunglasses and bad haircuts, masturbating guitar solos, cheesy keyboard theatrics, and lengthy double-albums longing to be The Wall or The Lamb Lies Down on Broadway.” Nobody wanks in New York!

The Gentle Storm – The Diary [Vinyl Review]

The Gentle Storm – The Diary [Vinyl Review]

“It’s not news that I’m a big fan of Arjen Lucassen’s output from the last 5 or 6 years. Starting with 2009’s unparalleled Guilt Machine, Arjen has released a string of records that I love. In full defiance of Angry Metal Guy’s Law of Diminishing Recordings™, the “poofy-haired Dutchman” has seemingly upped his game on every release: a great solo release, a seriously enjoyable Star One disc, and a stellar Ayreon album which landed #2 on my Top 10(ish) of 2013. So it was with unabashed enthusiasm that I began my countdown when I heard he was working with Anneke van Giersbergen, formerly of The Gathering, on a project entitled The Gentle Storm.” And it’s not like anticipation has ever led to disappointment or anything…

Steve Rothery – The Ghosts of Pripyat Review

Steve Rothery – The Ghosts of Pripyat Review

“If I were tasked to imagine what a typical instrumental progressive rock album led by a guitar virtuoso sounded like, I’d probably envision exactly the music that Steve Rothery and co. prepared for his first real solo album. Created with the help of fans through crowdfunding and riding on a wave of ideas cultivated for the better part of 30 years, The Ghosts of Pripyat once again shows just what kind of a creative mastermind and a driving force behind Marillion Steve Rothery actually was.” Instrumental prog rock? On a metal site? Yes!

Devin Townsend Project – Z2 Review

Devin Townsend Project – Z2 Review

“It’s easy to forget that at the time of it’s release, Zlitoid The Omniscient was something of a reboot for Devin Townsend’s career. Having disbanded both his solo group and the long-running Strapping Young Lad in 2007, Townsend decided to return home, get healthy, and focus on family life. Ziltoid was his first release after that self-imposed exile. The record was charmingly low-budget, recorded solely by Townsend and a drum machine, and there was no tour to promote it.” The long awaited Ziltoid sequel has finally arrived. Pray it doesn’t suffer from Jar Jar Syndrome.

Things You Might Have Missed 2013: Fates Warning – Darkness In A Different Light

Things You Might Have Missed 2013: Fates Warning – Darkness In A Different Light

Darkness In A Different Light is the first album in nearly a decade from prog legends Fates Warning. Arriving on the heels of 2011’s Arch/Matheos project (a Fates Warning album in all but name), Darkness features most of the same lineup except with longtime vocalist Ray Alder back at the mic. Guitarist Frank Aresti makes his first appearance on a Fates record since the early ’90s, and the rhythm section now includes Joey Vera on bass (Armored Saint) and journeyman drummer Bobby Jarzombek. Of course, founding guitarist/songwriter/main guy Jim Matheos is present as well.” How the hell did we miss this one, you ask? Because Steel Druhm was overworked, had to make strategic decisions and mistakes were made. Luckily, Mr. Fisting is here to right some wrongs and save the day.

Ayreon – The Theory of Everything Review

Ayreon – The Theory of Everything Review

“Of all of Arjen Lucassen’s projects, Ayreon is his best known and my least favorite. Having previously given both The Human Equation and 01011001 a shot, Ayreon really was a nut I couldn’t crack. Partially this is because I think the rock opera genre of power/prog metal bands à la Avantasia or Timo Tolkki’s Horrible, Terrible, No Good, Very Bad Avalon tend to lack vision; but the writers also lack the kind of talent necessary that make undertakings like Jesus Christ Superstar or Little Shop of Horrors fun and interesting.” One does not simply write a 600 word review for a 90 minute concept record from Arjen Lucassen. Click to see the epic of The Theory of Everything.

Haken – The Mountain Review

Haken – The Mountain Review

The worst thing that ever happened to London’s Haken was that someone once compared them to Dream Theater. In fact, enough reviewers compared the band to Dream Theater that on Metal Archives the only “associated act” is the unfortunate Berklee Music School graduating class of nineteen eighty-boring. “Why,” you ask, “is it a problem to be compared to DT? They have a long and storied career!” Because I am not alone in finding the band’s music to be void of creativity. It is insipid, lacking in feel, and often only an exercise in form. So when someone says to me, “Yeah, man! They’re like Dream Theater!” that’s an instant cue for me (and many others I’ve met) to shut down; to tune out; to back out of the room slowly and look for a shotgun. Still, being the daring man I am, I couldn’t help but listen to Haken’s new album The Mountain when it landed in my box a few weeks back. Honestly, the band has such a fantastic loyalty from its fans, that I felt like I had to at least give them a chance. In general, InsideOut is a trustworthy label and they put out good material [With a few notable exceptions, of course F.t.A.G]—so what choice did I have?