Metal Blade

Týr – Hel Review

Týr – Hel Review

“At the stony, windswept crossroads of Viking, folk, power and traditional metal sits Týr on a cottonwood throne bedecked with fishing nets and boat hooks. Hailing from the tiny Faroe Islands that sit between Iceland and Norway, these mysterious descendants of Vikings have impressed with their distinctive brand of genre hopping since their sophomore album Eric the Red came ashore in 2003. They’ve been uncomfortably quiet since 2013s outstanding Valkyrja, making Hel among my most anticipated releases of 2019.” Hel-o, is it me you’re looking for?

Skull Pit – Skull Pit Review

Skull Pit – Skull Pit Review

“I was certain this promo was a trap when Steel Druhm gave it to me. Metal Blade Records on my 4th review?! There has to be something catastrophically wrong with whatever is inside this zip file. What I soon found out was that there’s absolutely nothing wrong with Skull Pit’s self-titled debut, but there’s a hell of a lot right with it.” Steel charity, iron n00b debt.

Artillery – The Face of Fear Review

Artillery – The Face of Fear Review

“The fact that Artillery is still going always surprises me on some level. Though they were an integral part of the original thrash wave in the 80s, these once great Danes were always overshadowed by their American and German counterparts, never receiving their share of respect and fame despite the strength of albums like Fear of Tomorrow and By Inheritance. After taking off much of the time between 1991 and 2008, they reformed and have been relatively productive over the past 10 years.” Shellshock.

The Ocean – Phanerozoic I: Palaeozoic Review

The Ocean – Phanerozoic I: Palaeozoic Review

“When I listen to The Ocean, I can’t help but think of Angry Metal Guy. Though I was a fan before (especially of fluxIon and the Precambrian double album), Noctus and Angry Metal Guy convinced me to take Pelagial seriously. That album soared through 2013, taking home the coveted AMG RotM award and AMG‘s end o’ the year spot. All year long, it never let up its hold on me. And it still hasn’t. It’s been five years and, now, I stand here holding Pelagial’s follow-up, Phanerozoic I: Palaeozoic.” Teutonic plates are shifting.

Anaal Nathrakh – A New Kind of Horror Review

Anaal Nathrakh – A New Kind of Horror Review

“2018 marks an anniversary year of sorts. On November 11th, it will mark one hundred years since the end of World War I, a war that was supposed to end all wars, but instead introduced trench warfare and chemical weaponry, forever changing the landscape of combat to this day. To give attention to this, British duo Anaal Nathrakh, themselves celebrating twenty years as a band this year, crafted an album that gives respectful tribute to the writings, poetry, and the sheer terror that World War I brought to those who survived to tell it.” Dead in a ditch.

Revocation – The Outer Ones Review

Revocation – The Outer Ones Review

“In just over a month I’ll be celebrating (with metalcore, most likely) my fifth year writing for Angry Metal Guy’s family feedbag, and what better way to do that than with the latest LP from Boston’s own prog-death-thrash torchbearers, Revocation. My review of their self-titled album way back in 2013 was the first of my many ill-bred proclamations from these servers to you, and the band have done me a solid by producing material at a pace brisk enough to suit biennial navel-gazing.” Revoked.

Monstrosity – The Passage of Existence Review

Monstrosity – The Passage of Existence Review

“For what many people come to know nowadays as “Corpsegrinder’s old band,” Monstrosity has built a sterling reputation for themselves without the Cannibal Corpse front-beast. My first introduction to them was on Death…is Just the Beginning Vol. 2, but that was just one song. My true introduction was on 2007’s Spiritual Apocalypse, one of my favorite death metal records of that decade. Having not grown up in the prime era of Floridian death metal, the sound and the iconic Morrisound production style were awesome relics of a bygone time. With Spiritual Apocalypse, Monstrosity brought that time to the present; the Morrisound production was perfect, the songs were impeccable, and then… silence. That is, until now.” Now, Monstrous.

Siege of Power – Warning Blast Review

Siege of Power – Warning Blast Review

Warning Blast was set to be one unstoppable slab of doomy death metal. That is, until it wasn’t. Siege of Power are far more interested in playing some punk infused death-doom, or what it would sound like if death-doom musicians tried to start an old hardcore-adjacent band. Conveniently, this is almost exactly what Warning Blast represents.” Feel the crust.