Reviews

Record reviews

Redemption – The Art of Loss Review

Redemption – The Art of Loss Review

“Over my life as a metal fan I’ve had my share of issues with proggy musical endeavors. Though there was a time when I loved everything Dream Theater did, they eventually drifted into a grey purgatory of wanking and showboatery which left those of us who appreciated actual songs out in the cold. I loved early Fates Warning even more dearly, but they too took their progressive tendencies too far afield for my liking, losing their traditional metal charm entirely. Somehow, Redemption managed to avoid alienating my affections over their career though they embody the exact same tendencies as the aforementioned acts.” Don’t put the W in wank and everything will be just fine.

Black Twilight Circle – Desert Dances and Serpent Sermons Review

Black Twilight Circle – Desert Dances and Serpent Sermons Review

“In 2015 I had the pleasure of opening up the New Year with a review of Volahn’s Aq’ab’al; a black metal album filled with so much cultural content (Mayan in this case) that it would have made Quorton’s head spin. Just over a year later I am presented with another opportunity to review a new release from Volahn’s small record label, Crepúsculo Negro—aka Black Twilight Circle.” Cultural diversity is the mission statement here at AMG.

Mefisto – 2.0.1.6 Review

Mefisto – 2.0.1.6 Review

“What do you get when the length of time between a band’s demo and their first full-length debut is longer than the entire life of the guy writing about it? This review, that’s what. Next, what do you name your record when you release it sixteen years after we all drained our bathtubs because Y2K ended up not shutting down the municipal water supply? 2.0.1.6, if you’re kvlt Swedish band Mefisto.” Y2K was a ploy by the Illuminati!

Atrocious Abnormality – Formed in Disgust

Atrocious Abnormality – Formed in Disgust

“If I had my druthers – and by Jorn’s undershorts, they will be had – I’d be reviewing a lot more good slam. The paucity of good slam to review occurs for two reasons. Number one; we don’t get a whole lot of promo for slam bands, I suspect because so few of them speak English, and number two; good slam is hard to find. Sturgeon’s rule says that 90 percent of everything is crap, but for certain genres of metal, that’s a conservative estimate, and brutal death metal seems to produce stinkers at an alarming pace.” Watch as Kronos pines longingly for slam.

Ritual Chamber – Obscurations (To Feast on the Seraphim) Review

Ritual Chamber – Obscurations (To Feast on the Seraphim) Review

“Simply put, Obscurations (To Feast on the Seraphim), the début by one-man band Ritual Chamber, is easily an archetype of how “evil” music should sound. Guitar riffs and growled vocals rise from a gutter filled with tortured souls, putrid bile drips from drum kicks and rumbling bass lines, and a general atmosphere of rot and despair fills each and every song. Cliché as it may seem, it’s dread incarnated.” Ready for some dread and breakfast?

Hyperion – Seraphical Euphony Review

Hyperion – Seraphical Euphony Review

“Crack a beer and get comfy folks, it’s storytime. Our tale is about a brave group of Swedes who decided to storm the castle of greatness, knowing full well the dangers and hardships they’d face. The lofty standards of age-old records loved worldwide would need to be breached. Our protagonists would need to deftly maneuver within clear and defined stylistic boundaries. These Swedes go by the name Hyperion, and the tome of their triumph is called Seraphical Euphony. Storytime!

Protector – Cursed and Coronated Review

Protector – Cursed and Coronated Review

Protector first hit the scene with 1988’s Golem; a crushing mix of Kreator and Possessed sound that straddled the line between thrash and death. This approach continued with 1989’s Urm the Mad until founder Martin Missy left the band. Missy was replaced with guitarist/vocalist Olly Wiebel, whose contributions brought a more thrash-focused sound to A Shedding of Skin and The Heritage. But after The Heritage, the band pretty much fell off the face of the earth.” And now they’re back!

Sinbreed – Master Creator Review

Sinbreed – Master Creator Review

“Germanic power metal has really become its own little thing over the years, making it a reliably punchy alternative to the overly pompous, fancy-pantsy, chaos wizardy sounds of traditional Euro-power. One of the better purveyors of this muscular brand of Teutonic terror is Sinbreed.” Manly power metal for manly men (and women).

Entombed A.D. – Dead Dawn Review

Entombed A.D. – Dead Dawn Review

Entombed A.D. suggests a great return to glory for the Swe-death greats: Entombed is dead, long live Entombed A.D.! When it came out two years ago, Back to the Front was more like Back to the Middle, a good if not workmanlike record that wasn’t offensive but wasn’t the grand comeback the band and record name seemed to imply. Now L.G. Petrov and his A.D. crew are back with Dead Dawn, and only the most naïve of optimists could have possibly expected Left Hand Path II: HM-2 Boogaloo.” Why can’t we just have our little dreams?