Record reviews
“At what point do we call something a comeback? L.L. Cool J seems to think that if someone’s “been here for years” then we are not to refer to whatever they may do as a comeback. Mightiest, a German black metal band, have technically been here for years in the form of releasing scattered demos and EP’s since 1994 and what their promo material tells me was a legendary German gig back in 1997.” Don’t fool with Cool J.
“Apparently I am now the designated AMG reviewer wot gets all the grindcore, which suits me fine as, though it is amongst my top genres in the crazy world of extreme music, it’s one that I mysteriously neglect for long periods. Probably mostly because I’m listening to Toto’s first five records on a loop.” Gonna take a lot to drag me away from Magru!
“AMG recently dropped this album by Poland’s Votum in my promo bin with a snarky remark about how I love “sadboy doom-prog.” Naturally, I denied it and retorted with a series of choice names, but when the time came to actually sit down and listen to :KTONIK:, Votum’s fourth full-length, I was forced to admit I did love the sadboy post-rock prog metal being laid down. Damn, him! Damn that AMG!
“When great music flows from a band like water, it cranks up expectation to burning point. Your nerves tingle at the mere mention of a new official video. And your palms sweat a little as the band’s shiny new promo drops like manna into your outstretched, grabby hands. With so many full-bodied offerings under their belt, can Omnium Gatherum make a clean sweep giving themselves a mighty four out of four winning streak?” Grey is the new black.
“If anything can be said about HateSphere, it’s that they know how to please their fans. Though many of us crave a bit more diversity across a fifteen-year career, the fact that HateSphere drops consistent album after consistent album every couple years is enough to please (almost) anyone. HateSphere’s consistency is the result of founding guitarist Peter Hansen and his continued navigation along the course set by 2001’s self-titled debut.” And it’s always tough to know if consistency is a virtue or not.
“I have a unique history with Greek black metal institution Rotting Christ. As a youngin’, I was first introduced to them via (what else?) Metal Maniacs Magazine. They were hyped up as a great second-wave black metal band with interesting melodies and a unique cultural viewpoint.” The phalanx is ready to rumble once again. Release the Kraken!
“Amoth is a highly talented group of musicians who play a hyper-kinetic style of progressive metal with elements of tech-thrash, power, goth and traditional metal all patched and glued together with gum, tape and optimism.” Duct tape solves so many problems, but maybe not this one.
“Though I have no musical ability, back in high school I used to love plucking random strings on my friend’s Stratocaster knockoff and imagining I was composing an avant-garde interlude for some progressive screamo album.” You know, with an intro like that, I’m pretty sure you’ll end up not trusting this guy’s judgement anyway…
“I probably over-utilize the term ‘potential’ when describing new bands, when what I really mean is ‘not good enough yet.’ I’d already resolved to remedy this issue of my own volition and be more accurate when summarizing how I feel about a new artist. Yet, when Lamentations came across my desk with their debut Echoes in the Wind, I couldn’t help but think that these these guys have potential.” Wait, does that mean they’re bad? Or like, good? I’m now pretty confused. I’d better click this here link…
“I’ll be honest with you; the only reason I’m even passingly familiar with Entropia’s existence comes from their commendable decision to sample a few lines of dialogue from the excellent (and yes, very brutal) Christopher Nolan film, The Prestige. The late David Bowie’s tempered portrayal of an eccentric and misunderstood Nikola Tesla living out his days in a quasi-exile in Colorado Springs brings a wistful sort of conscience to the film’s dueling protagonists, and a story of such single-minded self-destruction couldn’t be more suited for a metal adaptation. That’s just low hanging fruit, metal bands, I’m doing your work for you here.” And we don’t get paid to do PR!
