Record reviews
“I have a long standing joke with friends that about fifty percent of death metal bands out there derive their identity with respect to the phrases “Lovecraftian horror” and “anti-Christian,” and Throne of Heresy isn’t out to prove me wrong. So find a bucket, because Antioch is the perfect chance to revisit a favorite conceit of mine; the album review as a drinking game.” Put on your drinking shoes and pull up your pants – we’re about to get our mead on.
“It’s been four years since Urd was released and Winter Thrice builds upon the back of Urd while trying to expand its vision. The album is sixty minutes of epic, blackened, progressive metal which builds on the back of excellent vocal performances, including the unexpected—but totally suggested by me—inclusion of Garm’s cleans in the growing vocal mosaic.”
“Hexvessel came into my life in 2012 and filled a void in my soul I didn’t even know existed. You see, I didn’t have any Finnish psychedelic forest folk in what passed for my miserable existence, and only when I tasted of its rich goodness did I realize how much I always subconsciously hungered for it.” And the fire still burns.
“As the old saying goes, you can legally coerce Abbath out of Immortal, but you can’t stop Abbath from up and taking Immortal with him in spirit. So instead of taking the ball and going home, Abbath proceeded to take the ball and dunk on the fools who think that Immortal can survive without him.” Abbath is back with Abbath. Hail Abbath!
“After nearly seven years on hiatus, Baphomet’s Blood have returned (minus S.V. Goat Necromancer) with booze in their beards, blood on their jackets, shovels on their shoulders, and eyes set on murdering lawns-o’-plenty as only Motörhead could do.” Lemmy would be pleased.
“There are many types of melodeath; the moody, acoustic-tinged odes of ’90s Dark Tranquillity, the thrashier Gothenburg style favored by early In Flames and At The Gates (and the thousands of other bands that ape them), as well as the poppier sound of Soilwork clones that seemed to crawl out of the woodwork in the late 2000s (hey, look, In Flames again!).” Kronos loves to classify and identify things. It’s what he does.
“There are several unassailable truths in heavy metal. A brutal death metal concert will always smell like garbage and unwashed socks. The wait for a new Necrophagist album will always be the metal blogosphere’s running joke. And when a band experiences some commercial and critical success after employing a fresh sound, you can bet your Ghost buttplug there will be a slew of imitators there to jump on the bandwagon and catch whatever stray dollars they can.” And that brings us to the flavor of the day.
“Gomorrah struck like a bolt of lightning from a clear blue sky. Slated for a mid-January release date on the not-exactly-major-label Test Your Metal Records, The Haruspex got overlooked in an administrative snafu. As luck would have it, I am nothing if not diligent about my hoarding of new music. And when I popped Gomorrah’s The Haruspex on I knew that we’d missed something good.[1. On the topic of haruspices, I need to fire mine, because I didn’t know this was coming out.] I put out a general alert to the staff, trying to get someone to review this very-nearly-overlooked record and in the time I was waiting I’d managed to listen to it twice.”
“If there was ever a “Yacht Metal” band, Tobias Sammet’s aspirational ego project Avantasia is it. Perpetually over-sized, ostentatious, crowded with celebrities and in danger of sinking under the weight of its own pretentious pomposity, the entire catalog is a monument to the man’s inherent lack of restraint.” But is that ship still seaworthy and can they see the Ghostlights from the distant shore?
“The Mute Gods is the freshly minted project featuring a strong line-up of seasoned musicians from within the progressive music scene.” Spawned from Steve Wilson’s band, The Mute Gods deliver more proggy art rock for your elitist pleasure.
