Nuclear Blast

Turmion Kätilöt – Global Warning Review

Turmion Kätilöt – Global Warning Review

“WOW that’s a uniquely tasteless sort of cover, isn’t it? It’s as if industrial Finns Turmion Kätilöt felt the need to be seen after getting signed by Nuclear Blast, and figured that bad publicity is good publicity. Well, the cover stands out alright, just in the worst way. Let’s hope the music is better.” Naked launch.

Oranssi Pazuzu – Mestarin kynsi Review

Oranssi Pazuzu – Mestarin kynsi Review

“It has come to my attention that this will be the third time Oranssi Pazuzu have been reviewed on Angry Metal Guy, and that I will be the third unique reviewer to do so; I’ve been informed that Happy Metal Guy is “‘definitely’ alive and well,” and that Jean-Luc Ricard is “perfectly fine, now stop asking difficult questions,” but you still have to wonder if that’s a coincidence. I was surprised to see that Mestarin kynsi, the band’s fifth full-length, still needed reviewing…” Third time’s the harm.

Testament – Titans of Creation Review

Testament – Titans of Creation Review

“Featuring the same star studded lineup as last time, Titans of Creation doesn’t mess with expectations, delivering a traditional thrash album with plenty of veteran know-how and high flying technical flair. I’d be lying if I said spinning it doesn’t offer some sense of stability and comfort in these uncertain times, but I’m here to examine how it fares as a thrash album, not a creature comfort.” Creation in a time of destruction.

White Stones – Kuarahy Review

White Stones – Kuarahy Review

“Martin Méndez always appeared the most metal of the Opeth crew, with his cool stage presence and thrashing headbanging style. As his main band continue spiraling down a vintage progressive rock rabbit hole, Méndez has decided to reconnect with his death metal roots with brand spanking new project, White Stones. Combining with some like-minded and suitably talented buddies, Méndez and co have crafted debut album Kuarahy.” Morepth.

My Dying Bride – The Ghost of Orion Review

My Dying Bride – The Ghost of Orion Review

“When you think of quality doom metal, just about everyone will mention My Dying Bride within the first five bands listed, if not the first. For thirty years, the British sextet’s captivated the world over with their trademark blend of crushing riffs, sorrowful violins and keyboards, and the cavernous growls and pained singing of charismatic frontman Aaron Stainthorpe. So impacting their music has become that they’re the soundtrack to personal situations in peoples’ lives, including mine.” Familiar haunts.

Angry Metal Primer – My Dying Bride

Angry Metal Primer – My Dying Bride

Over 40 years of metal’s biological urge (and a hefty lack of restraint) has resulted in some incomprehensibly large catalogs. No one should have to listen to anywhere from 13 to 15 [Luca Turilli’s] Rhapsody [of Fire] albums just to get caught up for a new release. So each week (as required and/or able), we’re offering a selection of prime(r)(er) cuts to get you up to speed. Without further ado, welcome to My Dying Bride‘s Primer of Sadness.

The Night Flight Orchestra – Aeromantic Review

The Night Flight Orchestra – Aeromantic Review

Aeromantic hardly breaks new ground for these excitable Swedes. By this, I mean that it is seemingly purpose-built to mainline dopamine directly to my brain, being, as it is, more 80s than the 80s. Each NFO release reaches deeper into this era, and Aeromantic nails the schmaltzy, overblown tone which has come to characterize the retrospective view of it.” Aeroma therapy.

Sepultura – Quadra Review

Sepultura – Quadra Review

“Boy, are you all in for a treat today. Our resident Sepultura reviewer, Dr. Fisting, has gone into hiding, conveniently around the time the Quadra promo became available. With nobody else raising their hand, and me having some time on mine, I said “If you want some Canadian idiot to take a stab at it, here I am.” There’s a caveat, though: the number of minutes I’ve spent listening to Sepultura over the past thirty-four years can be counted on one finger. So you’re not getting a review today from some lifelong fan who hates the fact that certain people aren’t in the band anymore.” Tabla rasa.

Corrective Measures: Blind Guardian Twilight Orchestral – Legacy of the Dark Lands

Corrective Measures: Blind Guardian Twilight Orchestral – Legacy of the Dark Lands

“What is the goal of Legacy of the Dark Lands? To my ears, it sounds the point of the album was to write a metal opera in the style of Blind Guardian. But what if the goal of Legacy of the Dark Lands, a thing that made sense at the time of its conception was accomplished between 2002’s A Night at the Opera and 2015’s Beyond the Red Mirror? What if, in the years since A Night at the Opera, Blind Guardian had developed their sound to be so unique and so orchestral that by the time Legacy of the Dark Lands was released, it was unnecessary and maybe even uninteresting?” S&M Part Deux.