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Oddland – Origin Review

By GardensTale on September 2, 2016 in 2016, Finnish Metal, Progressive Metal, Reviews, Sensory Records, Djent, Progressive Metal, 33 comments

“Popular music has had a shadow looming over it for years: talent shows, where thousands of contenders come to have their hopes and dreams shattered, burned and the ashes spread to the winds. Apparently the practice has also come to unpopular music; in 2011, Century Media crowned proggers Oddland the winners of the Suomi Metal Star contest. Those last three words make me gag, but at least Oddland got a record deal out of it, with Dan “The Man” Swanö as their mix and mastering bonus.” It’s not every day you get to win a Swanö.

Colosso – Obnoxious Review

By Kronos on September 2, 2016 in 2016, Death Metal, Portuguese Metal, Reviews, Self-released, Death Metal, 34 comments

“Colosso occupy a strange perch in the metal world. While they’re obviously huge Meshuggah fans, their groovy, mid-paced metal is a far cry from the tech-prog peddled by djent bands. Yet the group’s history fits the bill quite well, beginning as a one-man band before gradually accruing members to flesh out their current sound.” More members do not a success make.

F.A.M. – Human Cargo Review

By Mark Z. on August 29, 2016 in 2016, Death Metal, Deformeathing Records, Grind, Polish Metal, Reviews, Death Metal, 21 comments

“I recently heard from a coworker that lobster meat only has to contain about 2% actual lobster to be labeled as such. Often when you’re biting into a cheap lobster roll, you’re actually eating monkfish – a bottom dwelling creature that looks like a cross between a dog turd and a deep sea anglerfish that got run over by a dump truck. Why bring this up? Well, if Polish grindcore quartet F.A.M. are any indication, mediocre deathgrind albums work the same way.” Contents guaranteed to be fresh.

Twilight Fauna – Fire of the Spirit Review

By Treble Yell on August 15, 2016 in 2016, American Metal, Black Metal, Folk Metal, Ravenwood Recordings, Reviews, Black Metal, Folk Metal, 15 comments

“It’s not enough for new album releases these days to crow that they’re the work of a single person. The novelty of a sole individual stitching together a trove of instruments and producing a handcrafted, free-range, conflict-free album has long since worn off. There needs to be more – some sort of hook to separate itself from the horde of other releases jockeying to gnaw at our aural pleasure centers. With a concept built around snake handling, Fire of the Spirit is the latest release by Paul Ravenwood, whose band Twilight Fauna is described as “a blackened-folk solo project devoted to telling the often forgotten stories of the Appalachian Mountains.”” Mountain folk don’t like no outsiders intrudin’.

Unbegotten – Proem of the Unborn Review

By Madam X on August 13, 2016 in 2016, Black Metal, Forever Plagued Records, Reviews, Spanish Metal, Black Metal, 20 comments

“The phrase “Spain is different!” seems to roll off the tongue of many a Spaniard. And rightly so; as a country its culture, cuisine and even the architecture, are markedly recognizable in flavor, style, look and feel. So how does that relate to Unbegotten’s debut release Proem of the Unborn? Have these mutinous Spaniards turned against their Spanish roots? Or have they perhaps added a little Flamenco or maybe some Latin pizzazz to their black metal offering?” Spain’s Unbegotten isn’t that different after all…

While Sun Ends – Terminus Review

By El Cuervo on August 8, 2016 in 2016, Death Metal, Djent, Italian Metal, Progressive Metal, Reviews, WOOAAARGH, Death Metal, Djent, Progressive Metal, 15 comments

“When first listening to Terminus by While Sun Ends I was on the train. In lieu of much exciting to say about the record itself, I will begin with this. It was on a Euro-trip where I visited a number of central European cities. I had the pleasure of making the journey between Munich (Germany) and Salzburg (Austria), a route which takes you through the beautiful Bavarian Alps. These travel days were substantially stop-gaps but this ride was a highlight of my trip, as we sped through a plethora of emerald hills, past azure lakes, observed grand mountains and stopped at quaint villages with lots of men whose names I presume to be Klaus. All of them. I paint this picture as that part of the world is extraordinary. The same cannot be said for Terminus. It is, indeed, extra-ordinary.” The home of trains is plain.

Spire – Entropy Review

By Madam X on August 5, 2016 in 2016, Ambient Metal, Australian Metal, Black Metal, Iron Bonehead Productions, Reviews, Ambient Metal, Black Metal, 9 comments

“Believe it or not the life of a music reviewer is not as glamorous as one would think. Yes, from time to time you’re invited to the likes of Thor’s Rock Opera in some trendy part of New York City, you’re jet-setting off to Chicago with tickets to Alehorn of Power IX, or you’re the first to get your grubby mitts on Swallow the Sun’s new triple album. Outside of those jaw-dropping moments though, reviewing consists of picking some unknown band/album off the promo sheet with your fingers tightly crossed hoping that what’s going to burst out of your monitors isn’t going to suck monkey balls. Aussie ambient/black metallers, Spire, was one of those random, finger-crossing, hope-for-the-best-expect-the-worst moments.” Sometimes you win and sometimes….

Pestifere – Hope Misery Death Review

By Diabolus in Muzaka on July 17, 2016 in American Metal, Black Metal, Eihwaz Records, Melodic Black Metal, Melodic Death Metal, Reviews, Black Metal, Melodic Black Metal, Melodic Death Metal, 14 comments

“Want to hear a bunch of metal bands you probably like chopped up and thrown together in some sort of audial stir fry? The Revenge-y titled Hope Misery Death is here, it’s Pestifere, and now I’m going to write about it.” Black metal salad, anyone?

Summit – The Winds That Forestall Thy Return Review

By Mark Z. on July 6, 2016 in 2016, Ambient Metal, I Voidhanger Records, Italian Metal, Post-metal, Progressive Metal, Reviews, Sludge, Ambient Metal, Post-Metal, Progressive Metal, Sludge, 32 comments

“Solo projects are a mixed bag for me. On one hand, you’ll occasionally get a musician’s pure, unencumbered vision, free of competing egos, stylistic conflict, or bullshit social media drama that inevitably leads to a nasty breakup and months of blog posts detailing the extended legal battle over rights to the band name. More often, however, you get good ideas and musicianship hampered by a lack of self-awareness or weakened by the absence of an additional creative force. To paraphrase Stephen King, writers are often the worst judge of their own work.” And that’s where we come in.

Defiled – Towards Inevitable Ruin Review

By Kronos on June 30, 2016 in 2016, Death Metal, Japanese Metal, Reviews, Season of Mist, Technical Death Metal, 13 comments

“As you might expect for a Japanese tech-death band, Defiled make music that’s a bit strange. Their last two records, Divination, and In Crisis were fast and brutal but had an idiosyncratic sound that can only come from a band in relative isolation – think of how strange Ulcerate sounded in 2009 and multiply by wider cultural barriers and you get something that doesn’t quite fit in to preconceptions.” Sometimes strange can be brutalful.