3.5

Noumena – Death Walks With Me Review

By Steel Druhm on April 3, 2013 in 2013, 3.5, Death Metal, Finnish Metal, Haunted Zoo Productions, Melodic Death Metal, Reviews, Death Metal, Melodic Death Metal, 19 comments

“Steel Druhm has been banging the drum for little known Finnish act Noumena for quite some time. Ever since stumbling on them, I’ve been a huge fan of their brand of morose, melodic death and I spin their Absence and Anatomy of Life albums all the damn time at Casa de Steelo. In fact, I think Anatomy of Life stands as one of the finest examples of melo-death every recorded. It had all the quintessentially Finnish “dead puppy under the Christmas tree” melancholy you’ve come to expect from countrymen Insomnium, Omnium Gatherum and Rapture, mixed with the guitar wizardry of early In Flames and rounded out with haunting female vocals (and winning guest vocals from Tuomas Tuominen of Fall of the Leafe/Man-Eating Trees to boot).” If you like Finnish melo-death (and you should), you had best join Steel Druhm’s drum circle as he sings the praises of this long overlooked band.

Persefone – Spiritual Migration Review

By Angry Metal Guy on March 31, 2013 in 2013, 3.5, Death Metal, Djent, Melodic Death Metal, Progressive Death, Reviews, ViciSolum Productions, Djent, Melodic Death Metal, 17 comments

Persefone is in a bit of a strange position; a darling of the underground progressive metal scene, while still not being particularly well known. Formed in 2003, these Andorran prog metallers have a sound deeply influenced by the ’90s melodeath, progressive black and prog scenes including Opeth, Borknagar, Arcturus and Symphony X. In 2004 they released their debut record Truth inside the Shades and followed up quickly in 2006 with the epic Core. But it wasn’t until 2009 when Persefone blew the world of progressive metal up with Shin-Ken. The record was long, in-depth and gripping — with a unique sound palette that still hit home with metal fans. Technical, sprawling and unique Shin-Ken set the bar for Persefone tremendously high.

Echtra – Sky Burial Review

By Natalie Zed on March 29, 2013 in 2013, 3.5, American Metal, Black Metal, Folk Metal, Reviews, Temple of Tortorous Records, Black Metal, Folk Metal, 0 comments

“Sky Burial is the third-full length album from atmospheric black metal/folk/drone group Echtra, who hail from Olympia, Washington. The record, which is composed of two twenty-three minute tracks entitles “Sky Burial I” and “Sky Burial II,” forms the first instalment of a conceived trilogy of albums entitled The Passage Cycle. Each of these three records will deal with “sloughing off the mortal coil” in some way, and the transition from one state of being to the next. Echtra is a solo project, all elements performed by the eponymous multi-instrumentalist, though Echtra is joined by guest musicians for rare live performances.” Can you ignore a one-man, folksy black metal project from the Great Northwest? You Echtra ass you can’t! Natalie Zed explains why this is worth your precious time.

The Moth Gatherer – A Bright Celestial Light Review

By Happy Metal Guy on March 28, 2013 in 2013, 3.5, Agonia Records, Doom Metal, Reviews, Swedish Metal, Doom Metal, Sludge Metal, 0 comments

“The guitarist plays his guitar while high on meth-infused beer, plugging the guitar cable into a meth-powered amplifier and stomps on the pedal incessantly with the enthusiasm of a little kid playing Dance Dance Revolution at the arcade. The drummer prefers rhythmic consistency to speed; the bassist wears an invisibility cloak even as he hits low notes that causes window panes to reverberate, giving away his presence; the vocalist sings about life’s saddest moments (boo-hoo v.v). Finally, there are also calm, acoustic interludes that serve as breaks between heavy passages.”

Avantasia – The Mystery of Time Review

By Steel Druhm on March 26, 2013 in 2013, 3.5, German Metal, Heavy Metal, Nuclear Blast, Power Metal, Reviews, Heavy Metal, Power Metal, 23 comments

“You have to give Tobias Sammet his steely props. He doesn’t do things half-assed. Nope, he goes big, bold and lets the Metal Gods sort shit out. His Edguy material is plenty pretentious and overblown, but it can’t hold a magic candle to the sheer pretentious pomposity and bombast of his Avantasia project. Taking cues from Arjen Luccasen’s Ayreon outings, Sammet drags in every singer, guitarist and hanger-on he can and it seems he’s playing a metallic version of Pokemon (gotta catch em all). His last feat was the impressive double release of the Angel of Babylon and The Wicked Symphony albums (my fanboyish reviews of which, landed me a spot at AMG Industries, Ltd. for some reason), and I was very curious how he could top those massive platters of symphonic excess.” So how exactly does Mr. Sammet top his prior output? Steel Druhm is here to unravel the mysteries of time.

Finntroll – Blodsvept Review

By Angry Metal Guy on March 20, 2013 in 2013, 3.5, Century Media, Finnish Metal, Folk Metal, Melodic Death Metal, Reviews, Swedish Metal, Folk Metal, 18 comments

I sometimes have wondered whether or not Finntroll is proof that we live in someone’s hypothetical universe. This smarmy imagineer in a banal universe somewhere, may have constructed an elaborate The Producers-like scheme to produce a flop that makes him money. “How about,” he says to himself, “a group of Finns, speaking in a minor dialect of Swedish, dressed up as characters from the LARP version of Changeling: The Dreaming and make folk-influenced heavy metal, complete with a screaming madman instead of a singer! Who on earth would buy that?” Were this hypothetical businessman able to see into our not-so-hypothetical universe he would most certainly be surprised to see that this motley menagerie of Österbottningar that fits his description are releasing their 6th full-length record in just a few days time — and it’s their second on one of metal’s premier labels.

Voodoo Circle – More Than One Way Home Review

By Madam X on March 19, 2013 in 2013, 3.5, AFM Records, German Metal, Heavy Metal, Rating, Releases, Reviews, 0 comments

“What do Alex Beyrodt (Primal Fear, Sinner, Silent Force), David Readman (Pink Cream 69), Mat Sinner (Primal Fear, Sinner), Jimmy Kresic (Liquid One, Steve Lukather) and Markus Kullmann (Dezperadoz) all have in common? A rather nice little, old timey, Deep Purple, Whitesnake and Rainbow colored hard rock supergroup by the name of Voodoo Circle, that’s what! I had no damn idea what I was getting myself into when I raided this off the promo list. Tagged as power metal, I suspected my selection would lack the maggot infested blackened corpses that usually scream out to me. But what I didn’t see coming was the album I expected from Jorn when I reviewed Symphonic. Feeling that expectation rise just a little huh?” Madam X is all about danrkness and evil, until a little Jorn shows up. Then she’s all rainbows, ponies and fairy dust. Voodoo Circle plays right into her fangirlism and here’s the result…

In Vain – Ænigma Review

By Angry Metal Guy on March 6, 2013 in 2013, 3.5, Death Metal, Indie Recordings, Melodic Death Metal, Norwegian Metal, Progressive Death, Progressive Metal, Reviews, Melodic Death Metal, 19 comments

In Vain hails from Norway, famous for its black metal, its fjords, its oil, its social democracy, but certainly not its progressive death metal. It’s actually a little strange that the land that brought us Borknagar, Enslaved, Ulver, and Solefald has never really produced its own Opeth or In Mourning, instead outsourcing that to its less affluent and pampered neighbor to the east (that’d be Sweden for the geographically challenged). Without getting too much into regional politics, it’s safe to say that given how high on the hog these Norwegians live—exploiting their Swedish workers and guzzling crude oil at the state’s expense—it’s surprising that none of them have wandered into the melodic, progressive death metal genre. They certainly have access to enough subsidies for the arts to do so if they wanted to.

Philip H. Anselmo/Warbeast – War of the Gargantuas EP Review

By Alex Franquelli on March 4, 2013 in 2013, 3.5, American Metal, Housecore records, Reviews, Season of Mist, Sludge, Thrash Metal, Heavy Metal, Thrash Metal, 14 comments

“I know nothing about music. No, seriously: I have no clue what this stuff is all about. I know this Anselmo guy was in a metallic band: one of those which must have done something cool back in the 1990s (no, not in the noughties, as far as someone has told me) because nowadays he is allowed to make music in many bands and he even produces many others. This album is only 18 minutes long and this is great because it’s filled with noises of all sorts, but it works because I really like it and it gives me the kind of adrenaline boosts I need when I feel exhausted. This is basically an album where Mr Anselmo and a band he put together for the occasion (Philip H. Anselmo & The Illegals) play the first and the third song, while another musical group called Warbeast play the even numbers.”

Mortillery – Origin of Extinction Review

By Steel Druhm on February 25, 2013 in 2013, 3.5, Canadian Metal, Napalm Records, Reviews, Thrash Metal, Thrash Metal, 3 comments

“In the sea of mediocre re-thrash that was 2012, the unheralded debut by Canadian upstarts Mortillery was one of the few life rafts of quality. Murder, Death, Kill was tongue-in-cheek fun and had all the flavor of the second wave of ’80s thrash while incorporating just enough traditional metal and punk elements to keep things interesting. You could feel the youthful exuberance and hunger in the band’s music and they greatly benefited from the exception vocals of Cara McCutchen and the axe slinging acumen of Alex Scott and Alex Guitierrez.” Steel Druhm happily trotted out the skull tank of rethrash for 2012s Mortillery debut, and now they’re back with a follow-up! Will that tank start up again after sitting all year?