AFM Records

Mors Principium Est – Dawn of the 5th Era Review

Mors Principium Est – Dawn of the 5th Era Review

“The first time I heard Mors Principium Est was at the end of 2012 when I discovered that they had been slotted to release their first record in five years in December. Somehow in the course of my metal journey I’d managed to miss a band that few have anything bad to say about. In fact, despite being a bit late to the scene—with a debut record in 2003—Mors is one of those bands that everyone I know seems to either not know or love. And AFM releasing your new record in December? Not helping. This time of year is when lists blossom and we bloggers start going through all the stuff we’ve heard and a lot of the stuff we haven’t: new records have trouble finding their way on to our radars in December. AFM seemed to be telling them: ‘No end of year lists for you.'” December? Must mean AFM is releasing a new Mors Principium Est record. AMG has the scoop.

Bloodbound – Stormborn Review

Bloodbound – Stormborn Review

“Following these guys is like dating someone with a serious mood disorder. Sure, the wild emotional swings keep it interesting, but the payoff is rarely worth the effort. Bloodbound started out as a throwback traditional metal act, releasing an excellent debut which benefitted greatly from the considerable vocal talents of Urban Breed (ex-Tad Morose, ex-Pyramaze). Breed left thereafter but their sophomore outing was solid nonetheless, and he returned once again for the very good Tabla Rasa outing. He then bailed again, leaving the band to utilize the talents of Patrik “Pata” Johansson for 2011s Unholy Cross, which had moments, but was ultimately too generic to pass muster. Then came the abomination of 2012s In the Name of Metal, which only served to give metal a bad name.” Where will the mood ring take us next? To Westeros, of course!

Triosphere – The Heart of the Matter Review

Triosphere – The Heart of the Matter Review

“Sphere fetishists of the world rejoice! We now present to you a band that not only has “sphere” in the moniker, but also offers a song called “The Sphere.” And yes, there’s a goddamn sphere on the cover too. Are you not entertained?! Ok, now that the sphere furbies left, we can get on with the review of what is a shockingly good album. Triosphere is a progressive power metal act hailing from Norway and though AMG and myself enjoyed their 2010 effort The Road Less Travelled a good deal, this tops it in every way.” Sphere’s to you, kid!

Evergrey – Hymns for the Broken Review

Evergrey – Hymns for the Broken Review

“Every few years like clockwork, Evergrey shows up to expose their innermost turmoil, angst and self loathing and generally harsh our collective mellow with their unique brand of misanthropic dark metal. Few bands are as adept at expressing the inner doubt, depression and ennui that make the human experience such a flawed one, and for that they certainly deserve praise and respect. Whether you care to have those particular emotions rubbed raw is a personal decision, but for those who relish their scar diaries, this act always provides the ideal soundtrack for ritualized self abuse.” Are you feeling too happy? Well, Evergrey is back to put the gum in glum.

Nightmare – The Aftermath Review

Nightmare – The Aftermath Review

“Let’s face it, power metal is the drama club of the metal world. Members of said club tend to be overdramatic, artsy fartsy and prone to big gestures and frilly shirts. Needless to say, that makes them the target for the rest of metaldom and inevitably, lunch money gets stolen and nipples get twisted. However, none of that shit is going to fly with French power meisters Nightmare. You try to give them a wedgie or rear admiral and you may lose a tooth or six. Yep, these cats pack a lot of muscle and menace in their music and between the crunching guitars and rough and raucous vocals, you’ll forget all about the need to snicker.” But I thought drama club was cool!

Helstar – The Wicked Nest Review

Helstar – The Wicked Nest Review

Helstar is a band I’ve always held close to my metal heart. I grew up with them and their early albums were always big favorites. Their Burning Star debut was a classic slice of early American metal and featured the godly “Run With the Pack,” which I slotted in at #8 of my best metal songs of all time. Follow-ups Remnants of War and Distant Thunder were pure, balls to the walls, classic metal with attitude, and 1989s Nosferatu introduced a more thrashy, yet neo-classical style that hit hard and left a lasting impression.” Can the 2014 Helstar still wow Steel the Fanboy?

Elvenking – The Pagan Manifesto Review

Elvenking – The Pagan Manifesto Review

Elvenking is another one of Italy’s most famous cheese-metal establishments and they’ve been pumping out folk/medieval influenced power metal since 2001’s extraordinary Heathenreel. Unfortunately, since their debut record the band hasn’t produced an album worth all the hope invested in them because of their debut work. In terms of Angry Metal Guy’s Law of Diminishing Recordings™, Elvenking is possibly one of the fastest drop-offs in recent memory. I’ve checked in from time to time over the years, as I want to like them, but I genuinely haven’t ever been able to get into their stuff. The last one I spent any longer amount of time with was 2010’s Red Silent Tides which left me cold and bored, and Era wasn’t great from a songwriting perspective, but the record was genuinely killed by its mastering job.” All has not been well with Elvenking, can The Pagan Manifesto right the ship? Or will they continue to produce flat, disappointing crap?

Sinbreed – Shadows Review

Sinbreed – Shadows Review

“What do you get when you take a rough and ready Germanic power metal band and add two members of Blind Guardian? You get a better rough and ready Germanic power metal band. Sinbreed is that band and features the talents of Blind Guardian guitarist Marcus Siepen and drummer Frederik Ehmke, which gives them some instant musical credibility and clout. Their 2009 debut When World’s Collide was a rock solid slab of slick, but angry metal in the vein of modern Accept, Herman Frank and Paragon and Shadows improves on that template with even more raspy, Udo-like vocals and thrashy guitar lines.” More power metal at AMG? What is this, a pirate-shirted coup?

Brainstorm – Firesoul Review

Brainstorm – Firesoul Review

“Ever since hearing the Ivanhoe albums way back in the late 90s, I’ve been a huge fan of Andy B. Franck’s vocals. He has pipes that could only be destined for a life fronting a metal band, though he possesses the range to do virtually any kind of music. His slightly proggy, but hyper-accessible albums with Symphorce are always in rotation at Casa de la Druhm, as are his many releases with traditional metal act Brainstorm. The latter are especially tasty, blending Judas Priest’s Painkiller era with the punch and crunch of American power metal like Iced Earth and Pantera, then layering in a plethora of earwormy vocal hooks and monumental, anthemic choruses that cannot be forgotten. Albums like Mentus Mortis, Soul Temptation and Liquid Monster are nearly perfect examples of pure heavy metal and whenever I spin them for someone unacquainted, they wonder how they could have missed the boat.” Intrigued yet?

Vanishing Point – Distant is the Sun Review

Vanishing Point – Distant is the Sun Review

“It seems I don’t get to review power metal all that much these days, though it was one of the reasons I was originally recruited by AMG in the first place (my official title was Assistant Chief Power Metal Weenie). Instead, it’s Rogga Johansson this, retro death metal that, yadda yadda yadda. Maybe that’s why it feels so refreshing to hear some genuinely solid power-prog from long running Aussie act Vanishing Point.” Steel Druhm takes a short break from reviewing Rogga Johansson projects to enjoy some prog-power. Feel free to join him.