AFM Records

Mors Principium Est – Seven Review

Mors Principium Est – Seven Review

“Some of why I feel this way is because few bands can pack as many riffs into a single album as MPE do. When I listen to their entire discog in an afternoon, it feels like it’s taken ten years off my life. There’re so many riffs—you wonder if there are any left. Twenty years in existence, a dozen members now funneled down to two, and six albums turn Seven. Will Seven be their lucky number?” Number of a beast.

Leaves’ Eyes – The Last Viking Review

Leaves’ Eyes – The Last Viking Review

Leaves’ Eyes is a band I hear about plenty, but whose music I seldom actually hear. A few samples here and there, a sliver of news-worthy drama over there, a conversation once in a while — that’s it. So it’s a bit odd that I wound up with the responsibility of reviewing their latest output, The Last Viking, but then, sometimes not knowing about band-land drama is good for the weary reviewer.” Eyes Fatigue.

Nightmare – Aeternam Review

Nightmare – Aeternam Review

“France’s Nightmare are no strangers to the heavy metal scene. The band’s origins go back four decades to their foundation as a punk outfit in 1979. Over the next few years, the punk stylings gave way to the burgeoning heavy metal sound of the early 80s and the band released a couple of full-lengths before going on hiatus in 1988. But Nightmare‘s best work was yet to come.” Dream warriors.

Vanishing Point – Dead Elysium Review

Vanishing Point – Dead Elysium Review

“It looks like Olde Man Huck and I are carrying the entire prog-power burden on our creaky, arthritic shoulders these days. With Awake by Design and Assignment already offloaded, I’m lugging the new Vanishing Point opus to the finish line all by my aged lonesome. This long-running Aussie prog act has been silent since releasing Distant is the Sun way back in 2014 and I’d given them up for dead, but here they are with their sixth album Dead Elysium and a new drummer and bassist in tow.” Unvanished.

Onslaught – Generation Antichrist Review

Onslaught – Generation Antichrist Review

“When I selected the promo for Onslaught‘s Generation Antichrist, I initially thought that I was grabbing the latest platter from a relatively modern thrash outfit. But there was something about the British band’s logo that gave me the nagging feeling that I had seen it before. And then it came to me: Onslaught is a band that I’ve often seen listed on those “Best Thrash Albums of All Time” lists. No, not the “Top 10 Thrash Albums of All Time” lists, but the “Top 50 or Top 100 Thrash Albums of All Time” lists.” Generations clash.

U.D.O. / Musikkorps der Bundeswehr – We Are One Review

U.D.O. / Musikkorps der Bundeswehr – We Are One Review

“If you made a short list of metal luminaries who you’d want to record a massive concept album with a 60 piece orchestra, I have a sneaking suspicion Udo Dirkschneider wouldn’t make the cut. To be blunt, I doubt the raspy-voiced Teutonic terror would make the long list either, yet here we are. You see, the man who once fronted Accept has somehow impressed the Concert Band for the German Armed Forces (Musikkorps der Bundeswehr) into service for a collaboration titled We Are One.” Hot Tuba.

Firewind – Firewind Review

Firewind – Firewind Review

“While I’m not intimately familiar with the vast majority of Firewind‘s discography, entries like debut Between Heaven and Hell, 2010’s Days of Defiance, and 2017’s Immortals have all impressed me in one way or another. When I first got my guitar, Gus G. was the darling of the guitar magazine world after being selected for the prestigious role of being Ozzy’s solo axeman. But it’s his work on Dream Evil‘s debut Dragonslayer — a record that happens to be one of my favorite heavy/power releases of all time — that cements him upon a nostalgic throne in my metal heart.” Born of Firewind, other fire and steel.

Ross the Boss – Born of Fire Review

Ross the Boss – Born of Fire Review

Ross the Boss is one of those bands I can’t help rooting for, being as it’s the outfit of Ross Friedman, the man behind the guitar on all the classic Manowar albums. Those platters were a huge part of my early metal education and I still cherish them dearly, as all trve metal fans should. Ross’ post-Manowar projects have been somewhat hit or miss, and 2018s By Blood Sworn was very disappointing despite some major league talent coming on board to help out. Because of this, I majorly tempered expectations coming into their 4th album, Born of Fire.” Who’s the Boss?