“Swimming among an overcrowded sea of retro-thrashers, tech-death wankers, and sweepy-haired shoegazers playing post-whatever-the-fuck-the-flavor-is-this-week, there’s a band from Italy that’s looking to Finland and Seattle for the inspiration behind their début, Quiescence. Shores of Null may be a brand-spankin’-new band, but they are looking to capture your attention in pretty interesting ways. And they succeed to a degree.” Grymm just might have stumbled on something interesting here.
In 2009 Angry Metal Guy started. Since then we’ve produced hundreds of reviews, and Angry Metal Guy has cranked at the world for free. Check out what he takes away from the whole experience.
“In my (vain)glorious time at AMG Conglomerated, I’ve written off almost every year as a substandard time for quality metal. While some of that criticism was well founded, 2013 was the most craptastic year so far! The first half was the ultimate in lackluster and underwhelming, with many major players releasing flat, uninspiring platters. Hell, even the mythical Amorphis fell off their Pedestal of I-ruhn with a dull thud. While the back end of 2013 picked up the quality dramatically, it wasn’t enough to redeem a very sub par year.” Join the all knowing Steel Druhm as he takes you on a whirlwind tour of the best of a fairly crappy year in metal. Yes, 2013 kind of blew, get over it!
“What’s old is new again. Many new bands are ravaging old graveyards to exhume rotting corpses of bands and styles long since past their sell-by date. 70’s proto-doom, 80’s retro-thrash, and now, 90’s fuzzy Swedeath are the templates that bands are utilizing to create their own legacies. UK’s Sheol are the newest duo to bring out the rotting, zombified corpses of early Dismember and Darkthrone into the sunlight (studios) with their debut EP, Sepulchral Ruins Below The Temple.” 2013 winds down as it cranked up – with loads of old school Swedish death. Do you have room for just a little more?
“No matter how over saturated or played out a musical genre may become, there are always one or two bands that can make it all vibrant, fresh and new again. Whether it’s their raw conviction, enthusiasm or killer song writing, those bands make the years melt away and remind you how it felt to hear the style for the very first time. That rush of excitement, feeling of awe and the sense of being there at the next step in metal’s evolution, that’s what it’s all about! When it comes to classic Swedish death metal, Blood Mortized is THAT band for me.” Stand back! Steel has been waiting for this one with baited breath and now he’s on it like beast at a beast emporium.
“With little or no fanfare, the trolls of Viking/doom/folk/black metal known as Ereb Altor storm back from the frozen wastes with their hybrid sound and more tales from Norse mythology. Though they began life as an epic-sized, Viking metal act with a strong doom influence (check out By Honour because it’s badass!), they added more and more black metal over time, culminating with 2012s Gastrike opus. As before, they worship the sound and mood of Bathory’s Hammerheart opus (and to a lesser extent Twilight of the Gods) while also incorporating early Darkthrone influences and doom stylings similar to While Heaven Wept.” A fusion of Viking, black and doom metal pretty much sells itself, but Steel Druhm still showed up to grab a paycheck and examine the heady brew that Ereb Altor cooked up. Tastes like…wictory.
“The Gods of crusty, scabby American death are back yet again! Since their grisly and well-received Macabre Eternal comeback, I’ve been chomping at the bit to hear more new material from the reformed Autopsy. With roots running all the way back to the seminal debut by genre creators Death (Chris Reifert played drums thereon), Autopsy has had an up and down career filled with long lay-offs, breakups and resurrections so it’s always a joy to get a new platter of splatter from them (and I always worry it will be their last).” Since you never know when the wheels will come off the Autopsy table, enjoy their brand of dirty, scuzzy death while you still can! Steel Druhm’s been knee deep in it for a week and has some thoughts (and some infections).
“As the only blackened thrash band willing to sing about fishing and fish generally, Kalmah always had a special place in my outdoorsy heart. I mean, who else can make simple tales of man vs. fish seem so epic and life threatening? I was impressed by their first four outings (with Swampsong being my favorite), but I felt really let down by their For the Revolution opus, which felt quite tedious. While things kicked back up for the enjoyable and energetic 12 Gauge, it still felt like a band entering the “spinning the wheels” period of their career. Thankfully, Seventh Swamphony sees these psychotic fishermen make a triumphant return to the off-the-rails, blackened thrash of old which straddles the line between the melodic tomfoolery of Children of Bodom and more extreme, cvlt black/death acts.” Do you like blackended catfish metal like Steel Druhm does? If so, you best don the hip waders and read all about the return of the swamp lords.
“More Rogga?? With Mr. Johansson being involved in one of every three reviews I write lately, maybe we should change the website name to Rogga o Rama. I’ve recently examined his Megascavenger and Just Before Dawn projects and here he is again with his main outfit, Paganizer (he also has a collaboration with Paul Speckmann of Master coming in a few weeks). The man is an omnipresent force in the Swedish death scene (hell, he IS the Swedish death scene) and he’s been responsible for lots of rich, creamy death metal. In all honesty though, I’ve always found Paganizer to be a pretty spotty act. Some of their early output was solid and some of the more recent stuff was less so.” So does World Lobotomy cause brain damage or suffer from it? Our resident Rogga expert Steel Druhm is back from the nervous hospital to provide his diagnosis.
“If Amorphis fanboyism was an infectious disease, the AMG offices would surely be quarantined due to the terminal cases both AMG and myself suffer from. I’ve always regarded their Tales From the Thousand Lakes as the greatest melo-death album of all time, and few bands can boast a run of releases as consistently brilliant as Eclipse through Skyforger. The Beginning of Times had some great songs, but was overlong, a bit bloated and dragged badly on the back-end. I’m sure I wasn’t alone in expecting a big bounce back from the Finnish titans, and it was with typically high expectations that I welcomed the Circle promo when it finally arrived.” Amorphis is the big fish in the thousand lakes of Finnish metal, but will Circle keep them at the top of the food chain or consign them to the role of bottom feeder? Join Steel Druhm as he fishes for answers.
