Blackened Thrash Metal

Bohemyst – Čerň A Smrt Review

By Dear Hollow on August 11, 2021 in Reviews, Black Metal, Death Metal, Doom Metal, Melodic Black Metal, 17 comments

“C’mon, plague doctors are fucking rad. Who else can look like that much of a bird and still come across as badass? Throw in a sickle, a full moon, and an aura of divine punishment, ignoring that the graphics look straight outta some 2008 Assassin’s Creed DLC, and you’ve got yourself a pretty neat lil’ cover there. So, fancy cover? Check. Black metal? Check. Band from Eastern Europe? Czech. All my rambling to say, my interest is piqued. Bohemyst better get my motor running or else I’ll verbally smite it into the next dimension.” Motivational plagues.

Conquerors – Stormbringer Review

By Felagund on May 21, 2021 in Reviews, Black Metal, 22 comments

“During my latest sojourn through the tepid waters we writers wade through to scoop up our latest promo, I encountered Stormbringer, the latest from French black metal outfit Conquerors. Confronted with Witch King-esque cover art, a Slayer-inspired logo and the knowledge that this was the band’s third full-length album, I was more than willing to give these Fenriz lookalikes a chance. Curse you, expectations.” No storm, no conquest.

Siniestro – Vortexx Review

By Felagund on May 11, 2021 in Reviews, Thrash Metal, 15 comments

“Thrash was my first true introduction to all things metal. Like many of the morally derelict denizens who write for this site or haunt the comment section, I dipped my toe in the swamp with Sabbath, but it wasn’t until I took a deep dive into the likes of Testament, Kreator, Slayer and Anthrax that I knew I was more than willing to drown in this sea of riffs n’ roars. Though now I now prefer my metal far more fetid, thrash still holds a special place in my heart. This led me to pluck the latest from blackened thrash outfit Siniestro from the oft-mentioned but rarely-survived primordial promo sump.” Cloudy with a chance of thrash attack.

Ormskrik – Ormskrik Review

By Kenstrosity on June 4, 2020 in Reviews, Black Metal, Thrash Metal, 31 comments

“I don’t know what happened to me, but all of a sudden I started to like thrash metal sometime in the last year. Granted, the barking vocals endemic to purebred thrash still grate my senses, but when black metal or death metal is thrown in the mix I get sprung as hell. It’s for this reason that I absolutely love bands like Antiverse, whose vital combination of death metal and thrash metal kicks my ass on a regular basis. You know what else kicks my ass on a regular basis? This fucker right here.” Thrash in a blackened space.

Necropanther – The Doomed City Review

By Eldritch Elitist on November 15, 2019 in 2019, American Metal, Melodic Death Metal, Reviews, Self-released, Melodic Death Metal, 45 comments

“Fans of Eyes of Blue Light, the sophomore masterpiece from Denver, Colorado’s Necropanther, take heed: The Doomed City is not the record you are expecting.” Much Panther.

Mongrel’s Cross – Psalter of the Royal Dragon Court Review

By Mark Z. on August 9, 2018 in 2018, Australian Metal, Black Metal, Hells Headbangers Records, Reviews, Thrash Metal, Black Metal, Thrash Metal, 111 comments

“We’ve all been there. We’ve all strived to transcend weakness, to beat back the forces of oppression, to rip the fucking heart from the proverbial lion. Deströyer 666 use the motif of a wolf to convey this sense of power; fellow Australians Mongrel’s Cross use a dragon. Their 2012 debut The Sins of Aquarius was rife with such smoldering imagery, taking the Australian black thrash tapestry and soaking it in the grandiose swagger of Bathory’s Blood Fire Death. The result was both a personal favorite and one of the style’s most potent albums in recent years.” Dragons, Bathory and battles, oh my!

Affliktor – Affliktor Review

By Treble Yell on November 1, 2017 in 2017, American Metal, Black Metal, Reviews, Thrash Metal, Transcending Obscurity, 26 comments

“Delving between sofa cushions, peering into cupboards, kicking over rocks — we music scribes are always searching for the next band that that can bring joy into our pitiful existence. Doing so involves wading through the primordial soup of unknown metal acts, straining to spy a wolf among the bleating of listless mutton. This often plays out as a feedback loop that begins with the hope of discovering something special, followed by despair when our expectations are dashed and, finally, hope again when we give in to the gambler’s fallacy and convince ourselves that the next promo will be the one.” Onward, Toby, onward.

Schafott – The Black Flame Review

By Ferrous Beuller on August 31, 2017 in 2017, Black Metal, German Metal, High Roller Records, Reviews, Thrash Metal, 28 comments

“Welcome, AMG Readership, to our sanguinary sect of worship. Feel at home in our black conventicle as we anathematize all of those who oppose us. Don’t summon the Devil, don’t call the priest. If you need the strength, then conjure Germany’s Schafott, whose debut album, The Black Flame, is set to smolder the soul with classic blackened thrash.” Devotees will carve Slayer in their arm before returning to the cvlt.

Infernäl Mäjesty – No God Review

By Dr. Wvrm on April 12, 2017 in 2017, Black Metal, Canadian Metal, High Roller Records, Reviews, Thrash Metal, 28 comments

“From Kreator to Sepultura and every re-thrash act in between, this year intends to chase 2016 down and crush its skull, Whiplash-style. Now the thawing Canadian tundra has spit out Infernäl Mäjesty to bloody this party up. Exiting hibernation after over a decade, the old farts celebrate the big 3-0 with the fiery malice of No God.” Thrash as olde as the Canadian permafrost.

The Furor – Cavalries of the Occult Review

By Saunders on March 8, 2017 in 2017, Australian Metal, Black Metal, Reviews, Thrash Metal, Transcending Obscurity, Black Metal, Thrash Metal, 31 comments

“The patriot in me gets a little warm and fuzzy when contemplating the healthy state of the Australian metal scene. Whether it be divisive big guns Ne Obliviscaris and King Parrot, head-scratching experimental acts like Portal and Hope Drone, the thrashy old-school goodness of Hobbs’ Angel of Death and Deströyer 666, cutting edge modern tearaways Départe and Deadspace, or reliable tech death stalwarts Psycroptic, there’s a hugely satisfying selection of Aussie metal to satiate a wide variety of extreme tastes.” Is it just me or do Aussies like their D’s and P’s?