Cryptopsy

Twitch of the Death Nerve – A Resting Place for the Wrathful Review

Twitch of the Death Nerve – A Resting Place for the Wrathful Review

Twitch of the Death Nerve is a modern brutal death metal band from jolly old England, beginning in 2004 and, including sophomore release A Resting Place for the Wrathful, have two full-lengths and one split contribution to their name. By the time their first full-length dropped in 2014, death metal had gone through effectively every relevant mutation – their influences are vast and plenty.” Wrath never sleeps.

Afterbirth – Four Dimensional Flesh Review

Afterbirth – Four Dimensional Flesh Review

“Welcome to my ass. We won’t be long. I’ve gathered us here today before my review of the brilliant new Afterbirth record because I didn’t want to drag you through here in the middle of it. Suffice it to say that my critique of Afterbirth‘s The Time Traveler’s Dilemma has proven unassailably correct: Afterbirth should get right back on the horse, they should keep exploring their progressive tendencies, and they absolutely should record with Colin Marston. Probably no thanks to my scolding they have. Four Dimensional Flesh is a triumph, one of the most charismatic and original death metal albums you’ll ever hear.” Ass above, so below.

Schizogen – Spawn of Almighty Essence Review

Schizogen – Spawn of Almighty Essence Review

“I try to keep an open mind when it comes to music, seeking out new forms of our favorite genre in hopes of unearthing a new, unpolished gem that, with some sanding down, can shine radiantly on the eyes in the ears of those who will listen. So when a promising new death metal band from a land not known for promising new death metal gets hyped up, I’m going to fixate my ears upon it and give it a listen. Hence, Ukraine’s Schizogen.” Hype and tripe.

Cannabis Corpse – Nug So Vile Review

Cannabis Corpse – Nug So Vile Review

Cannabis Corpse have gained impressive mileage from their death metal gimmick, mainly through striking a keen balance between their old school Floridian worship, crafty weed and death metal puns, and a blasting sense of fun and technical expertise integrated into their chunky, groove-laced brand of death. The experienced band follow-up 2017’s reliably solid Left Hand Pass on the cheekily titled homage to Cryptopsy‘s classic None So Vile album, here re-dubbed as Nug So Vile.” Smoke damage.

Strappado – Exigit Sincerae Devotionia Affectus Review

Strappado – Exigit Sincerae Devotionia Affectus Review

“Torture. As essential to death metal lyrics as it is to oppressive regimes the world over, the simple desire to exact pain has spawned countless obscene and horrific technologies. Strappado take their name from one in which the hands are tied behind the back and the victim is then suspended by them. There’s a lineage of bands out there named after torture devices that – as far as I know – starts with Iron Maiden, but Strappado are pretty far down the line from these forebears musically, instead acting as a sibling to the departed but influential Brodequin.” Welcome to the rack.

Holy Tide – Aquila Review

Holy Tide – Aquila Review

“Musically, Holy Tide sounds a lot like Pyramaze, specifically Immortal and Disciples of the Sun. Vocalist Fabio Caldeira reminds much more of Disciples’s Terje Haroy than the inimitable Matt Barlow, largely due to the lack of Barlow’s gruff edge. The main reason for the Pyramaze comparison, though, is the keyboards. Both Pyramaze and Holy Tide make heavy use of that once-maligned instrument, smartly toning down the guitars when the keyboard takes the lead and vice-versa.” Big stuff is big.

Body Harvest – Parasitic Slavery Review

Body Harvest – Parasitic Slavery Review

“Our very own Eldritch Elitist recently posited that death metal is at its peak when following either one of two separate paths: an unapologetic flogging or creative innovation. He’s not wrong. But there is also a third route worthy of consideration. The one unashamedly paved with the gilded bones of the genre’s revered forefathers. How do we quantify those bands who patch their material together from piecemeal legacy? It’s an easy approach to snub, but there is plenty of evidence to suggest the potential for success.” Ripping off the oldies.

Vltimas – Something Wicked Marches In Review

Vltimas – Something Wicked Marches In Review

“Man, this March has been ridiculous. Just when all of us at the AMG Consortium of the Infernal’s brimstone lounge were bitching and moaning about the unfair quantity of choice black metal—leaving in its wake a noticeable dearth of death metal goodness—out of nowhere comes EquipoiseGomorrahVenom PrisonAephanemer, and now Vltimas. Like Equipoise, but also not at all like EquipoiseVltimas is a supergroup. Based out of Portugal, the band is comprised of three legends of the metal scene: David Vincent of Morbid Angel on vocals; Rune “Blasphemer” Eriksen (ex-Mayhem, Aura Noir) on the guitars, and Flo Mounier of Cryptopsy fame manning the kit.” Something supergroupy this way comes.

Continuum – Designed Obsolescence Review

Continuum – Designed Obsolescence Review

“The internet has created an interesting world where, no matter how esoteric what you do or like is, someone else is doing or enjoying the very same thing. On the one hand, this is great; it’s easier than ever to get recommendations on obscure Brazilian goregrind bands, because there’s a small online community devoted to just that. On the other hand, it’s a bit haunting to some types of people to be not whatsoever original in their tastes.” Fetish-tech.

Desecravity – Anathema Review

Desecravity – Anathema Review

“Japan probably isn’t top of the list of countries responsible for propagating the most volatile of technical death metal. Desecravity clearly don’t care for the geographical rank and file, however, as their hyper-proficient assault takes absolutely no prisoners. Anathema is the band’s third foray into profuse precision and exhibits a startling standard of musicianship. But, as with all overtly technical genres, there lingers an elephant in the room… What good is inimitable skill without commensurate song writing? I’ve lost count of the amount of bands I’ve heard over the years who exist, seemingly solely, as an extreme guitar clinic. No attention to structure, no time spent on foundation. Fortunately, Desecravity seem to be aware of this to some degree, but they aren’t entirely out of the woods yet…” Killed by tech.