Death Metal

NecroticGoreBeast – Human Deviance Galore Review

NecroticGoreBeast – Human Deviance Galore Review

“I’ve officially entered October promo world. October is also my birthday month. Therefore, for the next 31 days (starting this Friday) I am only picking up promo for my favorite genre: death metal. Thankfully, there’s a ton of promising deathly tomes stacked perilously in the bin. One such tome is Canadian brutal slam punishes NecroticGoreBeast‘s sophomore album, Human Deviance Galore.” Happy Deathday!

Fear Connection – Progeny of a Social Disease Review

Fear Connection – Progeny of a Social Disease Review

Fear Connection traffic in a very familiar, very comfortable style of death metal. You get what you pay for with these gents from Bremen, and that’s to their credit: guttural growls interspersed with higher-pitched snarls, crunchy riffs, neck-breaking grooves, and plenty of fretboard brutality, with a dash of thrash for good measure. Fear Connection haven’t reinvented the wheel on Progeny of a Social Disease. If you’ve ever taken a dive into the classic death metal deep end, you’ve definitely heard much of this before.” Fear is the beerkiller.

Replicant – Malignant Reality Review

Replicant – Malignant Reality Review

“Three years have passed since their Negative Life debut, and by the sound of it, Replicant spent not a moment of them fucking around. With a sound newly honed to scalpel precision, the New Jersey trio radiate a septic valor, the fearsome pride of the canny skid row pugilist whose sweat-slicked wounds repel as many challengers as their calloused knuckles. They dominate each bout and dedicate the win to those who taught them: Steve Hurdle and John Gallagher.” Replicating nasty realities.

Tumba de Carne – Decatexis // Perpetuo Altar Review

Tumba de Carne – Decatexis // Perpetuo Altar Review

“After maybe 300 reviews, I’d estimate I’ve locked up several kilobytes of server space recommending artists work with Colin Marston. As a result, I of course take full credit for all the bands that line up to record with him and receive a small monthly stipend from the Menegroth budget. But not every band has to take that advice, and since my kickback is limited by studio throughput, I’m in the market for another producer to praise/shake down. That’s where Argentina’s Tumba de Carne come in.” Tumba thumper.

Rivers of Nihil – The Work Review

Rivers of Nihil – The Work Review

“Following Kronos’ law of increasing hippietude, Rivers of Nihil have slowly softened their deathcore- and djent- influenced progressive death metal in order to embrace their more sensitive side. Their last record, Where Owls Know My Name, saw this softening succeed, the band now not too far removed from prog metal standbys Between the Buried and Me, sans the hyperactivity. Owls twined the band’s inherited heft and emotional valence into a few very strong songs and a respectable album, proof that the hippiefication process is not all bad. The Work takes it one puff further, balancing every moment of death metal intensity with one or two of chill prog.” Hip and sprawl.

Tardus Mortem – Armageddon Review

Tardus Mortem – Armageddon Review

“When the mighty ape (He who reigns forever, Amen) says “I’d like to see a review of Tardus Mortem,” after a few well-deserved tantrums I raced to stuff my earholes with as much of Armageddon as I could. My feet are stamping, but is it because of the tantrum it causes or the groove that it evokes?” Dane death demons.

Carcass – Torn Arteries Review

Carcass – Torn Arteries Review

“When English extreme metal legends and multi-genre pioneers Carcass dropped monumental comeback album Surgical Steel in 2013, it hit like a ton of bricks. Perhaps it partly boiled down to the sheer surprise factor of an unlikely return, combined with the unexpected level of quality after a 17-year gap since signing off with the often maligned Swansong in 1996. Recently in the AMG backrooms, a number of staff weighed in on their stance regarding Surgical Steel some eight or so years after the fact. I was a little surprised by the indifference shared by some.” Hardening of the legacy.

Criminal – Sacrificio Review

Criminal – Sacrificio Review

“What do you do when you’re determined to review a death metal album but the only one floating in the festering AMG promo pile is from an established band with eight prior albums? Why, you throw caution to the wind of course. You make a boastful promise to no one in particular that you’ll listen to each previous release before taking the latest for a spin. At least, that’s the road less traveled that I chose when I encountered Sacrificio, the upcoming LP from Chilean thrash/death group Criminal.” Criminal punishment.

Trance of the Undead – Chalice of Disease Review

Trance of the Undead – Chalice of Disease Review

“Sometimes you just need an audio beating, to crank that funky brutal music to 11 and let your ears bleed. The issue with a lot of beatdown music is that there’s simply too much of it and not enough contrast, which is why bands like Isis or Opeth were applauded in their heyday, while Tetragammacide and Deiphago are chastised like a class clown. Having your skull beaten in is fine and dandy, but you need some sophistication. A baseball bat made of maple instead of ash, perhaps, or a titanium crowbar instead of iron. Maybe a fist with some pretty rings or maybe even a bedazzled tire iron? Brazil’s Trance of the Undead utilizes predictable beatdown techniques in its blackened death attack.” Discount diseases.