“The last time we saw Alchemy of Flesh around these parts, the project was peddling video game-themed Floridian death metal, and good video game-themed Floridian death metal at that. Tim Rowland is the one man behind this one-man band, and he impressed me with Alchemy of Flesh’s debut record, Ageless Abominations, a record that leaned heavily on Rowland’s love of all things Morbid Angel. Just a little over two years later, Rowland and Alchemy of Flesh are back, this time promising an experience that is “a lot more intense and demanding.” Lead to death gold.
Death Metal
AMG Goes Ranking – Suffocation
With Suffocation active again, we felt honor bound to do a ranking of their legendary catalog. Join us in praise of their career of ugly brutality.
Vastum – Inward to Gethsemane Review
“San Francisco’s Vastum have been an interesting act to follow since they hit the scene in 2011. Employing an especially moist, slimy cavern-core sound owing much to Incantation, Autopsy, and Funebrarum, their savage attack was hard to resist on ace offerings like Patricidal Lust and Hole Below. With current and former members of Hammers of Misfortune, Acephalix, and Ulthar involved, they crafted some unsettling, evil-sounding shit and their writing felt more interesting than the average death output. 2019s Orificial Purge felt like a comedown in quality and inventiveness, though it was still an enjoyable platter of mostly mid-paced death. Now comes Inward to Gethsemane and with it, a hope for a rebound to the vile magic of their earlier days.” Is ugly enough?
Night Crowned – Tales Review
“Ever since they smashed onto the scene with their 2020 debut Impious Viam, following up on the more quietly well-received EP Humanity Will Echo Out, Night Crowned have presented an almost ideal example of symphonic/melodic blackened death. Take a template of symphonic, subtle synth-accented black metal, and add a bunch of catchy melodies, well-pitched dramatic compositions, and that uniquely Swedish death metal flair, and you’ve got Night Crowned. But the group are more than that; they have a distinctive sound that has only strengthened over the years, and Tales continues this trend.” Evening royalty.
Fuming Mouth – Last Day of Sun Review
“A concept album is risky when you’re as meatheaded as Massachusetts’ Fuming Mouth. Don’t get me wrong, Last Day of Sun’s concept is unique and powerful, an apocalyptic vision of a world destined for darkness in twenty-four hours (hence the title) – a story further fueled by the act’s mastermind, vocalist, and guitarist Mark Whelan’s triumphant battle over cancer. For an act that has rarely been called the “thinking man’s” anything, it’s pretty high-brow to fuse an approach of death metal and hardcore with such heart-wrenching emotion.” Sun’s out, HM-2 out.
Carnal Tomb – Embalmed in Decay Review
“Prior to the Great Plague, Holdeneye discovered the vile charms of Germany’s Carnal Tomb and was quite taken with their sophomore outing Abhorrent Veneration. He appreciated the mixture of old school and Swedeath and the band’s ability to weave in restrained proggy elements without upsetting the corpse cart. Several years and many weird societal shifts later, we get their third helping of gruesome bits, Embalmed in Decay. The band’s basic template remains in place though it shifts the focus more completely to old school death with fewer Swedeath d-beatings taking place.” Sex after death.
Carnation – Cursed Mortality Review
“Belgian five-banger Carnation are nothing if not reliable. Time after time, these purveyors of vicious and serrated old-school HM-2 death metal prove themselves to be a cut or two above the standard. Punky swagger often combined with rabid bloodthirst as Carnation spewed forth tome after tome of hard-hitting, hooky material without fail.” Flower POWERS.
Xoth – Exogalactic Review
“When the Elder Gods finally turn their dread gaze on this flake of cosmic dandruff, Xoth will be there to pass out beers. “Party Lovecraft” is a tricky vibe to nail and also possibly an oxymoron, but this Seattle tech/thrash/black/melodeath/whatever act makes it their own. Over the course of two excellent albums, Invasion of the Tentacube and Interdimensional Invocations, Xoth filled a void that only Xoth knew was there. Few who listen can resist their charms, and now the band drops third long-player Exogalactic.” X marks the Xoth.
Warcrab – The Howling Silence Review
“Surprise! I know many of you have been patiently waiting for Holdeneye‘s review of the fourth full-length from UK death sludge slingers Warcrab, given how he so shamelessly ran his tongue all over their exoskeleton’s undercarriage when he reviewed their last outing, Damned In Endless Night. Well this time you get me. Don’t worry, Holdy‘s fine. He’s certainly not bound and ball-gagged in my garden shed dressed like Adventure Time’s Finn the Human, slipping in and out of consciousness in a chloroform haze. He was simply busy this week and remembered how much I also enjoyed Warcrab’s last album, so he turned over reviewing duties to yours truly.” Pick the Crab!
Vertebra Atlantis – A Dialogue with the Eeriest Sublime Review
“A Dialogue with the Eeriest Sublime is pure unadulterated Vertebra Atlantis at its finest. Blending blackened death punishment with the grandiosity of a crashing castle, the doom-laden contemplation of the awe its destruction invokes, the blackened attack that battles ice with fire, and the atmospheric ice that coats every surface, the Italian trio has stepped up everything that gave its predecessor, the great Lustral Purge in Cerulean Bliss, its signature blend of punishing and atmospheric.” Sublime mass destruction.