Deathspell Omega

Imperial Triumphant – Vile Luxury Review

Imperial Triumphant – Vile Luxury Review

“New York City is a strange dichotomy. Depending on who you ask, you’ll either get mental pictures of Broadway musicals, jazz concerts, the colorfully decorative Times Square, and shopping centers and skyscrapers within a stone’s throw of each other… or you’ll get a grim story of the rampant drug use and homelessness, its long history of violent crimes, and the hopelessness and gritty realities of its citizens that birthed the city’s rap, hardcore, and metal scenes. The thing is, either story would be correct. On their third full-length, Vile Luxury, Imperial Triumphant paints a vivid picture of their city’s duality: shimmering and powerful, yet simultaneously ugly and brutal.” The big apple is rotten to the core.

Eryn Non Dae. – Abandon of the Self Review

Eryn Non Dae. – Abandon of the Self Review

Eryn Non Dae.’s follow-up to 2012’s Meliora is something I’d long dreamt of, and thanks to France and the promo bin I – with humble objectivity and tact – get to demonstrate to you bitches once again why Muppet taste is best taste. Spoiler alert: this album is fucking glorious.” Franks and fiends.

Interview with Sven de Caluwé of Aborted

Interview with Sven de Caluwé of Aborted

“During the four days of maritime metal mayhem that was 70,000 Tons of Metal earlier this month, I was lucky enough to snag an interview with Sven de Caluwé, vocalist and founding member of famed Belgian death metal band Aborted. As the mastermind behind songs about serial killers, medical deviance, and (strangely enough) even poop, Sven has led his minions through albums like 2003’s iconic Goremageddon and, most recently, 2016’s warmly received Retrogore. Jittery with fanboyism (and more than a few Fosters) Sven was kind enough to overlook my obvious amateurism to talk about the band’s past, their upcoming Devastation on the Nation tour, and even some juicy details on the new album. Strap on that cadaver apron and read on!” We said strap it on!

Entheogen – Without Veil, Nor Self Review

Entheogen – Without Veil, Nor Self Review

“New year, new me, so they say. In 2018 I’m going to root myself deeply into a black metal chasm. Too often black metal albums are left to rot in the pits of the promo bin. Things must change! On behalf of the forgotten, I’ve made a resolution to pick from the black metal bones in the hope of extracting a smidgen of excellency from these rotting vessels. Enter the long-form, cavernous, winding noise of Without Self, Nor Veil, the debut album by Entheogen.” Sworn to review the dark.

Over The Voids – Over The Voids Review

Over The Voids – Over The Voids Review

“In my stint with Angry Metal Guy, I’ve encountered not one, but two overly congested forms of black metal. I’ve either encountered black metal that goes beyond its initial consume-by date, or I’ve been bombarded by one-man basement metal, with the latter only impressing me here and there. So when I get a 4-song, 34-minute album with two of the songs dipping below the 7-minute mark, let’s just say the hairs on my neck and back shoot up straighter than those on Don King’s head.” Basement king or cellar fail?

Oculus – The Apostate of Light Review

Oculus – The Apostate of Light Review

“Everyone has a unique reviewing method when it comes to writing about an album. Sometimes, the words come to me almost immediately, whether in praise or in condemnation. Other times, finding the right words or comparisons takes a while. In other words, I went back-and-forth with where to go with this review of The Apostate of Light, the debut album by Euro-American black metal collective, Oculus.” Word-defying black metal.

Biesy – Noc Lekkich Obyczajów Review

Biesy – Noc Lekkich Obyczajów Review

“Our own Grymm poised no shortage of praise before Outre’s Ghost Chants in 2015, and that admiration for the album stuck long enough for it to post a respectable spot on his year-end list. I was too pissed off by the year’s dismal death metal output to look into the album at the time, but later listens revealed it to be just as described: a grating bramble of black metal, supported by a remarkably evil vocal performance. While Biesy’s Noc Lekkich Obyczajów isn’t exactly the album’s successor, it’s within spitting distance, also heavily reliant on sounds pioneered by Ulcerate and Deathspell Omega.” Spit in the city.

Merrimack – Omegaphilia Review

Merrimack – Omegaphilia Review

“The French are well-known for pushing envelopes in the black metal genre. From Deathspell Omega’s angular tremolo attack to Blut Aus Nord’s atonal warped melodies and bizarre trip-hop rhythms, France has proven to be a fertile breeding ground for innovative black metal. So when Paris’ Merrimack stands out by sounding Scandinavian, well, it’s gonna stick out like a sore thumb.” French missing.