“It’s time to come clean. While I (and many of my colleagues) have been blithering on in our writings about how 2016 has been a fantastic year for — insert subgenre here — metal, I must admit that this year has been a bit underwhelming for me. Not in terms of the sheer number of quality releases, mind you, but rather in the notable dearth of legitimate surprises.” Somebody’s getting greedy….
“Knowing my obsession for all things Lovecraft, a friend of mine has been haranguing me for the last few years to check out Ctulu (the band, not the scourge of creation). Something I have consciously avoided doing, mostly because I’m an infuriating and perverse son of a bitch. When I stumbled upon their fourth and newest self-titled release in the arcane libraries of AMG, I decided enough was enough. Frankly, I wish I had sooner because Ctulu play a high-energy amalgamation of Lawless Darkness-era Watain and latter-day Immortal.” The restricted section is off limits to newbies!
“Some marketing types like to talk about what they call fast followers, people who capitalize on an idea and make it better or more palatable shortly after the innovator puts out their original product, smartly getting someone else to test the waters for both the idea generally and the flaws in its initial execution. If this is true, then we can safely assume that the “Norwegian” Sons of Balaur weren’t created by competent marketers in a boardroom.” Black metal straight from Dexter’s Laboratory.
“Having first encountered Munich’s Waldgeflüster on their split with Panopticon earlier this year, I was intrigued and further encouraged to investigate their brand of atmospheric black metal. A couple from our valued community rate their work as among the best in the genre. Try though I did, I found myself somewhat underwhelmed.” El Cuervo vs. buzz.
“Boy, does Noctem bring back memories. Back in 2014, Exilium was one of the better albums I reviewed. A lot of this had to do with the fact that I was a n00b in 2014 (Exilium being one of the first reviews I ever wrote for AMG). But, even so, it stuck with me for the rest of the year. So, you can imagine the excitement and nostalgia I felt when this newest album, Haeresis, showed up in my inbox.” Reflections of a semi-former n00b.
“The first thing that struck me about Uada is that although they are categorically black metal, drawing influence from numerous sources, they’re so bright and energetic. There’s a vibrancy here which is missed entirely by so many of their blackened peers. The musicianship is enthusiastic, agile and infectious as neat ideas are incorporated throughout – I’m not supposed to be feel happy when listening to black metal but I invariably am with Devoid of Light.” We laughed, now we must applaud.
“The best way to describe King is by taking Amon Amarth, Onheil, and Gormathon, and blackening them with the likes of Dissection and Satyricon.” Hail to the King, baby.
“Want to hear a bunch of metal bands you probably like chopped up and thrown together in some sort of audial stir fry? The Revenge-y titled Hope Misery Death is here, it’s Pestifere, and now I’m going to write about it.” Black metal salad, anyone?
“One of the little rituals this modern world has created around music is the five-second Google “research” for whatever relevant info we can find on a new or unknown act. Doing this for Spanish black/death metallers Sheidim pointed me to a wiki-page about the shedim, demons from Jewish tradition that follow death and fly around graves. It also gave me a bunch of names that were as unknown to me as this young group. But there were two repeatedly referenced names that I knew. The first was Watain.” That’s funny, I never knew Watain was Jewish.
“Much like Behexen, Dark Funeral have been at this whole black metal thing for some time. Not sure if “pioneer” is appropriate for these Swedish tremolo-crafters, but they are influential. Their approach is straightforward, their black metal is classic, and their releases consistent.” Classic and consistent is an okay way to go through life, son.
