Dutch Metal

Molassess – Through the Hollow Review

Molassess – Through the Hollow Review

“In 2006, siblings Selim and Farida Lemouchi started a psychedelic occult rock band called The Devil’s Blood. In 2013, it collapsed. During its existence, the band drew a loyal following in underground music. Its music balanced retro occult and innovative psych rock. Selim, guitar player and spiritual heart of the band, was uncompromising in his vision, resulting in shows that were as much Satanic rituals as they were concerts, including buckets of pig blood and candles all over the place. In 2014, after struggling with depression for much of his existence, Selim requested permission to die from his mother and sister shortly before taking his own life. 5 years later, Roadburn overlord Walter Hoeijmakers asked the former members of The Devil’s Blood whether they would be interested in creating a commissioned piece of music. Molassess was born.” Blood and life travel strange pathways.

Ayreon – Transitus Review

Ayreon – Transitus Review

“There’s nobody quite like Arjen Anthony Lucassen. Sure, Tobias Sammet of Avantasia is the other big metal opera guy, but he can’t match Arjen for variety or quality. Besides the prog/power sound of Ayreon‘s core albums, his other successes include the gorgeous classical instrumentation of The Gentle Storm, the mopey Porcupine Tree prog of Guilt Machine, and more.” Show tunes on show.

Burial Remains – Spawn of Chaos Review

Burial Remains – Spawn of Chaos Review

“Today marks not only my 100th full review here at AMG, but also the first time that I will be covering a band for the second time. Double milestone! Just over a year ago, I wrote about Trinity of Deception, the debut full-length from Dutch band Burial Remains. It was thoroughly enjoyable, if somewhat unremarkable in the songwriting department, but its primary victory was in achieving the quintessential Swedish death metal sound. Recent re-listening reminded me just how potent the band’s HM-2 attack can be, so I’ve been mixing and stockpiling two-stroke gasoline to prepare for all of the chainsawing I expect to hear on follow-up Spawn of Chaos.” The saw is the law.

Carach Angren – Franckensteina Strataemontanus Review

Carach Angren – Franckensteina Strataemontanus Review

“But Franckensteina Strataemontanus is not a true retelling of Frankenstein; or, The Modern Prometheus by Mary Shelley. If any of you know the myths and legends surrounding the creation of this story, you know that there’re a lot of tales that involve Johann Konrad Dippel. There’s no proof that Shelley was ever inspired by this strange individual, but the connection is hard to ignore. An individual who reportedly invented nitroglycerin, experimented on dead animals and human cadavers, and created an elixir that would allow him to live until the age of 135. Here, Carach Angren provides us with a slight reinvention of the classic Frankenstein story. One that uses artistic license to make Dippel the psychotic creator of an unloved monster.” Frank n’ frowners.

Sinister – Deformation of the Holy Realm Review

Sinister – Deformation of the Holy Realm Review

“I’m always happy to see old school death metal bands that are still around and putting out new music, especially when that music is as good as Sinister‘s. Though they formed in 1988, this Dutch group’s 2017 album Syncretism was my first exposure to the band and my neck has never been the same.” Deform the neck bones.

Golden Ashes – In the Lugubrious Silence of Eternal Night Review

Golden Ashes – In the Lugubrious Silence of Eternal Night Review

“Black metal is great at it, as its entire purpose is to conjure blasphemous and decrepit images of icy forests and iconoclastic rituals, but there are twists to your snow-crusted Norwegian fjords and the sounds of Hail Satans: Austere‘s desolate Australian deserts, Blut Aus Nord‘s hellish industrial landscapes, and Saor‘s Scottish highlands, to name a few. While images painted are up for grabs, the general consensus is one of darkness, bleakness, and spiritual desolation. But what happens when the black metal is, ya know, not that?” Bright darkness.

Bezwering – Aan De Wormen Overgeleverd Review

Bezwering – Aan De Wormen Overgeleverd Review

Bezwering are traditional in more than one sense of the word. Musically they’re simple straight-up black metal, their wave-quotient roughly 1.7 (mostly second wave with some hints of first wave). There’s some decent riffs and good energy in these tracks, featuring a pretty nasty screech and frantic blastbeats atop swirling tremolos. That describes 98% of all black metal, so to stand out from the crowd, Bezwering brought three weapons.” Wormen problems.

Collision – The Final Kill Review

Collision – The Final Kill Review

“Normally we don’t review “mini-albums” here, but Collision’s The Final Kill thankfully slipped past the watchful eyes of the promo bin cadaver hounds – I suppose they were kept busy. The reason I decided to run headlong into this is because this is the Dutch band’s final release. I reviewed their oddly named Satanic Surgery a few years ago and didn’t give it a great score – or, honestly, even an okay one. Since we’re all stuck inside anyway, I figured why not shack up with The Final Kill, see the end of a movie that I started watching more than three-quarters through yet somehow found myself invested in.” Plagues make strange bedfellows.