German Metal

Brainstorm – Firesoul Review

Brainstorm – Firesoul Review

“Ever since hearing the Ivanhoe albums way back in the late 90s, I’ve been a huge fan of Andy B. Franck’s vocals. He has pipes that could only be destined for a life fronting a metal band, though he possesses the range to do virtually any kind of music. His slightly proggy, but hyper-accessible albums with Symphorce are always in rotation at Casa de la Druhm, as are his many releases with traditional metal act Brainstorm. The latter are especially tasty, blending Judas Priest’s Painkiller era with the punch and crunch of American power metal like Iced Earth and Pantera, then layering in a plethora of earwormy vocal hooks and monumental, anthemic choruses that cannot be forgotten. Albums like Mentus Mortis, Soul Temptation and Liquid Monster are nearly perfect examples of pure heavy metal and whenever I spin them for someone unacquainted, they wonder how they could have missed the boat.” Intrigued yet?

Winterstorm – Cathyron Review

Winterstorm – Cathyron Review

“So here’s my thing with a lot of power metal, the key part of the genre that sits at the crux of my relationship to it: the success of any particular album relies so heavily on the listener’s ability to completely invest in it. Like the suspended disbelief that allows film audiences to sink unquestioningly into the universe a particular movie occupies, so each power metal album must create its own mini-universe, of fucking epicness, and convince the listener that it is worth abandoning reason for the duration of the album.” I don’t know about you, but I love me some fucking epicness! If you feel the same, read on!

Nebelung – Palingenesis Review

Nebelung – Palingenesis Review

“I grew up in the woods. My parents’ house was located just outside of town, set back just a little from the highway, and there was a stretch of woodlot on one side of the house that stretched almost half a kilometre. I’d play there, read there, climb the trees and bury treasure in the soft, mossy dirt. Behind the house were some farmer’s fields — corn, soybeans — and behind there, more woods and lakes. I spent much of my time pleasantly lost, surrounded by bugs and dirt and the green and a blue arch of sky; I had a recurring dream (I think) of walking out my back door and into the woods at night, surrounded by dancing lights, and losing track of which were fireflies and which were stars. Listening to dark folk project Nebelung’s latest release, Palingenesis, is the closest I have felt to those dreams, and that time in my life, in years.” The beauty in this darkness took Natalie back to some happy childhood memories. How cool is that?

Miracle Master – Tattooed Woman Review

Miracle Master – Tattooed Woman Review

“Hot on the heels of Steel Druhm’s review of Crematory’s Antiserum and sticking with zee Germans, we have Miracle Master’s Tattooed Woman, which delivers an unhealthily large dose of Dio worship, a smattering of modern American hard rockers Shinedown and the growlings of Monster Magnet.” Madam X loves her catchy hard rock, but can she make it through a whole review without Jorn nuthugging? Take your bets now!

Iron Savior – Rise of the Hero Review

Iron Savior – Rise of the Hero Review

Iron Savior is one of those “comfortable old shoe” kind of bands. Every album is essentially the same and the quality ratio is generally respectable. They were never much for shifting stylistic paradigms and it’s fair to call them the AC/DC of overblown sci-fi power metal, but as long as the music was good, it was all fine. Sure, their recent output hasn’t exactly rivaled their classic early period stuff, but they never dropped a total dud either and 2011s The Landing was plenty of fun in all it’s overproduced, studio-abusing bombast.” Those crazy Germans are back with more Gamma Ray-meets-Judas Priest power metal for the masses. Will this be your new metal savior? Steel Druhm opines.

Crematory – Antiserum Review

Crematory – Antiserum Review

“Few bands have dipped their toes in more genre pools than Germany’s Crematory. Over the course of their career, they’ve cobbled elements of death metal, gothic rock, electronica, industrial and even club music into what could called the “Crematory sound.” As the years went by, certain elements would drift in and out of prominence, but in recent times, the sonic space between them and countrymen Rammstein has narrowed to a fine line. These guys are heavier and more death-oriented, but the basic sound is essentially the same. While I’ve followed them since 1997, I’ve always found them frustratingly inconsistent.” Do you like your death metal backed by throbbing club music? If so, Crematory is here to fill that specialized niche.

Primal Fear – Delivering the Black Review

Primal Fear – Delivering the Black Review

Primal Fear never claimed to be innovators or trail blazers. They just want to rock their Judas Priest inspired, traditional metal shtick and write catchy, anthemic songs. They’ve been good at it too and certainly made a career of it, since Delivering the Black is album number ten for the Teutonic terrors. However, with their innate lack of innovative spirit, the risk of staleness becomes an ever present stalking horse, and some of their discography has suffered it’s awful sting…” Ready for more music Judas Priest could have/should have written after Painkiller? No matter how you answered, here it is!

Things You Might Have Missed 2013: Masters of Disguise – Back With a Vengeance

Things You Might Have Missed 2013: Masters of Disguise – Back With a Vengeance

“As a wise man named Mr. Fisting Himself once observed, the latest trend in metal is finding the most obscure acts from the past and repackaging them as underground, cult and cool, or to quote the man Himself, embarking on “the slow journey up it’s own ass.” Taking part in this mining mission to Uranus, Masters of Disguise is a band wholly created to pay homage to the extremely under known mid 80s speed metal act Savage Grace. Whom, you ask? Exactly.” Talk about wallowing in obscurity! These guys are so far up metal’s ass they may never be seen again, but I thought the same thing about their progenitor too.

Eudaimony – Futile Review

Eudaimony – Futile Review

“Ever wondered what hell the unholy union of Germany’s Dark Fortress and Secrets of the Moon would spawn? Alright, now let’s make things a little more interesting and maybe just a little more sordid. Let’s bring in Sweden’s Naglfar and turn this into a lascivious little three-some. Taking it a step further, ever wondered what their bastard child would sound like? Well here you have it! Eudaimony is the spawn of just such an unholy, messy union, with former Dark Fortress front man Matthias Jell (Azathoth) on vocals, Naglfar’s Marcus E. Norman on guitars, bass and synthesizer and Secrets of the Moon’s Jörg Heemann (Thrawn Thelemnar) on drums.” Grim, unhappy blackness from a veritable super group of black metal luminaries? That’s got Madam X written all over it…in BLOOD!

Falkenbach – Asa Review

Falkenbach – Asa Review

“There’s music meant for a summer drive with the top down (old Van Halen), hitting the weights hard (Slayer, Pantera) and a night of hard-drinking in sketchy beer mills (Fireball Ministry, Orange Goblin). Likewise, the new slice of folksy Viking metal from Falkenbach proves perfect for chopping wood in the brisk Fall air. While I recognize “wood chopping” or “lumberjack” metal is an under-served medium, I feel confident saying this is the finest chopper album I’ve heard all year.” Grab thine axe as Steel Druhm weaves his tales of Viking rage and folksy tomfoolery.