“Being that I had money and nothing else to do, I purchased the sophomore release [Katun] of Mexican blackened-death metallers Hacavitz.” Money and idle hands lead to poor musical choices. Always.
Horna
Death Karma – The History of Death and Burial Rituals Part I
“Death is perhaps the most interesting subject to me. Though I don’t study it, don’t have any sort of education in it, and don’t have any right to expand on or analyze it, I just find the human intrigue and fear of death fascinating. Some embrace death and live their lives knowing that everything could end today, others accept but fear death, and many avoid discussion of it (and even the thought of it) more than anything else in the world.” Want to learn more about death? Then this is the best source since the Mondo Cane videos.
Church of Void – Dead Rising Review
“Church of Void is a young upstart Finnish doom band, but they like to bill themselves as the spearhead of the “new wave of traditional heavy doom metal.” While that might be putting the cart before the dead horse quite a bit for an obscure band, I admire their hyperbole and moxie. Featuring former members of Battlelore and Horna, they play a slightly amorphous style of doom that skips between 70s Sabbath worshipping acts like Orchid and Hour of 13, modern doom like Katatonia and even stoner rock like Monster Magnet.” Can a young band lead the way in a style so old and gnarly? Steel Druhm is also old and gnarly so we asked him.
Behexen – Nightside Emanations Review
Behexen are very much creatures of the second wave of European black metal, and their identities are firmly rooted in that aesthetic and culture. Not ones to deviate from their chosen path, and certainly not about to start experimenting now. Rather than opting to make drastic changes in approach, they have instead chosen to pursue subtle refinement. Staying within the rigidly proscribed confines of raw, early black metal, Behexen up the finest interpretation of that sound that they can while still maintaining its integrity.
