“Post-metal and stoner rock both struggle to escape the shadows of their forebears. Nothing gets me off like a well-developed soundscape, but countless bands claim to be the next Neurosis or Kyuss while bringing nothing to the table but fuzzy minimalism. This Melvin can attest firsthand that the Melvins already exist, and imitating them is a losing battle. So I approached the sophomore release from Houston’s sludgy post-metallers Pyreship with high hopes and a raised eyebrow.” Riding posts.
Independent/Unsigned
An Isolated Mind – A Place We Cannot Go Review and Album Premiere
“I’ll admit right now that after almost nine years of listening to hundreds of promos for review, there’s a ton of music that may have left an impression during that time, but honestly doesn’t stay with me once the review is submitted. Call it lack of staying power or my own need to move on to the next promo for review, but with a few notable exceptions, many albums that I’ve fallen for on first listen end up drifting to the wayside, destined to be forgotten. An Isolated Mind’s 2019 debut full-length, I’m Losing Myself, was certainly not one of those albums. An unflinching look at mental illness, I’m Losing Myself tackled a difficult subject with care and grace, and landed my top spot of 2019 in doing so.” Isolated but not lost.
Ischemic – Ischemic Review
“As 2021 continues to be the DLC to 2020 that absolutely nobody asked for or wanted, bands are using the downtime due to lack of touring and promotion to work diligently on their musical output. Some bands, such as Toronto’s Ischemic, are even going as far as to record and mix their own music, further driving home the fact that DIY can’t, and won’t, be stopped. Not by pandemics, not by lockdowns, not by lack of touring. It’s this admirable and, quite frankly, necessary approach that will eventually separate the diehards from the pack, and on the band’s self-titled second full-length, they didn’t let the pandemic get in the way.” Crisis management.
Kaoteon – Kaoteon Review
“With a one-sheet that closed with “FFO: Behemoth, Marduk, Watain, and My Dying Bride,” I expected competently played blackened death metal… with weepy violins, morose lyrics, or whatever else that could possibly be associated with My Dying Bride that would potentially throw a huge monkey wrench into the classic blackened death metal formula.” If you can dodge a wrench….