“Since 1994 this sadboi doom/death Katatonia spin-off has been spewing sullen tunes to the beat of a depressed march. Originally more in line with a stripped-down presentation of the kind of work that Dance of December Souls started and Brave Murder Day championed, October Tide festered into its own deathly beast, eventually seeing the legendary Jonas Renkse step away to a succession of progressively more vile vocalists.” High? Low? October Tide.
“Well, well, well. How time flies. On 7 November 2018, my first ever review, under the unassuming alias of Nameless_N00b_17, was posted for The Grand Manifestation by Sweden’s Third Storm. Almost five years on, despite various spates of chronic overrating and hopefully showing some improvement in my writing, I am still here to see Third Storm return with their sophomore album, The Locust Mantra.” Bugnado.
“You gotta love a good genre-bending record. Morphing between two, three, or even more distinct metallic styles is not easy, but it’s even more difficult to attempt while still putting out a great record. Boston, Massachusetts progressive symphonic metal act Ice Giant aim to join these ranks of successful shape-shifters with their sophomore LP, Ghost of Humanity.” Kitchensinkcore.
“The Great Demise combined Dissection black, Hypocrisy death, and Amon Amarth melodeath to deliver a rollercoaster of intricacies, riff changes, builds, and atmospheres. At times, it worked. At times, it didn’t. As a whole, The Great Demise was missing the fluidity to pull everything together. Now they’re back with a Covid-inspired follow-up whose theme concerns mental health. This concept alone instills high-charged emotion into the album. But how Sodomisery delivers it completely floored me.” Sodom misers!
“Before picking this promo up, I had never heard of Sanguine Glacialis before, but I quickly fell head over heels for their wild extreme metal after checking out the kaleidoscopic blunderbuss that is Hadopelagic, their 2018 sophomore record.” Tastis the Glacialis.
“Sweden’s Orbit Culture became a poster child for extreme metal with their 2020 full-length, the formidable Nija. While undeniably heavy in neck-snapping thrash grooves, ferocious roars, and an unforgiving edge of industrial atmospherics, the band showed its roots in the lush forests of melodic death metal. Soaring clean choruses and earworm melodies assemble in the darkness with an often unmatched colossal quality, creating a sound both catchy and devastating. Orbit Culture became the “it” band, not forsaking any of their uniqueness. After 2021’s solid EP Shaman, we are met with 2023’s Descent.” Culture rot.
“The first thing that interested me about Nuclear Winter is that they’re from Zimbabwe. I don’t know much about Zimbabwe, and I’ve never reviewed or even listened to a record from Zimbabwe, but I thought that maybe metal produced there would have some unique sounds and textures. I quickly found that not to be the case. Seagrave sounds like a thousand other European symphonic power metal-type records.” Uranium graves and winter burials.
“Goliath isn’t going to sneak up on anybody. Kataklysm’s formula, tweaked on 2020’s Unconquered to include a seven-string guitar, remains in place: burly but accessible melodies that often evoke Amon Amarth, lyrics that use cliched martial imagery to spur the listener toward a kind of tough-love self-improvement, and effective production from guitarist Jean-François Dagenais that splits the difference between “gnarly” and “sleek.” Size matters.
“At first listen, Bloodletter sound pretty much the same in 2023 as they did in 2021 (or 2020, depending on when you believe the album was actually released). Combine the nasty thrash of a Slayer or a Dark Angel with the melodeath of The Black Dahlia Murder or At the Gates, sprinkle in some icy blackened tremolos, and you’re left with a 35-minute package of highly melodic brutality.” Hate mail!
“There’s something special about a melodic death metal band unafraid to reach into the depths of brutality in the pursuit of killer tunes. Bands like Nawabs of Destruction and The Beast of Nod created some of my favorite metal albums of recent years by utilizing an equal measure of brutal and hyper-melodic elements. Now it looks like Astralborne, a melodic death metal trio hailing from Ohio, prepare themselves to officially join that exclusive category with their upcoming opus Across the Aeons.” Resistance is brutal.
