Mustis

Fleshgod Apocalypse – Agony Review

Fleshgod Apocalypse – Agony Review

In 2009 a record came sort of out of nowhere that really took me by surprise, and frankly, kicked my ass something fierce. It was from Italian technical death metallers Fleshgod Apocalypse and the record was called Oracles. What I loved about the album, and the thing that made it so addicting, was that it was beautifully melodic and unabashedly technical at the same time. It blended these two things into what was easily the most unique technical death metal or melodic death metal record that had been released in a very, very long time. I was blown away (and still am). I didn’t review it at the time, but it made the #3 spot on my Top 10(ish) of 2009 and I have been waiting for the follow up ever since. Agony, the band’s first record on Nuclear Blast records, is that follow up and it’s a great album that bugs me.

Dimmu Borgir – Abrahadabra Review

Dimmu Borgir – Abrahadabra Review

It’s that time again! Dimmu Borgir is releasing a new album. It’s been a while, actually, and after having a scruff in the media with former keyboardist Mustis and having the mighty vocalist and for show bassist Simen Hestnæs leave the band (to the joy of Arcturus and Borknagar fans), there was actually a bit of anticipation to see what would happen with this album. I, like many, believed what Mustis said about writing all the music in the band and not getting the credit he deserved, and Abrahadabra proves that I think, but instead of being an indictment of the band, it may have been an idictment of Mustis’ writing.

Sigh – Scenes From Hell Review

Sigh – Scenes From Hell Review

Let me start with the a territory that isn’t very comfortable for many in heavy metal: orchestrations. Heavy metal has seen many variations on the classical orchestration in many different subgenres. Neo-classical metal, like the wanky stuff with Yngwe or Symphony X, has long bragged about the influence of baroque and classical music. Bands like Rhapsody of Fire and Epica do things that sound like they should be straight out of a movie score and black metal even has a symphonic sub-genre, most notably filled by Dimmu Borgir, whose symphonics have gone over the top in the last few years with the addition of Mustis (though we’ll see what happens now that he’s gone). Never before in my tenure of heavy metal listening have I heard orchestrations used in a black metal record to such effect as they have been used on Sigh’s new record Scenes from Hell.