“I was promised sludge. That’s not what I got. Not that I love sludge or anything, but I definitely wanted to know what sludge sounded like coming from a band named Kimono Drag Queens. But no. Copper Feast Records duped me. The shade of it all. Anyway, septet Kimono Drag Queens strut onto the AMG runway regardless, hailing from Sydney and slinging some hella psychedelic blues rock.” Kimono worship.
“Collaborations between metal artists are quite common. The amount of “supergroups,” like Phil Anselmo’s own Down, can attest to that. Less common are collaborations between metal artists and people outside of metal. Sometimes these are successful, like when Anthrax teamed up with Public Enemy for “Bring the Noise.” Other times you get Lulu.” The South will writhe again.
“A little confession: I chose to review the appallingly-titled 23 Acez sophomore effort in a bout of vindictive malice after grappling with a particularly hateful Spanish literature essay. I was pissed off and envisaged venting on a poor rock band just trying to make their way in the world.” We hate, because we care. Not about you, but other important stuff.
“So you haven’t yet crossed paths with Igorrr’s prior works (Halleluja or Nostril)? Well then, where to begin!” Seems Madam X isn’t quite ready to let go of 2014 and the weirdness that came along with it.
“There’s a moment in time, at a certain point and it doesn’t even matter where, when one starts to wonder: how big is this machine? Does it have thoughts of its own? Where does the medium start and the human mind end? But does it matter, after all? Author & Punisher is a true son of post-industrial America: one of those people who may end up living their entire lives without having to turn the handles of a proper mechanical apparatus, smell the iron, wonder why its aroma is so similar to that of human blood and confuse form with substance. Machines – greasy joints dripping oil as if sweat – belong to zoos together with those strange animals (cows, goats, donkeys, etc.) young kids rarely see.” I for one would love to visit a mechanical zoo! Anywho, Alex provides us with more of his thoughtful musings on life, machinery and metal as he examines the new Author & Punisher opus.
“Christos Antoniou is a busy guy, classically trained musician and composer, he’s probably more commonly associated with the likes of Septicflesh. Album after album they’ve brought something huge, dramatic and tasty to the table and if you’re like me you’ve ravenously gobbled up every last scrap and looked around for seconds. Well here they are… what you may or may not know is that Christos has a side-project called Chaostar, born round the time Septicflesh released The Eldest Cosmonaut. While their core sound definitely captures some of what makes Septicflesh great, it’s also enough set apart that it’s an entirely different animal.” Join Madam X as she’s dragged kicking and screaming out of the mosh pit and unceremoniously dumped into the world of baroque style classical music… will she come out unscathed on the other side?
Every Angry Metal Guy has a soft side, right? Not necessarily. I think lots of angry metal guys sort of lack soft sides, at least when it comes to music–which is a shame, because they often miss very musically interesting records that are being put out by other bands and musicians throughout the world. Sure, I agree that the majority of what pop music has to offer is pointless, unentertaining, drivel that hurts me somewhere deep down inside… Regardless of the state of pop music, though, every once in a while you stumble onto an artist that somehow manages to bridge that gap between the angry, stubborn four year-old who just wants to hate things that don’t fit into his very small view of the world and your inner connoisseur who is willing to set aside those judgements to just enjoy excellence when confronted with it.
