“For the uninitiated, Tulus has been around since ’91, 1996 debut full-length Pure Black Energy considered a cult classic of early black metal. Although taking a six-year break between 2000 and 2006, the trio has amassed six full-lengths and a compilation over the project’s career.” Olde and still Khold.
“On initial listen, I can tell you that Den Tapte Krigen is no Vi Overlevde. Let that sink in as you consider the consequences of that statement. Is that good or bad? For one, Den Tapte Krigen is a tighter album (only eight tracks) with a formalized theme. There’s fluidity from the beginning to the end of this journey. What about those surprise transitions and standout songs, you ask?” Rejoin the Kult.
“Siberian Tusk’s sound certainly owes much to stoner rock progenitors like Kyuss / Queens of the Stone Age, but even more so to Audioslave. While Siberian Tusk’s promo material emphasizes a punk aesthetic, it doesn’t translate to the band’s sound. No, this cocktail is an alternative base with several dashes of butt rock bitters.” Tusken raiders.
“Five-piece NATT comprises a core duo of songwriters, René Misje (Kraków) and Roy Ole Førland (Malignant Eternal), who are then joined in the studio by others, including Enslaved’s Iver Sandøy behind the kit. Would the launch gig for their self-titled debut justify a visit to Norway?” Tour core.
![Darkthrone – Astral Fortress [Things You Might Have Missed 2022]](https://www.angrymetalguy.com/wp-content/uploads/2022/12/Darkthrone_Astral-Fortress.jpg.webp)
“Darkthrone is the only early-days black metal band that’s kept me interested through the decades. In times when I care little for the vast majority of black metal releases, I’ll always give a new Darkthrone album a fair shake. That’s because over their 36-year career, Nocturno Culto and Fenriz always embraced change and took more risks than a degenerate gambler at a no-limits poker table in Macau.” Olde, colde, bolde.
![Trollfest – Flamingo Overlord [Things You Might Have Missed 2022]](https://www.angrymetalguy.com/wp-content/uploads/2022/12/817314-768x767.jpg)
At its root, Trollfest’s sound combines the “huumpa and the beast” formula popularized by Finntroll with the diverse musical influences and a willingness to expand into whatever style feels fun at the moment from DSO. But unlike aforementioned artsy (and potentially fartsy) Swedes, Trollfest pretty much sings about their collective alcohol problem (like Korpiklaani). And honestly, every time I listen to a new Trollfest album I ask myself the same question: “Why don’t I listen to these guys more?”
“Just in case you’re not familiar with left-hand-path magic, I’ll introduce the subject of Dødsengel’s Bab Al On. Babalon is a Thelemic goddess embodying both female sexuality and motherhood. Variously depicted as an abstract archetype of licentious liberation, a ‘sacred whore’ astride the demonic Great Beast, and a deity of incarnation and destruction, she essentially stands against the patriarchal ideal of order in her chaotic physicality. Dødsengel dedicate their fifth full-length to this (un)holy mother, with an iteration of their already obscure and restless black metal as strange as it is compelling.” Mommy issues.
“For those of you posers that don’t know, Kampfar is untouchable in the pagan/black metal realm. And they’ve been ruling it with a bloody battle axe for almost 30 years. Now, they are back again to threaten my year-end list with Til Klovers Takt. But, unlike Profan or even Ofidians Manifest, Til Klovers Takt explores all that is Kampfar. It plays out more like a best-of-release than a standalone record. Each song explores songwriting structures from the band’s past and present. Yet, somehow, it’s brought together in a strategic tracklist. Welcome to pagan metal heaven.” Kamping bastards.
“A swan at the edge of what? A fucking mandala? You know, those monk-assembled sand drawings that they sweep away as a meditation. A Swan by the Edge of Mandala (henceforth ASbtEoM) is hands down the most egregiously prog-endowed album name I’ve heard all year. And what’s that, Vorbid appears to be leaning on another definition of mandala? A dream symbol that represents a person’s quest for self-unity? So it’s a concept album too, as if we didn’t need more confirmation that Vorbid plans to spill forth a bounty of instrumental gymnastics, introspective lyrics, and formibably lengthened runtimes.” Vorbid tales.
“Khold combines Carpathian Forest-esque black ‘n’ roll, Satyricon accessibility, and Darkthrone-like sinisterness that molded Grier‘s tiny heart into a lump of coal for nearly a decade. Then, 2014 saw the end of the band. During this time, the crew resurrected their thrashy black metal counterpart, Tulus. Which felt like a somewhat natural progression following Khold’s odd 2014 swansong, Til ended. Also, the band’s founder/drummer found success with Darkthrone’s Nocturno Culto, releasing album after Sarke album. Fast forward to 2022, and the boys are back.” Ice Khold.
