Power Metal

Arch Enemy – Khaos Legions Review

Arch Enemy – Khaos Legions Review

Looks like the Amott brothers are back in town. That town being Gothenburg (as in the “Gothenburg style”) and their band is the long running Arch Enemy, purveyors of slick, polished, (and some would say soulless) melodic death. Khaos Legion is their eighth full length and the first since 2007’s Rise of the Tyrant (not counting their 2009 re-recording of material). I was a supporter during their early years but with the Wages of Sin album, things took a turn and never felt the same. Although I gave subsequent releases a spin or two, by and large I wasn’t interested in their overly clinical, sterile and generic brand of death metal for the unwashed masses. With this track record of vaguely condescending ambivalence, I approached Khaos Legions with low expectations and much to my surprise, this isn’t all that bad. It’s certainly going to raise some eyebrows though because its much more melodic, mellow and restrained. While there are a few “heavy” songs, this is almost like a power metal album at times (albeit with death vocals). While there’s nowhere near enough death here to satisfy most fans of that genre, the more family friendly approach results in some enjoyable, lightweight quasi-power metal that will amuse some (while royally pissing off many).

HammerFall – Infected Review

HammerFall – Infected Review

Radiation clouds, torn limbs, zombies on the loose, Armageddon closing in, Aaah! In other words, heaven on Earth for horror maniacs such as myself. Just the perfect cliche plot to fit your favorite movie in the genre or some random Left4Dead-ish first-person zombie shooter which despite all plot holes always provides a lot of fun and action. And I really wish I was reviewing something of this sort, but well, life’s a bitch. What I’m actually whining about is the mere fact that we’re talking about HammerFall’s newly born record, Infected, which will not entertain you even nearly as much.

Amaranthe – Amaranthe Review

Amaranthe – Amaranthe Review

Amaranthe has three vocalists. Just let that sink in for a while. From what I can tell, not one of those vocalists plays an instrument. Instead, they found three “attractive” people to do vocals for them. The first is a woman, who sounds like a pop singer (think E Type) and who I guarantee you cannot name a Slayer record. The second is a screamy dude. He’s got a beard (’cause he’s tough and angsty, you see) and he screams, but not too much (he must be very, very, very bored on stage). And then there’s the ‘power metal’ vocalist (Berg from Dream Evil) who’s just as over-produced as the chick vocalist and is there to get 14 year old girls all silly over his perfectly groomed dreadlocks. Behind them are several soulless session musicians (from Mercenary, Dragonland and Engel). Though, frankly, this is a band that is functionally made of session musicians, since integrity seems to be lacking.

Bloodbound – Unholy Cross Review

Bloodbound – Unholy Cross Review

When I first heard that super talented metal vocalist Urban Breed had left the excellent Tad Morose I was very unhappy. When he popped up in the strangely corpse painted but great classic metal band Bloodbound for their 2006 debut, I was happy again. Then he left, then he came back, and now he’s left yet again. C’mon man, what the hell are you doing? As the ever fickle Mr. Breed contemplates his career options, the boys in Bloodbound soldiered on without him and are set to release their fourth platter Unholy Cross. With vocals now being handled by Patrik Johnansson (Dawn of Silence), Unholy Cross finds Bloodbound bouncing back and forth between their usual classic metal sound and modern Euro-power metal similar to Edguy, Mystic Prophecy and Stratovarius. Gone is the slick blend of classic and modern metal they explored on 2009’s excellent Tabula Rasa and sadly, a lot of the overall excitement seems leeched from their sound this time as well. While still worthwhile, this is inferior to their earlier material, especially Tabula Rasa.

Strident – Oath (From Chaos to Glory) Review

Strident – Oath (From Chaos to Glory) Review

So apparently there’s this burgeoning metal scene in South Africa. How fucking cool is that? We already ran a review from scenesters Crow Black Sky, A Walk with the Wicked and Heathens and now we get the first proper self release from unsigned Cape Town heroes Strident. Playing what they describe as “epic South African power metal,” these gentlemen are out to show the rest of the world that true metal runs deep in the African earth. This is indeed power metal in its purest form and clearly influenced by the likes of Manowar and Rhapsody of Fire (together again, ain’t that sweet AMG?). Needless to say, with those guys as primary influences, you can expect things to get mighty cheesy real quick and that’s exactly how things go down here. Sporting an album cover suitable for the next Brutal Legend video game, their debut Oath (From Chaos to Glory) throws every power metal and true metal staple, stereotype and standard at you in a manic fury. It’s fun, funny and cringe worthy in equal measures and sets a new standard for the phrase “hugely over-the-top.” Whether you like it or not has a lot to do with your overall lactose tolerance and sense of humor.

Jag Panzer – The Scourge of the Light Review

Jag Panzer – The Scourge of the Light Review

Jag Panzer has been an American metal institution since the early 80’s and they’ve always been a band that you could rely on to clobber you with enormous, powerful, top-notch heavy metal of the traditional school. They’re also the original American power metal act. Their take on power metal being far different than the textbook European approach, Jag Panzer were always much heavier, tougher and had more balls than the Helloweens, Gamma Rays and such of the Euro-school. Built around the mammoth, masculine and powerhouse vocals of Harry “the Tyrant” Conklin, the Panzer sound was always hard-edged, large and much closer to the NWOBHM style of Iron Maiden or Judas Priest. After a wait of nearly seven years since 2004’s Casting the Stones, The Panzer finally rolls again and we get album eight (nine if you count the long shelved Chain of Command opus), The Scourge of the Light. Was it worth the long wait? Does Moonsorrow piss in the snow? [Was the Pope a Nazi? – AMG] Of course it was worth it! Scourge is a welcome and mighty return to the metal throne by Jag Panzer and they brings us ten new slices of old school metal glory.

Stratovarius – Elysium Review

Stratovarius – Elysium Review

Stratovarius is a name synonymous with European power metal and right up there with Gamma Ray and Helloween. Over the course of their long recording history they’ve created stellar examples of the style and several of their albums reside on my all time power metal playlist (Destiny, Visions, Episodes, Fourth Dimension, Infinite). Along with these past successes, Stratovarius had their share of ups and downs, including their infamous and acrimonious split with founding member/guitarist/chief songwriter Timo Tolkki (Revolution Renaissance). Both before and after this split, Stratovarius released some uneven albums and went through a phase where they indulged in bloated, overly orchestrated symphonic styles and for many long time fans, this was regrettable (Elements Parts I and II). While 2009’s Polaris seemed to right the ship, Elysium shows considerable backsliding toward these past missteps. While still a decent album with some great moments, it fails to rise anywhere near the level of past triumphs and ultimately bogs down amid ponderous pacing and overwrought orchestration.

Things You May Have Missed 2010: Triosphere – The Road Less Travelled

Things You May Have Missed 2010: Triosphere – The Road Less Travelled

Triosphere is a Norwegian progressive/power metal band that has gotten a little bit of play among fans of the genre, but isn’t actually super well known or discussed widely. Released on AFM, the band’s second full length The Road Less Travelled is a surprisingly interesting and fresh sounding power metal record in a genre filled with tired, tired, tired bands playing tired, tired, tired music. Instead, the band seems to have carved out a fairly unique place, partially due to the androgynous vocals of Ida Haukland. This isn’t an insult to her by any means, it’s just that I couldn’t tell if this was a male vocalist or a female vocalist and she’s one of the few female vocalists in power metal that I’ve ever heard that really do metal voice convincingly, instead of donning a dress and pretending she’s a diva. To the contrary, with solid backing from a band that can go between Dream Theater-flavored solos and Dragonforce-flavored blasts, she nails the presence the album needs to be convincing and unique at the same time.

Revolution Renaissance – Trinity Review

Revolution Renaissance – Trinity Review

Wow, Timo Tolkki just can’t catch a break! First, the founder, mastermind and guitarist of long running power metal institution Stratovarius had to leave the fold due to personal problems and private demons. Now problems have forced him to call it a day with follow-up band Revolution Renaissance, shortly after releasing Trinity, their third album. I was only lukewarm about their debut and actively disliked the slow and soupy mess that was Age of Aquarius. However, after spending time with the band’s swan song, I have to admit, it’s a shame to see them pack it in. This is a solid slice of melodic European power metal and a clear improvement over the prior Revolution Renaissance outings. While nothing on Trinity is genre defying or “revolutionary” in a musical sense (it actually sounds A LOT like his former band), it’s well done, enjoyable and contains some moments of exceptional power metal songwriting sure to please fans of the style.